Dirty John Season 2: The Podcast Los Angeles Times

Reporting dire news out of America and at home, Russian news anchor Viktor Antonov attempts to guide his audience through what may be the beginning of the end. Everywhere is a battlefield.

‘SIGN OFF’ is a branded podcast from LA Times Studios paid for by Bleecker Street and LD Entertainment in support of the film ‘I.S.S.’ only in theaters January 19th.

Following a wave of cyber attacks against the U.S., news anchor Maria Mason finds herself at the center of an escalating crisis where the International Space Station emerges as a strategic foothold.

‘SIGN OFF’ is a scripted, branded podcast from LA Times Studios paid for by Bleecker Street and LD Entertainment in support of the film ‘I.S.S.’ only in theaters January 19th.

"Foretold" is the newest podcast from the L.A. Times, and we're sharing a preview of the first episode with you here today.

In the fall of 2019, reporter Faith E. Pinho received a tip from a woman named Paulina Stevens. Paulina claimed she had grown up in an insular Romani community in California, where she was raised to be a wife, mother and fortuneteller — until she decided to break away. That first call unraveled a story spanning multiple continents, hundreds of years, and complex metaphysical realities.

Follow "Foretold" to hear new episodes every Tuesday.

In this episode, the actors from Dirty John: The Betty Broderick Story talk about prepping for their roles – including the challenges of playing Betty Broderick herself, a character brought to life by Amanda Peet.

Paid for by USA Network and produced by LA Times Studios; the Los Angeles Times Newsroom was not involved in the creation of this series.

The creators of Dirty John: The Betty Broderick Story share their insights on what it took to bring a fresh approach to this enduring story, including the role of female directors in the re-telling the infamous murder. Among the directors whose work shaped the series are Maggie Kiley and Series Director Alexandra Cunningham, who made her directorial debut.

Paid for by USA Network and produced by LA Times Studios; the Los Angeles Times Newsroom was not involved in the creation of this series.

To understand why the story of Betty Broderick endures, the creative minds behind the series – Executive Producer, Writer and Director Alexandra Cunningham, along with Executive Producer Jessica Rhoades – explain the importance of the cultural climate of the late 1980s and early 1990s, as well as how they approached this complex case so many years later.

Paid for by USA Network and produced by LA Times Studios; the Los Angeles Times Newsroom was not involved in the creation of this series.