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Before I get to Oliver Stone and Brian DePalma's 1983 Miami-set remake of 'Scarface'...here's a background episode about the 1932 'Scarface', written by Ben Hecht and directed by Howard Hawks, the Steven Spielberg of the 1930's and 40's.
From that still-vital, seminal gangster film, I also found my way to some others:
Little Caesar is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Glenda Farrell, and Douglas Fairbanks Jr. 


The Public Enemy (Enemies of the Public in the UK)[6] is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman and stars James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. 

 
Underworld (also released as Paying the Penalty) is a 1927 American silent crime film directed by Josef von Sternberg[1] and starring Clive Brook, Evelyn Brent and George Bancroft. The film launched Sternberg's eight-year collaboration with Paramount Pictures, with whom he would produce his seven films with actress Marlene Dietrich. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story.[2]
Watch Scarface on Amazon Prime.
Watch Underworld for free here.
Watch The Public Enemy on YouTube.
Watch Little Caesar on YouTube.
Read about the fascinating life of Ben Hecht.
Read the BFI 10 Classic 1930's Gangster Films Article.

One of the stranger and most poorly-marketed films of the 70's is Nicholas Gessner's adaptation of Laird Koenig's 1974 novel 'The Little Girl Who Lives Down The Lane'.  Far from the horror film the poster and trailer tried to sell audiences on, it's instead an unsettling but realistic portrait of a young girl in an uncertain situation, and a film that I find particularly resonates with people who themselves were 10 or 12 years old in the late 70's.

It's almost Memorial Day Weekend in the States and that means it's time for Yacht Rock!
The term didn't exist before the 2005 web series of the same name was written, directed, and produced by J. D. Ryznar, David Lyons, Hunter D. Stair, and Lane Farnham. 
You can revisit their highly specific genius here.
Before that, music of the type we now refer to as 'Yacht Rock' was known as "The West Coast Sound" and that meant it had characteristics such as being recording in Los Angeles between, roughly, 1972 and 1982, or that heavy session musicians played on the tracks, tracks that often featured electric piano, lyrical tales of romantic failure and ennui, layered backing vocals, and light jazz and R&B elements. 
In this episode I recount my journey from a Yacht Rock generalist, to someone who now believes there is a pure YR essence, discernible in the tracks I reference in this episode...and there are other songs considered Yacht Rock that don't really belong in the canon.  For example, by my analysis, Steely Dan and Hall & Oates: Not Yacht Rock due to a combination of not being recorded in Los Angeles and being outside the scope lyrically and compositionally. But as my friend and YR Guiding Light Rick Brown says: half the fun is debating what belongs and what doesn't.
In preparing the episode I came to believe strongly in the qualitative superiority of the tracks recorded in Los Angeles. I think it's demonstrable upon hearing them.  For the sake of your ears, I prepared two Spotify Playlists:
Yacht Rock: Recorded In LA
And
Yacht Rock: Nyacht From LA
I also explore a few examples of really fun outlier tunes from unexpected sources and encourage you to suggest additional songs that do or don't fit the criteria.
Thanks for listening, and do me a favor and share this or your favorite episode with one or two friends who you think might enjoy it!
 
Jason

Some thoughts on gratitude and appreciation, and a few anecdotes about how quickly humans go from wide-eyed wonder and astonishment to entitled self-centered expectations, drawn from my three-concert experiences during Dead & Company's recent inaugural stint at MSG's groundbreaking new concert and film venue, Sphere Las Vegas.

OK so today in Las Vegas I learned it's "Sphere" and not "The Sphere".  And we're back recording for posterity impressions of the 2nd night of the inaugural 3-show residency kick-off for Dead & Company at Sphere Las Vegas.
 

Some thoughts on an extraordinary in-person collective entertainment experience...remember those??