Inside the visuals of ‘Immaculate’, with cinematographer Elisha Christian and production designer Adam Reamer We Need to Talk About Oscar

Can you guess how many different Italian villas/churches/horse stables it took to create the convent for Immaculate? The film’s production designer, Adam Reamer, has the answer and he shared it with us. Filming locations, favourite sets, and Italy’s seemingly endless religious prop collection were all discussed in Szilveszter’s interview with Adam (0:52).However, this is not everything for the episode! To have a whole picture about the visual storytelling details of Immaculate, Áron had the p...