New Books in Literary Studies New Books Network

How do games represent history, and how do we make sense of the history of games? The industry regularly uses history to sell products, while processes of creation and of promotion leave behind markers of a game’s history.
The access to this history is often granted by so-called paratexts, which are accompanying elements orbiting texts. Exploring this fully, case studies in (Not) In the Game: History, Paratexts, and Games (de Gruyter, 2023) move the focus of debate from the games themselves to wider, ancillary materials and ask how history is used in, and how we can use history to study games.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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Rakugo is a live performance art that has penetrated the borders of Japan and continues to gain popularity overseas. The rakugo stage once dominated by Japanese raconteurs now features foreign storytellers, as well as Japanese performers, both amateur and professional, who endeavor to entertain us in English. The only requirements for rakugo storytelling are a folding fan, a hand towel, and your imagination!
In Talking About Rakugo 1: The Japanese Art of Storytelling (2022), learn what distinguishes rakugo from Japan's other traditional performing arts, become acquainted with its greatest contributors, enjoy some of rakugo's most popular classical stories, and meet the performers of today.
In this episode, the rakugo storyteller Kanariya Eiraku also gives an audio demonstration of a classic rakugo story that has been adapted to a modern-day audience. English translations for other classic rakugo stories can be found in his other book, Eiraku's 100 English Rakugo Scripts.
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Edited by Matteo Pangallo and Emily Todd, Teaching the History of the Book (University of Massachusetts Press 2023) is the first collection of its kind dedicated to book history pedagogy. With original contributions from a diverse range of teachers, scholars, and practitioners in literary studies, history, book arts, library science, language studies, and archives, this volume presents a variety of methods for teaching book history both as its own subject and as an approach to other material. Each chapter describes lessons, courses, and programs centered on the latest and best ways of teaching undergraduate and graduate students.
Expansive and instructive, this volume introduces ways of helping students consider how texts were produced, circulated, and received, with chapters that cover effective ways to organize courses devoted to book history, classroom activities that draw on this subject in other courses, and an overview of selected print and digital tools. Contributors, many of whom are leading figures in the field, utilize their own classroom experiences to bring to life some of the rich possibilities for teaching book history in the twenty-first century.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Inspired by Virgil’s exquisitely ambivalent phrase “sunt lacrimae rerum” (there are tears of/for/in things), Andriy Sodomora, the Ukrainian “voice” of classical antiquity, has produced a series of original vignettes and essays about things: the big things in our lives (like happiness, loneliness, and aging); the small things we do or see daily, rarely paying attention to them (like a tree’s shadow or the kernels on an ear of corn); and the things (i.e., objects) to which we form connections. The selected stories presented here are the first English translations of Sodomora’s profoundly intellectual and intertextual prose. Through his nostalgic memories and recollections, Sodomora takes readers on a journey through western Ukraine, as well as through world literature, from ancient Greece and Rome to the poetry of Paul Verlaine and Federico García Lorca.
The Tears and Smiles of Things: Stories, Sketches, Meditations (Academic Studies Press, 2024) has been published with the support of the Translate Ukraine Translation Program. The book was translated by Roman Ivashkiv and Sabrina Jassi.
Garima Garg is a New Delhi based journalist and author.
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In 1935, two Soviet satirists, Ilya Ilf and Evgeny Petrov, undertook a 10,000-mile American road trip from New York to Hollywood and back. They immortalised their journey in a popular travelogue entitled One-storied America (published as Little Golden America in the US), a suite of newspaper articles, and a series of photographs. 
In Soviet Adventures in the Land of the Capitalists: Ilf and Petrov's American Road Trip (Cambridge UP, 2024), Lisa A. Kirschenbaum reconstructs this epic journey, exploring Ilf and Petrov’s encounters with a vast range of characters, from famous authors, artists, poets and filmmakers to unemployed hitchhikers and revolutionaries. Using the authors’ notes, archival material in both Russia and the US, and even FBI files, she reveals the role played by ordinary individuals in shaping foreign relations as Ilf, Petrov and the immigrants, communists, and fellow travellers who served as their hosts, guides, and translators became creative actors in cultural exchange between the two countries.
Lisa A. Kirschenbaum is Professor of History at West Chester University. In addition to her latest book Soviet Adventures in the Land of the Capitalists: Ilf and Petrov’s American Road Trip (2024), she is the author of Small Comrades: Revolutionizing Childhood in Soviet Russia, 1917-1932 (Routledge Falmer, 2000); The Legacy of the Siege of Leningrad, 1941-1995: Myth, Memories, and Monuments (Cambridge University Press, 2006); and International Communism and the Spanish Civil War: Solidarity and Suspicion (Cambridge University Press 2015).
Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.
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The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday’s Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing. 
Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who’s who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America’s most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women’s equality, Jones’s work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers.
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