Born To Watch - A Movie Podcast Matthew White

In this Second Birthday Celebration of the Born to Watch Podcast, we're diving into the abyss of the iconic 1986 science fiction masterpiece, "ALIENS", directed by James Cameron. This sequel to Ridley Scott's 1979 film "ALIEN" elevated the franchise to new heights and redefined the parameters of the sci-fi and horror genres. As we celebrate this significant milestone of our show, it's only fitting that we delve into a film that itself marked a monumental achievement in cinematic history.
A Sequel That Surpasses Expectations
ALIENS stands as a rare example of a sequel that not only meets but surpasses the original in many aspects. Taking the helm from Ridley Scott, James Cameron pivoted from the haunting, slow-burn tension of ALIEN to craft a high-octane, action-packed narrative while still retaining the essence of cosmic horror that made the original so captivating. Set 57 years after the events of ALIEN, the story follows Ellen Ripley (Sigourney Weaver) as she returns to the planet LV-426, now with a crew of marines, to confront the nightmares of her past.
Ripley – A Paradigm of Strength
Sigourney Weaver's portrayal of Ellen Ripley transformed her into an emblem of resilience and courage. In ALIENS, Ripley evolves from a survivor of cosmic horror to a protective mother figure, showcasing a depth of character rarely seen in the sci-fi genre at the time. Weaver's performance earned her an Academy Award nomination for Best Actress, a rarity for roles in science fiction and action genres, underscoring the film's unique impact on the industry.
Technical Brilliance and Atmospheric Tension
James Cameron's vision brought a new level of technical brilliance to ALIENS. The practical effects, creature designs, and set pieces were groundbreaking, immersing viewers in a palpably tense atmosphere that few films have replicated. The design of the xenomorphs, coupled with the claustrophobic environs of LV-426, created a relentless sense of dread. The film's sound design, too, played a crucial role in building this suspense, with every hiss and screech amplifying the terror.
The action sequences in ALIENS are nothing short of legendary. Cameron's ability to choreograph these scenes, blending practical effects with pioneering techniques, set a new standard for the genre. The final showdown between Ripley and the Alien Queen remains one of the most iconic moments in film history, a testament to the film's innovative approach to action and storytelling.
A Rich Tapestry of Themes
Beyond its surface as a thrilling sci-fi action film, ALIENS explores rich motherhood, trauma, and survival themes. Ripley's relationship with Newt, the sole survivor of the LV-426 colony, adds emotional depth to the narrative, offering a poignant exploration of maternal instincts and the lengths to which one will go to protect a child. This thematic depth distinguishes ALIENS from its contemporaries, making it a film that resonates on multiple levels.
Legacy and Influence
The legacy of ALIENS is immeasurable, influencing countless films and filmmakers in the years since its release. Its blend of science fiction, action, and horror set a template that many have attempted to replicate, but few have matched. The film's impact extends beyond cinema, influencing video games, literature, and popular culture, cementing its place as a cornerstone of the sci-fi genre.
As we celebrate the 100th episode of the Born to Watch Podcast, it's clear why ALIENS was the unanimous choice for this milestone. James Cameron's masterpiece is not just a film but a cultural phenomenon that has stood the test of time. Its blend of groundbreaking technical achievements, deep thematic exploration, and unforgettable performances, especially by Sigourney Weaver, makes ALIENS a landmark in cinematic history.
ALIENS is more than a sequel; it's a testament to the power of vision, creativity, and storytelling. As we reflect on the legacy of this iconic film, we're reminded of the boundless potential

Rebel Moon Part 2: The Scar Giver attempts to elevate its predecessor’s groundwork into a sprawling space saga in this follow-up to the ambitious yet divisive first instalment. Helmed once again by a director known for his love of grand visual feasts, the movie aims to stitch new threads into the expansive tapestry of its galaxy. However, as the Born to Watch team discovered, even the most visually stunning feasts can leave one feeling unexpectedly underwhelmed.
Whitey and Damo are back in the hot seat, sparing no one the task of diving deep into this cinematic cosmos. Let’s break down what The Scar Giver offers, perhaps reading between the lines where necessary.
