17 episodes
30 Bach: The Goldberg Variations Podcast Lowry Yankwich
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- Music
“30 Bach” explores one of the most profound pieces of music ever written: J.S. Bach’s “Goldberg Variations.” Although the piece is over 280 years old, it continues to capture the imaginations of musicians and listeners alike. Through interviews with leading musicians as well as with devoted listeners, the podcast explores why the work is so meaningful to so many and explores the diverse and profound ways that listeners relate to the piece.
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Teaser
What do a nanoscientist, an architect, a Brazilian guitarist, and Silence of the Lambs all have in common? One inspiring piece of music: J.S. Bach's "Goldberg Variations". Podcast coming soon!
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"It's perhaps the music that travels best"
We begin where the piece begins: the "aria" on which the rest of the piece is based. This episode introduces the project, including why I embarked on this project, and how the piece inspires people today. Conversation with architect and nanoscientist who listen to the piece every day. Other guests include Simone Dinnerstein, Angela Hewitt, Jeff Scott, and Dan Tepfer.
Musical sound recording credits available at https://www.thirtybach.com/podcast-episodes/its-perhaps-the-music-that-travels-best
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Christopher Hinterhuber: "Music which was made for dancing"
Variations 1, 2, 3. Our first stop is in Vienna, Austria with Professor Christopher Hinterhuber, a celebrated pianist for whom the Goldberg Variations has been a consistent source of inspiration. Hinterhuber connects variations 1, 2, and 3 to musical traditions such as the polonaise, and shows how Bach's music exists in relation to his predecessors.
Interview and performance recorded October 25, 2017 in Vienna, Austria.
Episode Photo credit: Nancy Horowitz.
Additional musical credits, used with permission:
Chopin, Polonaise-Fantasie, op. 61, Hugo Kitano performing, published December 26, 2018; Bach, Toccata and Fugue in F Major, BWV 540, James Kibbie performing. Sponsored by the University of Michigan School of Music, Theatre & Dance with generous support from Dr. Barbara Furin Sloat in honor of J. Barry Sloat. Additional support provided by the Office of Vice-President for Research, the University of Michigan; "Premier bransle de Bourgongne," Zdeněk Seidl performing, published November 21, 2019. -
Simone Dinnerstein: "It was like an epiphany"
Variations 4, 5, and 6. What was Bach's musical development like? How did he grow as a young musician, and how has his music helped other artists grow? For pianist Simone Dinnerstein, the Goldbergs are a constant source of artistic growth, whether as a soloist, or a collaborator.
Photo credit: Lisa-Marie Mazzucco.
Interviews took place on March 12, 2018 and March 31, 2020 in Brooklyn and by zoom, respectively.
Recorded by Lowry Yankwich:
Aria, Lowry Yankwich performing, Palo Alto, CA, September 8, 2020; Variation 3, Christopher Hinterhuber performing, Vienna, Austria, October 25, 2017; Variation 29, Hie-Yon Choi performing, Orléans, France, August 6, 2018; Beethoven: Sonata no. 18 in E Flat Major, op. 31, no. 3, Lowry Yankwich performing; Bach: Prelude in F-sharp Minor, BWV 883, Lowry Yankwich performing.
Musical credits, used with permission:
Variations 4, 5, 6, and 22, Simone Dinnerstein performing, recorded at PS21 Chatham by Joel Patterson, Mountaintop Studios, July 22, 2017; Buxtehude: Nun Freut Euch, Sietze de Vries performing, Hamburg, Germany, 2014. -
Dan Tepfer: "Prepare to be unprepared"
Variations 7, 8, and 9. Bach was a legendary improviser who could blow the socks off most jazz musicians today. This episode features a discussion with Dan Tepfer, a classically-trained jazz pianist and Bach lover who free improvises over the structure of the Goldberg Variations.
Photo credit: Josh Goleman.
Musical recording credits available at: https://www.thirtybach.com/podcast-episodes/prepare-to-be-unprepared. -
Kristian Nyquist: The Real Sound of the Goldbergs
While the Goldbergs are most often heard today on the piano, the piece was written for the double-manual harpsichord. There are advantages to playing the piece on harpsichord, and tricks a harpsichordist can pull to create unusual effects. The instrument offers surprising flexibility to conjure all sorts of textures in the music. Harpsichordists Kristian Nyquist and Mahan Esfahani discuss.