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The West Kerry DJ and radio presenter Cian Ó Cíobháin marks 25 years of An Taobh Tuathail, his alternative new music show which has been running for five nights a week on RTÉ Raidió na Gaeltachta since 1999.
Cian joins us to pick 6 tracks to represent his radio show over the years, and to discuss his process, DJing and how he has managed to present a world-renowned radio show for so long in a fickle media industry.
Tracks selected come from To Rococo Rot, St. Germain, Dead Can Dance, Fairmont, Loner Deluxe and Mike Smalle.
Cian is marking 25 years of ATT on his show from Monday 29th April to Friday 3rd May, wheree he feature all exclusive new music, previously unreleased and unheard outside of the musicians’ studios, from artists he admire from home and abroad, including Peter Gordon, Works Of Intent, Dian Cécht, Blamhaus, Elliot Adamson, The Shen, Meljoann, Man Power, Junk Drawer and Ambient Babestation Meltdown and Borai.
Two Disco Dána parties in Galway (Cuba venue on Saturday 4th May) and Dublin (at Hen's Teeth - Friday 31st May.) are also lined up.
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ATT airs every Monday from 11pm to 1am and from Tuesday to Friday from 10pm to midnight.
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Show notesSpotify Playlist - Songs played on the Podcast Radio show Archive - ATT
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Episode 247 is a deep dive into a seminal '90s debut album from Fiona Apple.Fiona Apple – Tidal (1996)The debut album from the then 18 year-old American singer-songwriter established the artist’s unique raw songcraft that blends pop, rock, and jazz. Featuring the songs ‘Criminal’, ‘Shadowboxer’, ‘Sleep to Dream’, and ‘The First Taste’, Tidal is a fully-formed classic of the mid-90s written from the hardened perspective of a young woman surviving the world.
We discuss the album, how Fiona Apple got her record deal, how the media at the time largely focused on Apple's looks in the context of album reviews , how this "sullen girl" / strong-willed opinionated young woman was treated by the music industry, and how the album stacks up nearly 30 years later.
This week's episode is a companion podcast to our Listening Party of the album in the Big Romance on Wednesday April 24th. Buy a ticket here to join us.
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Show notesSpotify Playlist - Songs played on the Podcast Fiona Apple & the Sexist Critics in the 90sIdiotalk Podcast
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Niall and Andrea are talking about the A B, and Cs of Cowboy Carter, Beyoncé’s eighth studio album on Episode 246.
A for America
B For Beyonce
C for Country
(and D for Discourse)
This 80 minutes and 27 track album, serving as Act 2 in the Renaissance trilogy, was purported to be Beyoncé's country album. That's not what has bolted from the stables. Cowboy Carter is not a country album, but it does feature a lot of country music sounds, references and personnel. it’s Beyonce kicking through the saloon doors of country and inviting whoever or whatever sound she wants alongside her. It’s more of a cultural reclamation of black AMERICAN music, with the origin story being that night in 2016 when Beyoncé performed Daddy Issues at the Country Music Awards in 2016, and made the traditionalists mad.
Cowboy Carter is an odyssey through American music of black origin, black country heritage, with Dolly Parton, Willie Nelson, opera, bluegrass, Beach Boys, Nancy Sinatra, Westerns, "real instruments", Rodeo, Chuck Berry, Miley Cyrus, Post Malone, Jon Batiste, Rhiannon Giddens outlaws, shotguns and giddy ups and shotgun riders.
Join us for an very interesting chat about it.

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Show notesSongs played on the Nialler9 Podcast Spotify Playlist
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It’s the Nialler9 Podcast’s monthly episode where Niall and Andrea talk about the albums and songs they loved this month.
Episode 245 is a ping-pong new disco recommends, with music discussed from Waxahatchee, Adrianne Lenker, New Jackson, Tatyana, Travis & Elzzz, Glass Beams, Charli XCX, Havvk, Group Listening, Two Shell / FKA Twigs and Mildlife (I guess)...
Along with the What’s Consuming You corner with a sci-fi TV show we both loved this month.
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Show notesSongs played on the Nialler9 Podcast Spotify Playlist
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This month's deep dive Listen Closely album is:
Portishead - Dummy (1994)
The debut album from the Bristol trio of Geoff Barrow, Beth Gibbons, and Adrian Utley was released during the summer of Blur’s Parklife and Oasis’s Definitely Maybe. Dummy was a darker, stranger record that would become a trip-hop classic that paired hip-hop, jazz, and electronic textures with Beth Gibbons spine-tingling voice and twangy tremolo guitars that belong in spy movies.
The winner of the 1995 Mercury Music Prize, Dummy features the singles ‘Sour Times’, ‘Glory Box’, and ‘Numb’, and is notable for it soulful turntable-sampling, melancholic film noir atmosphere. A modern classic indeed. We delve deep into how the band met, what trip-hop and the Bristol sound was, how the band got their name, how Dummy became hugely popular and a bit of a dinner-party LP ripe for sexy background music in film and more.
The hosts of the Nialler9 Podcast (Niall Byrne and Andrea Cleary)  present the Listen Closely series of listening parties on the Big Romance’s warm Toby Hatchett soundsystem, featuring a focus modern classic album and a chat around it on the last Wednesday of the month.
The Portishead - Dummy Listening Party happens Wednesday March 27th at The Big Romance.
Thanks to Georgia Hallion for editing the podcast.
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Show notesSongs played on the Nialler9 Podcast Spotify PlaylistKEXP 25 year anniversary interview in 2019Dummy SamplesPitchfork’s review by By Philip Sherburne
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Today's episode is a bit of a grab bag of news items, but musicians speaking truth to power is a common theme.
Niall and Andrea discuss:
Lankum winning the Choice Music Prize and their speech that encouraged the boycott of IsraelKneecap's show of Solidarity with Palestine on the Late Late Show & their US TV debut All the Irish bands including Kneecap who then cancelled their SXSW Festival shows this week in protest at US Military involvement Leo Varadkar wants nothing to do with bringing in the long-proposed Irish nightlife laws any time soonJames Blake weighs in on streaming being broken, in a time which increasingly feels like it’s going towards a tipping pointThe growing crisis in music - How the rising cost of living is affecting bands' ability to create art and make money to live.“You can get a Grammy nomination and you still can't afford to rent a one-bedroom flat in London,” says Grian Chatten of Dublin's Fontaines DC,And the minor furore over an out-of-context use of quote from The Last Dinner Party - "People don’t want to listen to post-punk and hear about the cost of living crisis any more.”
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