Deeper Roots Radio Deeper Roots

Swamp pop. What is it and where does Tex Mex begin and country blues end? Well, just listen for that Louisiana backbeat, a taste of torch song and rocking rhythm. We’ll take on the music of Tex Mex next week but this week we’ll be sampling some of the greats of that splinter genre referred to as ‘swamp pop’; music that was grafted from a number of different root source sounds. Swamp pop remains an important cultural expression of the Acadiana region, celebrated for its heartfelt and nostalgic qualities. While it never achieved the widespread commercial success of other genres, swamp pop has maintained a dedicated following and continues to be performed by contemporary musicians. We’ll share the sounds of some of the genre’s most popular:  Warren Storm, Tommy McLain, Rod Bernard, Clint West and so many others. Drop on by.

When J.J. Cale’s first album came on the scene in 1972, it exuded something different…some kind of “timeless cool” with it’s imposing John Bunyan raccoon album cover and understated country sound setting it apart from everything else out there. Not psychedelia, not rock exactly, and certainly not the LA sound that was hip at the time. It was, as it has since been coined, the “Tulsa sound”. Many have covered John Weldon Cale’s music and many have become rock standards while others languish only to be rediscovered year after year by new listeners who hear that “timeless cool” and those breezy treasures he left us. We’ll feature a number of covers today, as well as his own originals in a show that will take you down a river whose currents are slow but determined.

Cocaine is one of a few substances that have served as a muse, both in word and effect, in various forms of art throughout history, particularly in the 20th century. Its influence can be found repeatedly in the music industry, peaking in use during the 1980s when it was used by performer and listener as the disco and party-going atmosphere exploded, Contributing to this bacchanal were films depicting its use (and abuse) with plot themes embracing the white powder in storytelling. Cocaine’s impact is predominant in the genres of rock, jazz, and hip-hop and many performers have openly discussed their cocaine use, and its influence can be heard in lyrics, musical styles, and even album artwork. This week’s show looks at this muse with sounds from Margo Price, The Reverend Horton Heat, Lucille Bogan, Fred Neil and a host of others from 1929 to the present.

It’s been a while since we went free form so today’s show takes our regular breather from genre-focused explorations, theme, retrospectives and artist-inspired shows. There will be all of that found in the mix this morning. Interspersed between some fresh sounds from the likes of Dylan LeBlanc, Charley Crockett, and a newly revealed Johnny Cash nugget, we’ll be sharing everything from Dave Brubeck to Los Indios Tabajaras, Marvin Rainwater, and Johnny Thunder in our show today. From a pair of Memphis Minnie covers, some country classics from Patsy Cline, swinging rhythm from Louis Jordan, and straight-ahead rock from The Doobie Brothers and The Georgia Satellites…it’s a Friday morning full of Duane Eddy tributes and we’ve even got Slim Whitman…just for you on Sonoma County Community Radio, broadcasting on the FM airwaves out of Occidental, California, and streaming to the whole wide world on kowsfm.com/listen. KOWS-LP 92.5 FM is “Free Speech. No Bull” Community Radio.

There’s hardly a branch or root extension of American music that is not somehow connected the gospel. The themes of love, betrayal, birth, death, and the soul’s redemption have all long been played out repeatedly in the pulpit each and every Sunday. Thoughts and prayers are easily spent when the hard work isn’t as palpable to deal with. This week’s show blends the gospel of the Baptist, Pentacostal and Church of Christ as they were the big leader of the rafter shakers on the way to “Beulah Land” with a little bit of swing and country favorites. Tune in for music that runs the gospel gamut from the Soul Satisfiers of Philadelphia and the Gospel Songbirds to Sister Oda Mae Terrell and the country pairings of the Chuck Wagon Gang, Mac Wiseman, Kitty Wells, and of course, Johnny Cash and Willie Nelson. Deeper Roots revisits some gospel classics in another Friday morning blend of the past 100 years of America’s music. Here on KOWS Community Radio. Free Speech. No Bull. 

The songs of Smokey Robinson have stood the test of time, remaining popular and relevant across generations. His compositions have been covered by artists from various genres, further cementing a legend as one of the greatest songwriters of his era. This week, we take a walk through a handful of the many classics he gave us, spanning three decades, focusing primarily on the Motown song machine classics from The Marvelettes, Marvin Gaye, The Temptations, Mary Wells, and, of course, his own group The Miracles. There is no question that his songwriting style and lyrical finesse have influenced generations of musicians and, coupled with his ability to blend heartfelt lyrics with catchy melodies, standards were set for songwriters in the R&B and soul genres; not to mention the groundswell of the sixties sound of Berry Gordy’s Motown Records. A morning of pure soul and pop that will include some sweet contemporary covers (if we can squeeze them in).