34 min
The science of soundtracks with Max Richter, Hans Zimmer, Hildur Guðnadóttir and Angélica Negrón Music Life
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- Society & Culture
A huge episode of Music Life this week sees one of the most versatile composers working today, Max Richter (Peaky Blinders, Black Mirror, Ad Astra, Mary Queen of Scots), ask renowned creators of music for film, TV and the stage how they got their starts in the music business, their creative processes, how they convey emotion through their work, and how it’s actually quite difficult to create something simple.
Among those answering these questions is a man who really needs no introduction, Hans Zimmer. He’s scored over 100 films so far, putting his signature sound on everything from James Bond to the Dark Knight Trilogy via Thelma & Louise. There isn’t a film that isn’t vastly improved with Hans’ work behind it. Also with Max is Icelandic composer, cellist and vocalist Hildur Guðnadóttir. She won the Academy Award for best score for the controversial film Joker, and you can also hear her music-less score in the haunting TV series Chernobyl. Puerto Rican composer and multi-instrumentalist Angélica Negrón completes the line up; she writes music for chamber ensembles, orchestras, film, theatre, robotic instruments, and even toys. This is a meeting of minds that’s not to be missed.
A huge episode of Music Life this week sees one of the most versatile composers working today, Max Richter (Peaky Blinders, Black Mirror, Ad Astra, Mary Queen of Scots), ask renowned creators of music for film, TV and the stage how they got their starts in the music business, their creative processes, how they convey emotion through their work, and how it’s actually quite difficult to create something simple.
Among those answering these questions is a man who really needs no introduction, Hans Zimmer. He’s scored over 100 films so far, putting his signature sound on everything from James Bond to the Dark Knight Trilogy via Thelma & Louise. There isn’t a film that isn’t vastly improved with Hans’ work behind it. Also with Max is Icelandic composer, cellist and vocalist Hildur Guðnadóttir. She won the Academy Award for best score for the controversial film Joker, and you can also hear her music-less score in the haunting TV series Chernobyl. Puerto Rican composer and multi-instrumentalist Angélica Negrón completes the line up; she writes music for chamber ensembles, orchestras, film, theatre, robotic instruments, and even toys. This is a meeting of minds that’s not to be missed.
34 min