Paper Talk Helen Hiebert Studio

Beth Kephart, a National Book Award finalist, is the award-winning author of some 40 books in multiple genres, an award-winning teacher of memoir, a widely published essayist, and a women who loves paper. Her new book is My Life in Paper: Adventures in Ephemera (Temple University Press).

Claire Van Vliet is a printmaker and typographer who founded Janus Press in San Diego, California in 1955. She received a MacArthur Genius Grant in 1989 and is known for her innovative use of pigmented pulp to create images in edition for books, prints and broadsides. Van Vliet has exhibited and lectured around the world, in universities and museums.

Goran Konjevod grew up in Croatia, where he studied mathematics and computer science. After completing his graduate studies as Carnegie Mellon, he worked as professor of computer science at Arizona State University from 2000 until 2010, when he moved to California and is now based in Livermore. Konjevod started designing origami sculptures in 2005 after having folded from books for a long time. He has been trying to develop new approaches to folding paper and other sheet materials, using mostly very simple folds (but lots of them). His pieces rely not only on geometry but also on the mechanical properties of paper, with the pleats generating tension and curving the paper into three-dimensional forms.

Melanie Mowinski likes paper, but she loves what goes ON paper. Paper becomes a vessel on which she prints, collages, draws, constructs, and more. Mowinski draws inspiration from the landscape of her Berkshire Hills home and residencies and travels to places like Iceland, Morocco, Tasmania, Venice, and most recently, from along the Camino de Santiago in Spain. She began her daily creative practice over 20 years ago as a Peace Corps Volunteer – what began as a way to document the “toughest job she would ever love,” evolved into one of the most important parts of her artistic practice. This practice formed the foundation of her book “Collage Your Life”, published by Storey Publishing in 2022. Her letterpress prints and artist books are in numerous collections, including the Tate Modern, Oberlin College, and the Clark Art Institute. She's taught workshops at Wells Book Arts Center, Williams College, and other art centers around the world. She holds master degrees from Yale University and The University of the Arts. Mowinski is a Professor of Art at the Massachusetts College of Liberal Arts (MCLA) in North Adams, MA and is the founder and director of PRESS: Letterpress as a Public Art Project.

Susan Warner Keene is a Toronto-based artist working in handmade paper who has been exhibiting in Canada and internationally since 1980. She graduated from the Ontario College of Art, where she specialized in weaving and feltmaking, subsequently shifting her practice to focus on papermaking by 1990. The acquisition of a Reina beater enabled her to set up her studio to develop artworks that are created during the papermaking process itself, exploring ways to make objects with an internal architecture created by the material conditions.Her ongoing interest in the intersection of ideas and materiality is reflected in her exploration of aspects of language, the book form, and the nature of the page.

Julie McGlaughlin has been making paper and exploring its sculptural possibilities since the early 90’s. She has been making large sheets from Kozo fibers for the last 14 years. Her interest in wearable paper garments subconsciously began over 50 years ago when she wore her first paper dress (popular in the 1960’s) and she continues to push the boundaries between paper and textiles today. Eastern fibers work well for this, as they are extremely strong allowing her to make thin, fluid sheets which easily adapt to wearable art. These non-woven sheets are referred to as kamikogami.  McGlaughlin shows her sculptural work and wearable paper garments nationally and internationally, and her work is in numerous private and corporate collections.