Cinematography and Visuals
Visually, the movie is undeniably a spectacle. The cinematography captures sweeping landscapes of alien worlds with the kind of jaw-dropping detail that nearly commands its own dialogue. Every frame is meticulously crafted, with vibrant colours and extravagant effects that are the hallmark of big-budget sci-fi. There’s an undeniable prowess in how the film crafts its battle scenes, filled with fleets of ships and flashing lasers that could easily make any highlight reel.But as the saying goes, "Not all that glitters is gold." The reliance on visual effects occasionally overwhelms the narrative, overshadowing moments that might have benefited from subtlety and a more grounded approach. For a saga that wants to carve its mark as a new epic, the film often feels like it’s floating through its own spectacle, untethered by the gravity of its storytelling.
Storytelling and Pace
The storyline of The Scar Giver picks up with a promise of deeper intrigue and expanded lore. However, the plot often stumbles under the weight of its own ambitions. The pacing feels uneven, with pivotal scenes rushing by, while less critical moments drag on, testing the patience of even the most devoted viewers. The script attempts to weave multiple storylines into a coherent whole but sometimes feels like a patchwork that’s fraying at the edges.Characters are introduced with fanfare and then relegated to the backgrounds of their own stories, leaving us to wonder if the editing room left too much character development on the cutting floor. This ambitious sequel could have used its run time to tighten its narrative focus rather than expanding it into oblivion.
Character Development
Speaking of characters, the development—or lack thereof—stands out starkly. Our heroes and villains are back with more screen time, but their evolution feels stunted. Emotional arcs that should resonate end up feeling contrived, as if the script is checking off boxes rather than exploring the depths of these interstellar travellers. It’s a space opera that sometimes forgets the opera, focusing heavily on the spectacle and neglecting the powerful, character-driven moments that could give the narrative its much-needed heart.
Cultural and Historical Significance
The Scar Giver positions itself as a culturally significant piece, aiming to reflect and challenge current societal themes. The attempt is clear, but the execution is muddled, often feeling like a superficial nod rather than a thoughtful exploration. The film flirts with themes of rebellion, freedom, and the cost of war, yet these heavy concepts seem to float in the vacuum of space, never fully landing.
Relevance to Pop Culture
As for its place in pop culture, this sequel will undoubtedly be a topic of discussion, not just for its cinematic qualities but for the conversations it attempts to spark. There’s a sense that this film wants to be more than just entertainment; it wants to be a moment. However, whether it achieves this status or becomes a footnote in the annals of sci-fi, it remains to be seen.
Final Thoughts
Rebel Moon Part 2: The Scar Giver strives for greatness but often finds itself lost among the stars. For fans of the genre, it offers a visual dessert that’s hard to resist. However, for those looking for

Welcome back to another episode of the Born to Watch podcast! This week, we're strapping in and taking off with a deep dive into the 1997 high-flying action thriller Con Air. Directed by Simon West, this film not only encapsulates the excess of the late ‘90s action cinema but also serves as a showcase for Nicholas Cage’s wild-eyed heroics and a cast of characters that feel ripped straight from a comic book.
Con Air follows Cameron Poe, a former U.S. Army Ranger, played by Nicholas Cage with his trademark volatile charm. Poe is sentenced to prison for manslaughter after defending his wife in a brawl. On the day of his parole, he boards a transport plane filled with some of the nation's most notorious criminals, who hijack the plane in a bid for freedom. The film brilliantly crafts its narrative around Poe's struggle to reconcile his desire to reunite with his family and his inherent need to do the right thing, even under the most extreme circumstances.
The film is renowned for its over-the-top action sequences, which are both spectacular and utterly preposterous. Simon West directs these scenes with a palpable energy and manages to keep the adrenaline pumping from start to finish. The infamous plane crash scene in Las Vegas is particularly notable, combining grandiose destruction with a cheeky sense of humour that almost winks at the audience amidst the chaos.
