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1 hr 17 min
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The Politics of Fabulousness, PART 1 of 2 Written By Judy Klass A Virtual Play Reading by the Quarantine Players Quarantine Players, A New Play Podcast.| We'll Keep the Ghostlight on For You!
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- Performing Arts
Gary hopes to re-connect with his estranged older sister Kay, who is visiting Kansas City, where Gary now lives, for an academic conference. Gary lives with Eytan, who was Kay’s high school best friend; now Eytan and Kay hate each other. Eytan and Gary write humorous songs which Gary sings as a character called Ovaria Strange. Kay considers drag to be misogynist: a caricature of women – a kind of minstrel show. Eytan considers Kay a humorless feminist spouting tiresome theory and jargon, ridiculously teaching African-American studies when she’s white, (which is also a kind of minstrel show, he argues), though Kay is married to Curtis, who’s black, and Eytan has a problem with Kay teaching Women & Gender Studies when (he contends) she’s too uptight and homophobic to talk to college kids about gender.
Directed by Lori Muhlstein | Produced by A. J. Campbell, Quarantine Players| Musical Director Mikayla Trimpey
Cast
Sara Lucchini as Kay
Cameron Lee Conlan as Gary and Ovaria Strange
Michale L. Young as Eytan
Trevor Butler as Curtis
About Judy Klass
Eight of Judy's full-length plays have been produced. One, Cell, was nominated for an Edgar and is published by Samuel French/Concord. Country Fried Murder won the S.O.P.S. competition and was produced at the Shawnee Playhouse in Pennsylvania. Stop Me If You've Heard This One won the Dorothy Silver Award. Thirty-six of her one-act plays have been produced, many with multiple productions, all over the country, and a few have gone up in the UK and Ireland. Three are slated to be produced in Canada. Three of Judy's short plays are published, each as a stand-alone script, by Brooklyn Publishers. Some of her short plays have become podcasts. Filmed versions of several can be viewed on the Shelter Plays platform. Her plays have been published in Seven Hills Review, the Rockhurst Review, The Courtship of Winds, The Art of the One-Act -- and one is in press in The Best New Ten-Minute Plays 2021. Website: http://www.judy-klass.com | NPX: https://newplayexchange.org/users/5340/judy-klass
About the Quarantine Players
website: https://quarantineplayers.org/
Facebook: https://www.facebook.com/QuarantinePlayers
Podcast: https://twitter.com/q_players
Instagram: https://www.instagram.com/quarantineplayers
Amazon Fire TV App: https://www.amazon.com/dp/B08VJHBT8W/
We can all sit around and list off the problems with modern theater so I won’t bore you with a recitation of facts we all largely agree upon. The Quarantine Players are a scrappy theater start-up that is in a position to break all the rules. We were told we can’t put out new work all the time. Yes, we can you just have to treat playwrights like we matter, make them part of the process, and value our input.
We are your source for new plays from amazing playwrights. Each week we choose a new play to read for you. We are different because we involve the playwright in every step of the process. Most of our writers will attend all the rehearsals and provide feedback along the way. We don't just honor playwrights by waiting till their work goes into the Public domain so we don't have to pay them. We prefer our playwrights to still have their pulse.
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Send in a voice message: https://podcasters.spotify.com/pod/show/qplayers/message
Support this podcast: https://podcasters.spotify.com/pod/show/qplayers/support
Gary hopes to re-connect with his estranged older sister Kay, who is visiting Kansas City, where Gary now lives, for an academic conference. Gary lives with Eytan, who was Kay’s high school best friend; now Eytan and Kay hate each other. Eytan and Gary write humorous songs which Gary sings as a character called Ovaria Strange. Kay considers drag to be misogynist: a caricature of women – a kind of minstrel show. Eytan considers Kay a humorless feminist spouting tiresome theory and jargon, ridiculously teaching African-American studies when she’s white, (which is also a kind of minstrel show, he argues), though Kay is married to Curtis, who’s black, and Eytan has a problem with Kay teaching Women & Gender Studies when (he contends) she’s too uptight and homophobic to talk to college kids about gender.
Directed by Lori Muhlstein | Produced by A. J. Campbell, Quarantine Players| Musical Director Mikayla Trimpey
Cast
Sara Lucchini as Kay
Cameron Lee Conlan as Gary and Ovaria Strange
Michale L. Young as Eytan
Trevor Butler as Curtis
About Judy Klass
Eight of Judy's full-length plays have been produced. One, Cell, was nominated for an Edgar and is published by Samuel French/Concord. Country Fried Murder won the S.O.P.S. competition and was produced at the Shawnee Playhouse in Pennsylvania. Stop Me If You've Heard This One won the Dorothy Silver Award. Thirty-six of her one-act plays have been produced, many with multiple productions, all over the country, and a few have gone up in the UK and Ireland. Three are slated to be produced in Canada. Three of Judy's short plays are published, each as a stand-alone script, by Brooklyn Publishers. Some of her short plays have become podcasts. Filmed versions of several can be viewed on the Shelter Plays platform. Her plays have been published in Seven Hills Review, the Rockhurst Review, The Courtship of Winds, The Art of the One-Act -- and one is in press in The Best New Ten-Minute Plays 2021. Website: http://www.judy-klass.com | NPX: https://newplayexchange.org/users/5340/judy-klass
About the Quarantine Players
website: https://quarantineplayers.org/
Facebook: https://www.facebook.com/QuarantinePlayers
Podcast: https://twitter.com/q_players
Instagram: https://www.instagram.com/quarantineplayers
Amazon Fire TV App: https://www.amazon.com/dp/B08VJHBT8W/
We can all sit around and list off the problems with modern theater so I won’t bore you with a recitation of facts we all largely agree upon. The Quarantine Players are a scrappy theater start-up that is in a position to break all the rules. We were told we can’t put out new work all the time. Yes, we can you just have to treat playwrights like we matter, make them part of the process, and value our input.
We are your source for new plays from amazing playwrights. Each week we choose a new play to read for you. We are different because we involve the playwright in every step of the process. Most of our writers will attend all the rehearsals and provide feedback along the way. We don't just honor playwrights by waiting till their work goes into the Public domain so we don't have to pay them. We prefer our playwrights to still have their pulse.
---
Send in a voice message: https://podcasters.spotify.com/pod/show/qplayers/message
Support this podcast: https://podcasters.spotify.com/pod/show/qplayers/support
1 hr 17 min