New Books in Popular Culture Marshall Poe

For decades, Joni Mitchell's life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians--from peers like James Taylor, to inheritors like Prince and Brandi Carlile--and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as--with the other arm--she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.
In Traveling: On the Path of Joni Mitchell (Dey Street Books, 2024), Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer's childhood battle with polio. She charts the course of Mitchell's musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell's collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.
Along this journey, Powers' wide-ranging musings on the artist's life and career reconsider the biographer's role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.
Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.
Ann Powers has been a music critic for more than thirty years, working for NPR, the Los Angeles Times, the New York Times, and other publications. In the decade she has worked with NPR, she has written extensively on music and culture and appeared regularly on the All Songs Considered podcast and on news shows including All Things Considered and Morning Edition. Her books include a memoir, Weird Like Us: My Bohemian America; Good Booty: Love and Sex, Black and White, Body and Soul in American Music; and Piece by Piece with Tori Amos. Powers lives in Nashville. Ann Powers on Twitter.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley Morgan on Twitter.
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Electronic Dance Music: From Deviant Subculture to Culture Industry (Rowman & Littlefield, 2023) explores the subculture’s emergence as a deviant subculture. This text analyzes how industry professionals, fans, and public officials helped usher in a new age of EDM, arguing that while the defining features of the subculture made it attractive, they also laid the foundations for outsiders to commodify the movement as a culture industry. Chris Conner and David Dickens explore the concept of “commodified resistance” as the mechanism by which the movement's politically dissident features were removed and its place as a multi-billion-dollar industry made possible. Ultimately, this text advocates the continued utility of the culture industry thesis through an empirical analysis of the EDM subculture.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
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From his overwhelming embrace by evangelicals and other people of faith to his championing of policies and conservative judicial candidates long sought by right-wing Christians, Donald Trump’s candidacy, campaign, and presidency were empowered by believers of many stripes who employed different methods of rationalizing or Christianizing Trump and his administration. In Performing for the Don: Theatres of Faith in the Trump Era (Routledge, 2024), Hank Willenbrink examines this intersection of political power and religion through the lens of performance studies, in part via Trump’s own expressions but predominantly through mass media performances of his Christian supporters. 
From Trump’s affiliation with his “court evangelicals” and televangelists to the 2018 film The Trump Prophecy and other prophetic/apostolic movements latching onto Trump’s ascension in service of dominionistic ends, and from his support among very conservative Catholics to the “cult” of Trump that has coalesced in conspiratorial online spaces advocating QAnon beliefs, the last decade has witnessed a mainstreaming of theology and ideology ripe for an interdisciplinary analysis of the performative aspects of Trump’s faith-based support. Dr. Willenbrink joined the New Books Network to discuss all these subjects as well as Christian nationalism in the present American political climate.
Hank Willenbrink (Ph.D. in Dramatic Art from the University of California, Santa Barbara) is Associate Professor in the Department of English and Theatre at The University of Scranton in Pennsylvania. A scholar and theatre artist, Hank has published on a range of topics like Hell Houses, the playwright Naomi Iizuka, the intersections of playwriting and nature writing, and the use of music in HBO’s Girls. With his wife, Dr. Yamile Silva, he co-edited an anthology of contemporary Spanish and Portuguese writing. Hank’s play, The Boat in the Tiger Suit, premiered in New York and is published by Original Works Publishing. He’s developed theatrical work internationally, including at Sala Beckett in Barcelona. Hank has also led several interdisciplinary, community-engaged projects that bring together students and community members of diverse backgrounds and disciplines to engage in deeper and more intentional ways through collectively created theatrical performance. Hank played in a number of questionable bands, co-founded the music blog We Listen for You, and hails from Toad Suck, Arkansas. He is currently continuing the research that he discusses on today’s podcast episode on his Substack: performingforthedon.substack.com.
Rob Heaton (Ph.D., University of Denver, 2019) primarily hosts Biblical Studies conversations for New Books in Religion and teaches New Testament, Christian origins, and early Christianity at Anderson University in Indiana. He recently authored The Shepherd of Hermas as Scriptura Non Grata: From Popularity in Early Christianity to Exclusion from the New Testament Canon (Lexington Books, 2023). For more about Rob and his work, or to offer feedback related to this episode, please visit his website at https://www.robheaton.com.

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How have women resisted sexism in TV? In Producing Feminism: Television Work in the Age of Women’s Liberation (U California Press, 2024), Jennifer S. Clark, an Assistant Professor of Communication and Media Studies at Fordham University, explores the people, organisations, TV shows and audiences who all shaped women in and on television during the 1970s. Drawing on a production studies perspective, the book ranges widely from organisational archives, through key programmes and personalities, to specific genres including sport on TV. The analysis also offers a challenge to both contemporary television’s approach to equity and diversity issues, as well as a significant contribution to the history of television too. The book is essential reading across the humanities and social sciences, as well as for anyone interested in television. The book is also available open access here.
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Friendships can be the foundation of our earliest memories and most formative moments. But why are they often seen as secondary to romantic, or familial connection, something to age out of and take a back seat to other relationships? BFFs: The Radical Potential of Female Friendship (404 Ink, 2023) by Dr. Anahit Behrooz is an examination of the power of female friendship, not as something lesser, but as a site of radical intimacy, as told through the cultural touchstones around us.
From coming-of-age tales through physical intimacy and discovering personhood to break ups and parting of ways, Dr. Behrooz considers the vast significance of our friendships through the work of Toni Morrison and Elena Ferrante, Booksmart and Grey’s Anatomy, Insecure, The Virgin Suicides and beyond.
To have a life rich in love is often viewed through a specific lens; BFFs shows us that friendship can offer a more expansive and emancipatory understanding of female intimacy, and can be the most important, loving relationships in our lives.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Pure: The Sexual Revolutions of Marilyn Chambers (Headpress, 2024), Jared Stearns tells the untold story of the world's most famous X-rated star, who rose to fame as the face of Ivory Snow and the star of Behind the Green Door but struggled to find her true self in a world of sex, scandal, and shattered dreams. Marilyn Chambers was the embodiment of the free-spirited Seventies, the world's most famous X-rated star, and an unappreciated talent whose work in adult films hindered her dreams of becoming a serious actress. Raised in an affluent Connecticut suburb, Marilyn catapulted to fame when it was learned that not only had she starred in the groundbreaking X-rated film, Behind the Green Door but was also the model on the box of Ivory Snow laundry detergent (product tagline: "99 44/100% Pure.") Marilyn was the first woman known primarily for her work in adult films to cross over to mainstream entertainment. She sustained a versatile three-decade career in entertainment, including roles in dramatic plays, a Broadway musical revue, her own television show, and the lead role in David Cronenberg's film Rabid. 
But her success in adult films also proved to be her undoing. Marred by a violent relationship with her abusive husband-manager, Chuck Traynor, she developed the persona of a twenty-four-hour-a-day sex star. In the process, she lost her sense of self and spent much of her life searching for her true identity. With recollections from family and friends, many of whom have never spoken publicly, along with Marilyn's own words, and never-before-published photos, Jared Stearns vividly captures the revolutionary career of one of the twentieth century's most misunderstood icons.
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