Cinematography in Con Air is a spectacle of its own. Director of Photography, David Tattersall, captures the confined chaos of the airborne prison with claustrophobic close-ups and frenetic camera movements that match the film’s manic energy. The transition from the gritty, earthy tones of the prison sequences to the bright, neon-lit Vegas finale paints a visual journey that mirrors Poe’s turbulent flight towards freedom.
However, Con Air is not just a mindless action flick; it's a character-driven narrative that thrives on its eclectic cast. John Malkovich plays Cyrus "The Virus" Grissom, a cunning and ruthless criminal mastermind whose calm demeanour belies his violent tendencies. His chilling and charismatic performance provides a perfect foil to Cage’s morally inclined hero. The dynamic between these two, along with a host of other colourful characters played by the likes of Ving Rhames, Danny Trejo, and Steve Buscemi, adds layers to the narrative, making it more than just a series of explosive events.
Steve Buscemi's character, Garland Greene, deserves a special mention. Despite limited screen time, Buscemi delivers a memorable performance that oscillates between creepy and comically absurd, especially during his serene moment in a deserted pool, surrounded by a suburban idyll. This scene is a brilliant contrast to the otherwise relentless pace and provides a darkly comic reflection on the nature of freedom and the American dream.
Con Air also touches on themes of redemption and the American justice system, albeit in a hyperbolic fashion. Cameron Poe’s journey is emblematic of personal redemption, as he seeks a second chance from the legal system and his conscience. The film questions the nature of justice through its characters, each revealing different facets of criminality and penance.
From a cultural standpoint, Con Air arrived at a time when action films were dominated by larger-than-life heroes and improbable plots. It reflects a period in Hollywood where escapism was often achieved through the sheer force of spectacle. Yet, despite its bombastic exterior, the film manages to embed a sense of humanity in its narrative, making it resonate with audiences even decades later.
Con Air has achieved a cult status in terms of its influence on pop culture, remembered fondly for its quotable lines, memorable characters, and unabashed embrace of action movie tropes. It's a film that wears its absurdity on its sleeve and is all the better for it. Its impact can be seen in how it has shaped the genre, paving the way for action films that blend humour, heart,

Welcome back to another episode of Born to Watch, where we dive into the gritty, smoke-filled alleys of action cinema, this time with Tony Scott’s explosive 1991 film, "The Last Boy Scout." Starring Bruce Willis and Damon Wayans, this film melds the rough-and-tumble aesthetics of the early '90s with sharp dialogue and an unrelenting pace, making it a standout in the action genre.

"The Last Boy Scout" opens with a rain-soaked, noir-style narrative, where Joe Hallenbeck (Bruce Willis), a disenchanted private detective with a penchant for cigarettes and sarcasm, teams up with Jimmy Dix (Damon Wayans), a disgraced former football star with his own baggage. The plot kicks off with a bang—quite literally—as the duo becomes entangled in a complex conspiracy involving the professional sports world, political corruption, and murder.

Tony Scott, known for his visually stylish filmmaking, does not disappoint here. Each frame is drenched in mood, from the shadowy interiors to the neon-lit streets that serve as the film's battleground. Scott’s camera work is frenetic yet focused, capturing the essence of action with a keen eye for detail that keeps the viewers on the edge of their seats. The opening sequence alone, featuring a desperate, gun-toting football player during a rainy game, sets the tone for a film that’s both darkly comic and brutally intense.
Script and Dialogue
The screenplay, penned by Shane Black, is filled with his trademark snappy dialogue and dark humour. Black's writing shines through in the banter between Joe and Jimmy, providing a verbal ping-pong that entertains amidst the chaos. Willis's delivery of one-liners, paired with Wayans' timing, creates a dynamic chemistry that elevates the narrative beyond typical action fare. One memorable zinger, "This is the '90s. You can't just walk up and slap a guy. You have to say something cool first," perfectly encapsulates the film's self-aware sharpness.
