Hrkn to .. Movies? Before choosing your next one, listen in Share Premium

James Cameron-Wilson reports UK box office up a remarkable 100%, thanks to the new #1 Inside Out 2, which took £11.3m. That's the biggest opening of the year and the 3rd biggest UK opening for an animated film. Pixar have done it again with an enjoyable adventure which is both exciting and funny. On Netflix, Glen Powell has a star-making turn in Richard Linklater's Hit Man, a romcom supposedly based on a true story. With a terrific script and great chemistry, it's an entertaining watch. And on Amazon Prime, Bad Behaviour sees Jane Campion's daughter Alice Englert do virtually everything in a bracingly original, disturbing, funny and touching drama.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson says the box office is only up 10% with new #1 Bad Boys: Ride or Die picking up almost £4m. James found this sequel, 29 years after the original, profane, violent, meaningless and formulaic. #6 The Watched is a cabin-in-the-woods horror written and directed by Ishana Shyamalan, daughter of M Night. But it turns out to be cliched, dreary and often nonsensical. Simon recommended Italian drama La Chimera starring Josh O'Connor and Isabella Rossellini about a group of tomb robbers. And for home viewing, James thought the Tokyo-set Oscar-nominated Wim Wenders film Perfect Days, about a man who cleans toilets, to be the director's best since Paris, Texas 40 years ago.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson reports that the charming IF has regained the #1 spot at the UK box office. He was less than impressed by #8 Sting, a horror film about a spider which is a dumb and ridiculous sub-Alien ripoff. Although it is familiar and feels like a video game jammed on fast forward, he found the Jennifer Lopez sci-fi romp Atlas on Netflix to be reasonable popcorn entertainment. He was even more impressed by Sky's Bonus Track about a teenager loner at school who suddenly finds direction in his life. It is funny, moving and sweet and feels as if the teens are real people.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson cheers UK box office up 28%, thanks to the weather. But he regrets the agony of seeing #1 Garfield which is crass, loud & witless, celebrating violence and overeating. He found Furiosa: A Mad Max Saga better than Fury Road, having more dramatic bite and a welcome humanity although, given the near-torture porn content, he was surprised at the 15 certificate. Although it hasn't set the box office alight, he caught the versatile Kristen Stewart in Love Lies Bleeding, a funny, brutal and unexpected neo-noir which he thought really special. He waxed lyrical about Powell & Pressburger's 1949 WW2 film The Small Back Room, beautifully restored for home viewing. It's a claustrophobic, music-less, hard-boiled drama about a vanished world with a peerless cast and he rates it one of his favourite of the exalted Archers' films.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson recommends IF, the new #1 in a UK box office +16% on the previous week. Starring Ryan Reynolds, this family film is sentimental but smart, is beautifully executed by some famous names behind the camera and is both touching and funny. James found the first part of a trilogy prequel, The Strangers: Part One, to be clichéd and far-fetched beyond belief and yet the camerawork of director Renny Harlin made him want to know what happens next. But he found Unfrosted on Netflix to be almost as awful as Garfield 2. A supposedly true story about Kellogg's invention of the pop tart, directed by Jerry Seinfeld, it has a witless script and is only minisculely redeemed by a lot of famous cameos.
Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson laments the UK box office, down 32% because of the sunny weather. It meant Kingdom of the Planet of the Apes only took £3.8m. Despite his loneliness in the cinema, James found it a miraculous piece of cinematic magic; clever, multi-layered, exciting and often funny, with amazing production design. On Netflix, he was disappointed by In the Land of Saints & Sinners, a plodding thriller with Liam Neeson. And he found Disney Plus's Prom Dates to have a few amusing bits but to be far too crude and predictable.
Learn more about your ad choices. Visit podcastchoices.com/adchoices