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What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research? 
Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought.
In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another.
A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.”
Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).
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The stereotype of the solitary mathematician is widespread, but practicing users and producers of mathematics know well that our work depends heavily on our historical and contemporary fellow travelers. Yet we may not appreciate how our work also extends beyond us into our physical and societal environments.
Kevin Lambert takes what might be a first crack at this perspective in his book Symbols and Things: Material Mathematics in the Eighteenth and Nineteenth Centuries (University of Pittsburgh Press, 2021). An historian of science, Dr. Lambert has shifted in his view of mathematics as a language of science to one as a material practice. Expanding on ideas from historians, archeologists, philosophers, and other scholars of human activity, and through several interweaving vignettes of mathematical work during a technologically dynamic period in British history, he argues that mathematical practice, communication, and even thought occur to a large degree outside the bodies of the persons performing them.
In this interview, we explore Kevin's journal to and through this book project. We discuss how such ideas as Andy Clark's extended mind informed his approach, and we review several of the lively stories—the co-creation of the long-distance mathematical community with the research journal, Peacock's museological argument for the adoption of symbolic algebra, and the foundational entanglement of electromagnetism, quaternions, and the philosophy of space, among others—he drew out of historical and archival sources. (Here i cannot resist mentioning Tait's collection of his intensive correspondence with Hamilton that transformed how quaternions were applied in physics and even conceptualized as mathematical objects.) We close with some thoughts on our own materially extended cognitive work and where Kevin's interests are currently driving him.
Suggested companion works:
• ChatGPT, as a cutting-edge extension of human thought
• work by Courtney Ann Roby, including the forthcoming The Mechanical Tradition of Hero of Alexandria: Strategies of Reading from Antiquity to the Early Modern Period
• Algorithmic Modernity: Mechanizing Thought and Action, 1500-2000, edited by Morgan G. Ames and Massimo Mazzotti
• work by Emily Miller Bonney, for example "A Reconsideration of Depositional Practices in Early Bronze Age Crete"
Kevin Lambert is a historian of science and mathematics in the early modern and modern periods and professor in the liberal studies department at California State University, Fullerton. His recent book Symbols and Things explores mathematics as a way of thinking outside the body and through the material environment. He also recently published a chapter in the volume Algorithmic Modernity that traces the genealogy of algorithmic practices. He is now working on the problem of writing longue durée histories of science. He is close to completing a paper called “Malthus in the Landscape” that investigates the temporalities of global histories. He is also exploring the problem of writing a global history of the early modern sciences without the prism of the so called “Scientific Revolution.” His work can be found on ResearchGate.
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Why and how local coffee bars in Italy--those distinctively Italian social and cultural spaces--have been increasingly managed by Chinese baristas since the Great Recession of 2008?
Italians regard espresso as a quintessentially Italian cultural product--so much so that Italy has applied to add Italian espresso to UNESCO's official list of intangible heritages of humanity. The coffee bar is a cornerstone of Italian urban life, with city residents sipping espresso at more than 100,000 of these local businesses throughout the country. And yet, despite its nationalist bona fides, espresso in Italy is increasingly prepared by Chinese baristas in Chinese-managed coffee bars. In Chinese Espresso: Contested Race and Convivial Space in Contemporary Italy (Princeton UP, 2024), Grazia Ting Deng explores the paradox of "Chinese espresso"--the fact that this most distinctive Italian social and cultural tradition is being preserved by Chinese immigrants and their racially diverse clientele.
Deng investigates the conditions, mechanisms, and implications of the rapid spread of Chinese-owned coffee bars in Italy since the Great Recession of 2008. Drawing on her extensive ethnographic research in Bologna, Deng describes an immigrant group that relies on reciprocal and flexible family labor to make coffee, deploying local knowledge gleaned from longtime residents who have come, sometimes resentfully, to regard this arrangement as a new normal. The existence of Chinese espresso represents new features of postmodern and postcolonial urban life in a pluralistic society where immigrants assume traditional roles even as they are regarded as racial others. The story of Chinese baristas and their patrons, Deng argues, transcends the dominant Eurocentric narrative of immigrant-host relations, complicating our understanding of cultural dynamics and racial formation within the shifting demographic realities of the Global North.
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The Irish and the Jews are two of the classic outliers of modern Europe. Both struggled with their lack of formal political sovereignty in the nineteenth-century. Simultaneously European and not European, both endured a bifurcated status, perceived as racially inferior and yet also seen as a natural part of the European landscape. Both sought to deal with their subaltern status through nationalism; both had a tangled, ambiguous, and sometimes violent relationship with Britain and the British Empire; and both sought to revive ancient languages as part of their drive to create a new identity. The career of Irish politician Robert Briscoe and the travails of Leopold Bloom are just two examples of the delicate balancing of Irish and Jewish identities in the first half of the twentieth century.
Irish Questions and Jewish Questions: Crossovers in Culture (Syracuse UP, 2018) explores these shared histories, covering several centuries of the Jewish experience in Ireland, as well as events in Israel-Palestine and North America. The authors examine the leading figures of both national movements to reveal how each had an active interest in the successes, and failures, of the other. Bringing together leading and emerging scholars from the fields of Irish studies and Jewish studies, this volume captures the most recent scholarship on their comparative history with nuance and remarkable insight.
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Seamus O’Malley is an associate professor at Yeshiva University. His first book was Making History New: Modernism and Historical Narrative (Oxford University Press, 2015). He has co-edited three volumes, one of essays on Ford Madox Ford and America (Rodopi, 2010), a research companion to Ford (Routledge, 2018) and a volume of essays on the cartoonists Julie Doucet and Gabrielle Bell (Mississippi, 2018). He is the chair of the Ford Madox Ford Society and co-chair of the Columbia University Seminar for Irish Studies.
In this interview he discusses his new book, Irish Culture and "The People": Populism and Its Discontents (Oxford UP, 2022), a study of the rhetoric of populism and uses of the seemingly simple concept “The People” in Irish political and literary discourse.
Irish Culture and ‘The People’ argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. 
Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked "The People"--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.
Aidan Beatty is a lecturer in the history department at Carnegie Mellon University
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Enlightenment philosopher David Hume enjoyed a tremendous influence on intellectual history. What did Hume believe, why was it so controversial at the time, and why to many does it seem so common-sensical now? What can Humian thought explain, and where does it fall short? To discuss, Aaron Zubia, Assistant Professor at the University of Florida's Hamilton Program and 2019-2020 Thomas W. Smith Postdoctoral Fellow here at the Princeton's James Madison Program joins the show to delve into his new book, The Political Thought of David Hume: The Origins of Liberalism and the Modern Political Imagination (U Notre Dame Press, 2024).
Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.
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