Performance and Character Development
Bruce Willis brings his characteristic everyman swagger to the role of Joe Hallenbeck, a role that seems tailor-made for his blend of weary toughness and cynical wit. Meanwhile, Damon Wayans adds depth to Jimmy Dix, a character that could easily have been a one-dimensional sidekick. Together, they deliver believable and deeply engaging performances, ensuring the audience roots for them despite their flaws.The supporting cast, including Chelsea Field and Noble Willingham, provide solid performances that enrich the film’s world. Each character is well-defined and contributes to the unfolding drama, highlighting Scott’s ability to effectively manage a large ensemble cast.
Historical and Cultural Significance
"The Last Boy Scout" was released during a peak period of action movies, following the likes of "Die Hard" and "Lethal Weapon." While it might not have reached the iconic status of these films, it certainly adds a unique flavour to the genre, blending the hard-boiled detective tropes with sports corruption narratives. The film also comments subtly on issues like professional integrity and sports exploitation, topics that remain relevant.
In terms of pop culture, "The Last Boy Scout" serves as a testament to the era's cinematic and stylistic transitions. It combines the action-packed sequences of the '80s with thematic complexity and character-driven stories of the '90s. It’s a film that bridges eras, both celebrating and critiquing the genre's conventions.
Relevance Today
Watching "The Last Boy Scout" today, viewers can appreciate its influence on subsequent action films and television series that have adopted its combination of sharp wit and visceral action. It’s a precursor to how action cinema can be both smart and exciting, proving that character development and clever scripting can coexist with explosive set pieces.
"The Last Boy Scout" is a film that deserves revisiting. It's not just a relic of its time but a prescient piece that anticipated trends in action c

"Star Wars: The Empire Strikes Back," directed by Irvin Kershner and released in 1980, stands not only as one of the most iconic sequels in cinema history but also as a pivotal turning point in the expansive Star Wars saga. As we gear up for Star Wars Day 2024, a retrospective glance at this masterpiece reveals its undiminished power to captivate and provoke thought, making it an enduring treasure in the sci-fi genre.
Cinematography and Visual Innovation
From Hoth's chilling winds to Dagobah's lush swamps, each frame of "The Empire Strikes Back" is a visual feast. The opening battle on the icy planet of Hoth remains one of the most visually spectacular sequences in the Star Wars series. Cinematographer Peter Suschitzky's expertise brought a deeper, grittier tone to the film, setting it apart from its predecessor. The use of shadows and lighting intensifies the emotional gravity of each scene, making the visuals not just beautiful but narratively compelling.
Storytelling and Structure
If "A New Hope" laid the foundation of this galactic adventure, "The Empire Strikes Back" expanded its scope and plunged deeper into its characters' emotional landscapes. The screenplay, refined by Leigh Brackett and Lawrence Kasdan, introduces a complex narrative with richer character development and a more layered plot. The film daringly deviates from the traditional victory arc, opting instead for a more sombre, introspective tone that reflects the characters' turmoil and growth. This bold narrative choice elevates the sequel to new heights, endowing it with a maturity and sophistication that many sequels fail to achieve.
Character Development and Performances
The heart of "The Empire Strikes Back" lies in its profound character development, particularly that of Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), and Princess Leia (Carrie Fisher). Hamill delivers a nuanced performance as Luke grapples with his identity and destiny; Ford encapsulates Solo's roguish charm and depth, while Fisher's Leia is both a determined leader and a vulnerable human. The introduction of Yoda, masterfully voiced and puppeteered by Frank Oz, adds a philosophical layer to the story, challenging Luke and the audience with deep existential questions.
The chemistry among the lead characters, especially the budding romance between Han and Leia, provides both warmth and tension, enriching the narrative and giving audiences moments of relief amidst the darker undertones of the saga.
Villainous Presence: Darth Vader
Darth Vader, portrayed by David Prowse with the unforgettable voice of James Earl Jones, cements his status as one of cinema's most formidable villains. "The Empire Strikes Back" gives Vader more screen time and context, delving into his complexities and setting up the familial reveal that would shock cinema audiences: "No, I am your father." This line, delivered during the climactic lightsaber duel with Luke, remains one of the most iconic moments in film history, reshaping the Star Wars narrative arc and deepening the conflict at its core.
