Show Don't Tell: Micro-Budget Filmmaking Noam Kroll

In this episode, I dive deep into the world of single location filmmaking and share my thoughts making the most of your micro-budget production.

Throughout the show I unpack many of the common pitfalls associated with this approach - like keeping your audience engaged and avoiding visual repetition - along with creative solutions at each step. Topics covered include:Writing your script around the location from the beginningSeeking out primal stories with high stakes and character potentialUtilizing every space within the location to add visual varietyVarying the time of day to create diverse lighting setups and moodsCasting dynamic actors with natural chemistry to add intensityAll of this and much more on today's show!

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Today I am joined by Ryan McGuire, who heads up the commercial production company Cutter Studios in Tokyo, Japan. 

Throughout the interview, Ryan and I take a deep dive into the world of commercial filmmaking. Ryan shares his story launching a niche production business in Japan, which has attracted clients like Amazon and Zeiss along the way. We also discuss tips for filmmakers looking to build an impressive body of work, how to best differentiate yourself, the impact of AI on the industry, and much more. 

Links from the show:

Cutter Studios Tokyo
Ryan McGuire - LinkedIn
Ryan McGuire - Instagram

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In this episode I am joined by friend of the show and host of Past Present Feature (@pastpresentfeature), Marcus Mizelle. An Emmy award winning feature filmmaker who has made numerous successful DIY narrative and documentary films.

Throughout the interview we talk about Marcus’ leap from scripted micro-budget narratives, to breakthrough feature doc projects. He speaks to the importance of curation in modern day cinema, the state of the theatrical experience, and shares the benefits of podcasting and content creating for filmmakers.

This and much more on today's episode!

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Today I am thrilled to have acclaimed DP Oren Soffer on to talk about his recent work on The Creator, and all other things cinematography.

Oren is of course known for his brilliant camera work on countless narrative, commercial, and music video projects. He recently co-DP’d The Creator along with Greig Fraser - which drew tons of attention for its stunning visuals and innovative use of the Sony FX3.

Throughout the interview, Oren talks about his journey into cinematography, the process of co-DP'ing a project, and tips for budding cinematographers looking to break in. He also shares technical wisdom on green screens vs. gray screens, shooting with the FX3 on a major feature film, and much more! 

Links from the show:

Oren Soffer - Instagram  
Oren Soffer - Website
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In this episode I am very excited to share my interview with the amazing Barbara Crampton - Known for her iconic genre films like Re-Animator, Jakob’s Wife, Suitable Flesh, and countless others.

After recently working with Barbara on our new feature film, I had to get her on the podcast to discuss her unique creative process.

Throughout the discussion, we cover Barbara’s career path from soap star to genre legend. We also discuss tips for new directors working with actors, the importance of re-inventing yourself as an artist, landing notable actors for your film, and so much more.

Links from the show:

Barbara on Instagram
Barbara on Twitter
Barbara on Facebook
Scream Dreams Podcast

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In this episode, I share a breakdown of some amazing and unconventional lens choices on the feature film Poor Things.


While many lenses were used throughout production, there were 4 in particular that I believe contributed most critically to the distinct look of this film - Including a pair of Lomography Petzval lenses, and a 4mm lens adapted from Super 16. 

Throughout the episode, I cover each lens in depth, explore how they were used, and share other key takeaways from the film.

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