Word In Your Ear Mark Ellen, David Hepworth and Alex Gold

We stuck a few coins in this week’s Wurlitzer and these were the tunes that got played …
 
… when records became all about sound not songs.
 
… Fonzworth Bentley, Puff Daddy’s butler, the man who held an umbrella over him on the beach at Cannes.
 
… what Henry Kissinger, Martha Stewart and Leonardo DiCaprio kept very quiet about.
 
… Manchester’s Co-Op, a tale of unprecedented hopelessness.
 
… what’s the definition of a song? And can you steal a record?
 
… the magical skill of Aston Barrett on I Shot The Sheriff and James Jamerson on You Can’t Hurry Love.
 
… ‘Duane Eddy Does Bob Dylan’ and its ingenious sleeve.
 
… does anybody still want pop posters?
 
… “I'd watch Jeremy Clarkson boil an egg.”
 
… Moneybagg Yo & DaBaby, Cigarettes After Sex and other acts playing the O2 and Wembley Arena we’ve ever heard of.  
 
… the ultimate autograph.
 
… and New Whirl Odor, Road To Rouen, Sax And Violins, Lead Me Not Into Penn Station and other tortuous album titles.
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Steve Diggle met Pete Shelley when the Pistols played Manchester in 1976 and the Diggle-fronted Buzzcocks are now on a world tour that began in Mexico and takes in North and South America, Europe and Australasia before winding up at the 100 Club where they played the Punk Festival 48 years ago – “we’ve come full circle”. He looks back here at the first shows he saw and played himself and talks about Silverhead, Status Quo, Leo Sayer dressed as a clown, George Best, the Groundhogs, The History of Mr Polly by HG Wells, the Buzzcocks as “Lennon and McCartney in a blender”, “Led Zeppelin for Comprehensive schoolkids, Deep Purple for Grammar schoolkids” and a great story about Patrick Moraz of Yes with a bank of keyboards like a telephone exchange and an alpine horn.
 
Buzzcocks world tour dates here: https://www.buzzcocks.com/events
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This week’s theories, rants, ruminations, recollections, weak gags and free and frank exchanges of view alight upon the following …  
 
 … is pop music now all about identity?
 
…. the recording of the Animals’ House of the Rising Sun and other apocryphal tales.
 
… has any act been as ubiquitous since Frankie Goes to Hollywood in 1984?
 
… or has anyone inspired a greater level of personal devotion than Taylor Swift?
 
… Peter Green, a shotgun and his accountant.
 
… books bought but never read.
 
.. re-reading Nick Hornby’s High Fidelity and the changing benchmarks for good and bad musical taste.
 
… intriguing parallels between the book and record industries.
 
… and Neil Tennant braves the digital lynch-mob.
 
Plus Adam Clayton’s garden, Konstantin Chernenko, Richard Burton, Rebel Wilson, Dark Academia, creepy weepies and birthday guest John Montagna looks at singles by the same act that are ‘descendants’ – ie pretty much identical – eg the Monkees’ Teardrop City and Last Train To Clarksville, the Kinks’ You Really Got Me and All Day And All of the Night and Mark Knopfler’s Cannibals and Walk Of Life. Or just try the first few seconds of these four by the Inkspots – Maybe, I Don’t Want To Set The World On Fire, If I Didn’t Care and Whispering Grass.
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File this under ‘right place, right time’. Harold Bronson was a teenager in mid-60’s Los Angeles and saw every act imaginable. Then wrote for the Daily Bruin and Rolling Stone and interviewed everyone that interested him. Then managed a music store and co-founded Rhino Records, pretty much inventing the idea of the top-end reissue – “Sooner or later everyone ends up in a box.” All of this is in his memoir, ‘Time Has Come Today: Rock and Roll Diaries 1967 – 2007’, and many of its cast of thousands appear in this podcast, among them Johnny Horton and ‘the Battle of New Orleans’, the Purple People Eaters, the Temple City Kazoo Orchestra, the Doors at the Hollywood Bowl, the Stones supported by Ike & Tina (for $12), Ozzy Osbourne (“I’d never meet anybody with a tattoo before”), Hilton Valentine working at a Henry The Eighth-themed restaurant, Groucho Marx at a Led Zeppelin launch, a ‘Best of Louie Louie’ that sold 100,000 copies and a Ritchie Valens record made on a dictaphone. 
 
You can order Harold’s book here: https://www.amazon.co.uk/Time-Has-Come-Today-Diaries/dp/B0CGTX2YN8
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With Mark Ellen in foreign parts David Hepworth and Alex Gold light cigars, pass the port in the correct direction and discuss…..

…..the fact that there is only one way to play a Beatles song and that is the way the Beatles did it.
…..the chances that Taylor Swift is reaching her imperial phase and nobody is prepared to tell her what she really needs to hear.
….the very good reason that all contemporary pop records do literally sound the same.
…the 50th anniversary of Richard and Linda Thompson’s “I Want To See The Bright Lights Tonight”.
….the story of the Allman Brothers’ “Jessica”, a jam that turned into Dickey Betts’ pension.
….how the Blue Nile got a plug which is worth all the bought media in the world.
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We lobbed the feathered arrows of enquiry at the rock and roll dartboard this week and these got the highest scores …
 
… rock stars v the new league of the Super-Rich.
 
… package tours of the mid-‘60s – eight acts, an interval, a compere plus God Save the Queen.
 
… ‘Hits, Flops and Other Illusions’ by Edward Zwick and the fantastic tale about arrogance, money-squandering and Julia Roberts at the Halcyon Hotel.
... pop music used to be about persuading people to cut loose; now it’s about getting them to tighten up.
 
… why you can read Ron Wood’s memoir as either comedy or tragedy.
 
.. Chris Blackwell’s post-production trickery that sold Bob Marley to a rock audience.
 
… Master Tape Rescue: the arduous task of panning for gold.
 
... and why there should be a movie about the making of Shakespeare in Love.
 
Plus birthday guest Chuck Loncon in Savannah, Georgia – Neil Young v Spotify, Lady Antebellum, the Dixie Chicks and the tangled world of political correctness.
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