Cultural and Historical Significance
=Upon its release, "The Empire Strikes Back" was met with mixed reviews; however, its reputation has only grown over time, and it is now widely regarded as the best film in the Star Wars series. It challenged the expectations of what a sequel could be and expanded the scope of George Lucas's storytelling canvas. Its influence is evident in the numerous sequels and franchises that have since sought to emulate its success in deepening character arcs and complex storytelling.
Relevance to Pop Culture
The film's impact on pop culture is immeasurable, from spawning memorable lines to influencing countless works in film, television, and other media. It's a testament to the enduring appeal of the Star Wars universe, continually attracting new fans while keeping long-time enthusiasts hooked.
"The Empire Strikes Back" is not just a film; it's a profound cinematic experience that resonat

"Stripes" (1981), directed by Ivan Reitman and starring Bill Murray and Harold Ramis, is a quintessential early '80s comedy that perfectly captures the zeitgeist of an era that teetered between the absurdity of the Cold War and the ever-relaxing social mores. At its heart, "Stripes" is a comedic rebellion against the rigidity of military life, making it a film that resonates with the themes of individualism and anti-establishment sentiment prevalent at the time.
The Plot & CharactersThe film follows the misadventures of John Winger (Bill Murray), a down-on-his-luck cab driver who, in a fit of existential despair, convinces his friend Russell Ziskey (Harold Ramis), a mild-mannered English teacher, to join the Army with him. Their journey from slackers to slightly less inept soldiers forms the crux of the story. Murray's portrayal of Winger is a masterclass in comedic timing and deadpan delivery, embodying the everyman who finds himself at odds with authority at every turn.
Harold Ramis' Russell is the perfect foil to Murray's antics. His subtle and intelligent performance balances the overt slapstick and provides a grounding presence amidst the chaos. Together, they stumble through basic training under the watchful eye of their beleaguered sergeant, played by Warren Oates, who embodies the archetypal tough-as-nails drill sergeant with a secret soft spot for his bumbling recruits.
Cinematography & DirectionIvan Reitman’s direction in "Stripes" is both savvy and unpretentious. He allows the comedic talent of his cast to shine through, using a straightforward cinematic style that keeps the focus firmly on the characters and their shenanigans. The film is shot with a traditional approach that eschews flashy techniques for steady, well-composed scenes that support the comedic narrative without overshadowing it.
Cultural Impact & Relevance"Stripes" came out at a time when America was dealing with the hangover from Vietnam and general scepticism about military interventions. The film taps into this sentiment by portraying the Army as a place where the misfits and the rebels not only fit in but thrive in their ridiculous ways. This subversive undercurrent helped "Stripes" resonate with a generation that was disillusioned with authority, making it a staple of 1980s cinema and a cultural touchstone for discussions about conformity and rebellion.Moreover, the film’s influence can be seen in the way it helped to define the comedy genre for the decade. It paved the way for a type of humour that is both irreverent and introspective, giving rise to the careers of its leads and influencing other comedic works that followed.
Humour & WritingThe humour in "Stripes" is both overt and subtle, blending slapstick with witty dialogue that mocks the seriousness of military conventions. Bill Murray's irreverent character is constantly skewering the absurdity he encounters, whether it's questioning why any sane person would want to be a soldier or improvising one of his many irrepressible speeches that rally his fellow underdogs to his cause. The script, co-written by Harold Ramis, Len Blum, and Daniel Goldberg, is sharp and full of memorable lines that have entered the pop culture lexicon, like the classic "That's the fact, Jack!"
The screenplay also smartly uses its comedic elements to develop its characters, making them more than just caricatures. We see genuine growth in John and Russell, who, despite their initial lack of direction, find something resembling pride and purpose in their service, albeit in their typically unconventional ways. This transformation provides a satisfying narrative arc that balances the film’s sillier moments with moments of genuine character development.
Impact on Pop Culture"Stripes" also serves as a prime example of how comedy can reflect and influence societal attitudes. Its enduring popularity underscores its effectiveness at capturing the spirit of its time and offering a form of escapism while also providin