1,289 episodes

Interviews with Scholars of East Asia about their New Books
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New Books in East Asian Studies Marshall Poe

    • Society & Culture

Interviews with Scholars of East Asia about their New Books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

    Robin Visser, "Questioning Borders: Ecoliteratures of China and Taiwan" (Columbia UP, 2023)

    Robin Visser, "Questioning Borders: Ecoliteratures of China and Taiwan" (Columbia UP, 2023)

    Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. Questioning Borders: Ecoliteratures of China and Taiwan (Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.
    Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.
    By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.
    Robin Visser is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of Cities Surround the Countryside: Urban Aesthetics in Postsocialist China (2010).
    Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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    • 1 hr 11 min
    Jonathan Chatwin, "The Southern Tour: Deng Xiaoping and the Fight for China's Future" (Bloomsbury, 2024)

    Jonathan Chatwin, "The Southern Tour: Deng Xiaoping and the Fight for China's Future" (Bloomsbury, 2024)

    Deng Xiaoping’s 1992 Southern Tour has become a milestone in Chinese economic history. Historians and commentators credit Deng’s visit to Guangzhou Province for reinvigorating China’s market reforms in the years following 1989—leading to the Chinese economic powerhouse we see today.
    Journalist Jonathan Chatwin follows Deng’s journey in The Southern Tour: Deng Xiaoping and the Fight for China's Future (Bloomsbury Academic, 2024). Chatwin follows Deng—from its start in Wuhan, through the Special Economic Zones of Shenzhen and Zhuhai, and back up to Shanghai—and explains how a savvy Deng, then out of office, got China’s leaders to embrace market reforms again.
    Jonathan Chatwin is a non-fiction writer and journalist. His work has appeared in CNN, the South China Morning Post and the BBC. He is the author of Long Peace Street: A Walk in Modern China (Manchester University Press: 2019) and Anywhere Out of the World: The Work of Bruce Chatwin (Manchester University Press: 2012).
    Catch our first interview with Jonathan on Long Peace Street here!
    You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Twitter at @BookReviewsAsia.
    Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
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    • 51 min
    Cathy Yue Wang, "Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy" (Wayne State UP, 2023)

    Cathy Yue Wang, "Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy" (Wayne State UP, 2023)

    Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.
    Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming).
    Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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    • 36 min
    Astrid Møller-Olsen, "Sensing the Sinophone: Urban Memoryscapes in Contemporary Fiction" (Cambria, 2022)

    Astrid Møller-Olsen, "Sensing the Sinophone: Urban Memoryscapes in Contemporary Fiction" (Cambria, 2022)

    Through an original framework of literary sensory studies, Sensing the Sinophone: Urban Memoryscapes in Contemporary Fiction (Cambria, 2022) provides a comparative analysis of how six contemporary works of Sinophone fiction reimagine the links between the self and the city, the past and the present, as well as the physical and the imaginary. It explores the connection between elusive memories and material cityscapes through the matrix of the senses. Joining recent efforts to imagine world literature beyond the international, this monograph engages in a triangular comparison of fiction from Hong Kong, Shanghai, and Taipei – three Sinophone cities, each with its own strong urban identity that comes with unique cultural and linguistic hybridities.
    Sensing the Sinophone combines narratological tools for studying time in fiction with critical concepts of spatiality in order to establish an analytical focus on narrative voice and reliability (including the inaccuracy of memory), structural non-linearity (such as mental time travel), and the construction of fictional parallel cities as loci for plot development. In this study, the conventional sensorium and its role in recollection is explored and amplified to include whole-body sensations, habitual synesthesia, and the emotional aspects of sensations that produce a sense of place or self.
    Astrid Møller-Olsen is an international research fellow with Lund University (Sweden), University of Stavanger (Norway), and University of Oxford (United Kingdom); her position is funded by the Swedish Research Council. Dr. Møller-Olsen holds an MA in comparative literature and a PhD in Chinese studies. Her research has been published in Modern Chinese Literature and Culture, SFRA Review, Canadian Review of Comparative Literature, Prism: Theory and Modern Chinese Literature, and International Journal of Heritage Studies. She hosts the podcast Sinophone Unrealities and the literary blog xiaoshuo.blog.
    Tong He is a Lecturer in English at Central China Normal University.
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    • 42 min
    Adam Kabat, "The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan" (Columbia UP, 2023)

    Adam Kabat, "The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan" (Columbia UP, 2023)

    Adam Kabat’s The River Imp and the Stinky Jewel and Other Tales: Monster Comics from Edo Japan (Columbia UP, 2023) is an in-depth introduction to the rich and ribald world of kibyōshi, a short-lived (1778-1807) subgenre of books combining text and illustration on the same page, much like comic books and manga today. This book presents a selection of five kibyōshi in which monsters play central roles. Each of these short books is reproduced in its entirety, accompanied by Kabat’s translations and commentary. Kabat’s selection of tales communicates the entertainment value and thematic variety of these stories, as well as their deep web of interconnections with contemporary culture and the urban economy. The book will be of interest not only to scholars of premodern history and literature, but also to a larger audience including the growing ranks of manga and anime fans.
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    • 1 hr 3 min
    Xiaofei Kang, "Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953" (Oxford UP, 2023)

    Xiaofei Kang, "Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953" (Oxford UP, 2023)

    China’s communist revolution has an intricate relationship with gender and religion. In Enchanted Revolution: Ghosts, Shamans, and Gender Politics in Chinese Communist Propaganda, 1942-1953 (Oxford UP, 2023), Xiaofei Kang moves the two themes to the center stage in the Chinese Revolution. It examines the Communist Party’s first anti-superstition campaign in its wartime headquarters of Yan’an, the holy land of the Maoist revolution. The book argues that religion was not a mere adversary for the revolution; it also served as a model with which the Party mobilized support and constructed legitimacy. In its rise from rural backwaters to national dominance, the Party attacked “superstitions” that had supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted the same religious resources for its own political ends. In this parallel and often paradoxical process, the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Furthermore, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new hegemonic vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. The interplay of religion, gender, and revolution holds historical and contemporary significance of the Maoist legacy in contemporary China. It also offers insights into the transformative power of propaganda in global politics.
    Xiaofei Kang is Professor in the Department of Religion at the George Washington University. Her research focuses on gender, ethnicity, and Chinese religions in traditional and modern China. She is the author of The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China (Columbia University Press, 2006). She co-authored (with Donald S. Sutton) Contesting the Yellow Dragon: Ethnicity, Religion and the State in the Sino-Tibetan Borderland (Brill, 2016), and co-edited (with Jia Jinhua and Ping Yao) Gendering Chinese Religion: Subject, Identity and Body (SUNY Press, 2014).
    Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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    • 1 hr 24 min

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