Why I‘ll Never Make It Patrick Oliver Jones

In the previous episode you heard from theater director Schele Williams as she shared her journey from actress to director. We discussed her work in two of this season’s most highly anticipated Broadway shows: The Wiz and The Notebook. Well, now Schele is back to talk about the importance of gratitude and what it means when she puts her name on a theater project by answering the Final Five Questions in this bonus episode of Why I’ll Never Make It.
Schele mentions Black Theater United in our conversation, learn more about this organization here.
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Podcast theme music created by host and producer Patrick Oliver Jones.
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The 2024 Tony Awards were certainly a night to remember, celebrating a very full Broadway season filled with remarkable performances and groundbreaking productions. Yet amidst the accolades and celebrations, some highly anticipated shows were left without a single nomination. One of these was The Wiz, a revival production directed by the wonderful Schele Williams. But despite the lack of Tony recognition, Williams' work on The Wiz has made its mark on Broadway this year with near capacity crowds at every performance and averaging more than $1.4 million dollars each week since it opened back in April. But Schele wasn’t content with just one Broadway show this season, she was also part of the directing team for The Notebook musical.
However, her illustrious career actually began as an actress, performing in iconic Broadway productions such as Rent and Aida, and eventually transitioned to directing. Her journey from celebrated performer to visionary director has been marked by perseverance and a commitment to amplifying diverse voices. As the first Black woman to direct a musical on Broadway in more than 40 years, she hopes her work this year will inspire kids of all backgrounds to follow their dreams. Here are her three stories:

Schele shares her journey from being a child prodigy drummer to choosing a path in musical theater (Her father is famed drummer James "Diamond" Williams of the Ohio Players).

We delve into her memories of seeing The Wiz as a child and the profound effect it has had on her, ultimately leading to her directing its first Broadway revival.

We discuss the personal trials she faced as her mother struggles with Alzheimer's and how it influenced her decision to co-direct The Notebook with her longtime friend and collaborator Michael Greif.

So listen as we explore the remarkable career of Schele Williams and the stories that shaped her path in the world of theater.
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You can also donate to WINMI and help further podcast production with a one-time or ongoing contribution.

If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.


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Why I’ll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. A snippet of "I Want to Be Free" by the Ohio Players was used to highlight James "Diamond" Williams on drums. Background music is by John Bartmann and Blue Dot Sessions and is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
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As I leave New York City to join the North American Tour of Beetlejuice (to play the role of Otho and understudy Charles and Maxie) I wanted to share a special rewind episode of my memorable conversation with Kelvin Moon Loh from 2019, the original Otho on Broadway and a wonderful friend, who was an invaluable resource during my auditions for the show. 
In this episode, Kelvin shares the story of how he landed the role of Otho and his own unique audition process. He also gushes about his fellow cast members and the show's journey from movie to musical.
This chat goes beyond the fun and macabre world of Beetlejuice to touch on the broader aspects of the theater business, discussing what keeps us going and how to treasure the moments along the way.
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Subscribe to get early and ad-free access to the full conversation with each guest, which includes the auditions stories that are only available to subscribers.

You can also donate to WINMI and help further podcast production with a one-time or ongoing contribution.

If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.


Follow WINMI: Website | Instagram | Twitter | YouTube

Why I’ll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions and is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
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In the previous episode you heard from Conor Tague, one of the stars from the Broadway musical How to Dance in Ohio. He shared his experiences in that history-making production as well as the struggles he faced early on as an actor, both at school and in the audition room. Well, now Conor is back to talk more about his Broadway debut and share how auditioning is still a challenge for him by answering the Final Five questions in this bonus episode.
To listen to bonus content like Auditions Stories and get early access to these full conversations ad-free, become a subscriber by going to whyillnevermakeit.com and click Subscribe.
Podcast theme music created by host and producer Patrick Oliver Jones.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Every Broadway season, one of the most heated discussions about the Tony Awards centers the snubs—those notable shows that didn’t get any nominations. This year they include musicals like The Wiz, Harmony, and The Heart of Rock and Roll. Another one of those shows that was left out made history as being the first Broadway musical to cast autistic actors in autistic roles, and it was called How to Dance in Ohio, based on a Peabody Award-winning documentary of the same name. And today's guest is one of the stars of the musical, Conor Tague.
The musical dates back to early 2018 when the legendary Harold Prince announced he was working on a musical adaptation of the film. But after Prince died the following year, it was Sammi Cannold, a former guest of this podcast, who took over as the show’s director.
How to Dance is the real-life story of a group of young autistic adults and their families as they prepare for their first-ever formal dance. They face challenges and changes to their routines, and they experience all the things you go through when it comes to formal dances and asking someone out on a date—the love and stress and excitement of it all. The musical began previews on November of 2023, officially opening the following month, and played through February of this year. 
Though completely shut out of the Tony Awards, How to Dance did receive Drama Desk nominations for Outstanding Book of a Musical (Rebekah Greer Melocik) and Outstanding Lead Performance (Liam Pearce). Conor and I talk about his experience with the show, but we also dig into his background and how his autism may be a unique and important part of him, but it’s also just one facet of who he is as person and performer.
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Subscribe to get early and ad-free access to the full conversation with each guest, which includes the auditions stories that are only available to subscribers.

You can also donate to WINMI and help further podcast production with a one-time or ongoing contribution.

If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.


Follow WINMI: Website | Instagram | Twitter | YouTube

Why I’ll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions and is used under a Creative Commons Attribution-NonCommercial 4.0 International License.
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Last week you heard from theater director Des McAnuff as he shared his experiences with three of his biggest shows, Tommy, Jersey Boys, and Big River. We discussed his approach to each of these unique musicals. Well, now Des is back to talk his musicianship and his composition efforts as well as share the lessons and insecurities he’s discovered in the director’s chair by answering the Final Five Questions in this bonus episode of Why I’ll Never Make It.
To listen to bonus content like Auditions Stories and get early access to these full conversations ad-free, become a subscriber by going to whyillnevermakeit.com and click Subscribe.
Podcast theme music created by host and producer Patrick Oliver Jones.
Learn more about your ad choices. Visit megaphone.fm/adchoices