Each and Every Door Jay Case and Malcolm Gold

In a periodic feature, "What Was He Thinking?" Mal and Jay try to figure out what might have been going on in Bob Dylan's head when he released the song, "All the Tired Horses."   It seems to have something to do with what he was doing with the entire album in which it is found, the much-maligned (at least by critics at the time) "Self-Portrait," which came out in 1970.  

In the fall of 2021, Mal taught a course on Bob Dylan to first-year students at Messiah University.  Jay asks Mal how the course went.  It turns out that Dylan's voice was something of an obstacle.  At first, at least.  Mal and Jay then go on to reflect on what Dylan's voice has to do with the Christian faith and theology.  

Right of the bat, Jay demonstrates why his brother is the mathematician, since Jay says this is Episode 19 and is a continuation of Episode 18.  Don't let his absent-minded professor schtick fool you:  this is really Episode 18, which is a continuation of Episode 17.  On this one (Episode 18, not 19, nor 17) Mal and Jay compare reviews of Dylan's latest tour to reviews of several 70s bands also on tour.  They also discuss songs from his "Rough and Rowdy Ways" album, what they think Dylan is up to  and, yes, mortality.  Let's face it:  when one goofs up basic tasks on a regular basis, thoughts of mortality lurk just below the surface.  

With Bob Dylan out on tour once again (that old guy just won't stop) Mal and Jay present a couple of tour-related themes.  First, we have a "Stump the Dylan Freak" segment, involving reviews of concerts from old 70s bands.  Is it a Dylan concert or not?  You can play at along at home.  Second, we bring on a special guest who attended the very first Dylan concert of her life.  She also happens to be Elisa Case, Jay's wife.  Mal finds out what the experience was like for her.  

Mal and Jay discuss Dylan's 2021 summer event (?), concert (?), music video (?), performance (?), thingy-ma-jig, called "Shadow Kingdom."  It came, it went.  Maybe it will return some today, but for now, you can hear them talk about it in the weeks after it was released.  

More explorations here into what is going on with Bob Dylan's song, "Idiot Wind."  Mal and Jay dive into "alternative tunings" and ancient Jewish scholars, but don't let that discourage you  -- there are real treasures here!  (How is that for a pitch?   "Here is some stuff that doesn't sound appealing at all, but stick with it anyway."  It sounds like I'm trying to teach a history class. Or sociology.   Oh, well.  This is what daily life is like for us professors.)   At least you get to hear some interesting Dylan clips to help you see why so many people consider this to be a great song.