The Kick Chance Solem-Pfeifer

Nic Cage brings the boys back together for a weekend of Ghost Rider. In search of the motorcycle rebel's most demonic representation, we watched “Ghost Rider” (2007) and “Ghost Rider: The Spirit of Vengeance” (2011). What did we find? Floating skulls, hot chains, performances stuck between a Cage and a hard place, and two movies that just need a *little* more time to explain what a Ghost Rider is.

“The Motorcycle Boy Reigns” as our kick arrives at “Rumble Fish” (1983). It’s not set on the highway, but perhaps no movie in this series uses the idea of the motorcycle rebel to such cool, elusive effect as Francis Ford Coppola’s dreamlike crime drama, starring a young Mickey Rourke.

Ray Gill Jr. (Portland Mercury, Willamette Week) is here to explain why “Rumble Fish” is his favorite film, why Matt Dillon used to scare him, and why insanity is intoxicating, plus primo tales of growing up in a video store.

I've said from the beginning that this podcast represents freedom—specifically the freedom to beg far-flung thinkers to talk about canonical movies. This week, our Motorcycle Rebel kick arrives at "Easy Rider" (1969), and motorcycle bard / journalist J. Peter Thoeming, aka THE BEAR, is on the show to talk about how this countercultural touchstone relates to Faust, road safety, backaches, and searching for America.

Keep up with The Bear's writing here:
https://www.advrider.com/author/thebear/

Let's start the engines on a new kick! Now through the end of June (when "The Bikeriders" hit theaters), we're tracing the archetype of the motorcycle rebel. Most historians agree the first biker picture was "The Wild One" (1953) starring an iconically moody and leather-clad Marlon Brando. Today, author Burt Kearns joins the show to share how "The Wild One" became a flashpoint for censorship, anti-hero adulation, and movie posters. Kearns' new book "Marlon Brando: Hollywood Rebel" is out now.

https://www.marlonbrandobook.com/

It's match point of our sports-romance kick and hooooo, baby. "Challengers" is here, and we've got writer Alex Barr on the program to discuss this year’s sweatiest, hungriest, horniest movie. We talk tennis as sex, sex as tennis, the movie's use of food, unexplained bruises, a different side of Zendaya, bafflingly inventive cinematography, and so much more.

A cop and robber touch souls—and bods while skydiving at 120 mph—on the penultimate episode of our sports-romance kick. It's "Point Break" week, baby. Bennett Campbell Ferguson is here to dig into everyone's favorite surfing-skydiving-beach football spectacular. We break down good vs. goofy Keanu, assess how Kathryn Bigelow's first big hit epitomized her directing style, and try to figure out what to call Swayze's take on the femme fatale.