Scriptnotes Podcast John August and Craig Mazin

John welcomes back Aline Brosh McKenna to help figure out how to say goodbye… in your story. Using examples from some of their favorite movies, they explore how farewell scenes work, what sets them apart from the average see-you-later, and leaving a lasting effect on your characters and the audience.
We also look at the summer box office, George Gallo’s Bad Boys lawsuit, Sony’s purchase of Alamo Drafthouse, and answer listener questions on bad ex-managers, second steps, NDA’s, fairies, and how to take advantage of downtime in LA.
In our bonus segment for premium members, John and Aline discuss journaling. Should we be keeping track of what we’ve been doing all day?
Links:
‘Bad Boys’ Settlement by Dominic Patten for Deadline Why did Sony buy Alamo Drafthouse — and is it actually a good thing? by Ryan Faughnder for LA Times The Nine Enneagram Type Descriptions Farewell – Casablanca Farewell – Past Lives Farewell – Lost in Translation Farewell – Weekend Farewell – Philadelphia Farewell – The Shawshank Redemption Farewell – Harold and Maude Farewell – Terminator 2 Farewell – The Way We Were Farewell – The Wizard of Oz Farewell – E.T. Farewell – Toy Story 3 Farewell – Dead Poets Society Revival Hub LA Visit Malta Peel off lip stain Dirt Man by Carter Vail, and some of Aline’s favorite remixes, via TikTok Phil Collins’ Houdini Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram and Twitter John on Mastodon Outro by Eric Pearson (send us yours!) Scriptnotes is produced by Drew Marquardt with help from Jonathan Wigdortz. It is edited by Matthew Chilelli. Email us at ask@johnaugust.com
You can download the episode here.

In this compendium episode, John and Craig fast-forward to the third act to talk about endings. How do they work? What makes them great? And how do you fix them when they’re not working?
They look at how to connect your ending to your characters, crafting a twist that surprises (but doesn’t confuse), the function of the climax, the importance of the denouement, and how to make it all satisfying for your audience.
In our bonus segment for premium members, John and Drew welcome back Megana Rao to ask: do we still need reunions in the age of social media?
Links:
Episode 44 – Endings for beginners Episode 170 – Lotteries, lightning strikes and twist endings Episode 366 – Tying Things Up Episode 392 – The Final Moment Episode 524 – The Home Stretch Too Many Cooks America’s best decade, according to data by Andrew Van Dam for The Washington Post All Fours by Miranda July Callipeg Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram and Twitter John on Mastodon Outro by Matthew Chilelli (send us yours!) Segments originally produced by Stuart Friedel, Megan McDonnell and Megana Rao. Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com
You can download the episode here.

John and Craig decode the current state of software in the film and television industry. With dozens of programs needed for every project, they look at why bad and outdated programs continue to have a hold on the industry, why it’s so hard to build something better, and how these programs find financial success in such a small and specialized market.
Then it’s another round of the Three Page Challenge, where they give their honest feedback on three listener-submitted scripts. They offer insights into quickly establishing information, those scenes that can be written but not filmed, the tricky dynamics of a meet-cute, and why broad comedy demands logic.
In our bonus segment for premium members, John and Craig explore the exciting possibilities that comes from playing D&D campaigns with no magic and other strict constraints.
Links:
Follow along with our Three Page Challenge Selections: PLANET B by Christopher James, THE LONG HAUL by Becca Hurd, and THE RIGHT TO PARTY by Lucas McCutchen Submit your script for our Three Page Challenge! David Zucker’s 15 Rules of Comedy Space Cadet (2024) Movie Magic Scheduling Scenechronize PIX Qtake BOX Frame.io Evercast Scripto Fuzzlecheck Ripley on Netflix Watchmen – “This Extraordinary Being” Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram and Twitter John on Mastodon Outro by Eric Pearson (send us yours!) Scriptnotes is produced by Drew Marquardt with help from Jonathan Wigdortz. It is edited by Matthew Chilelli. Email us at ask@johnaugust.com
You can download the episode here.

John welcomes Meredith Scardino (Girls5eva) and Jen Statsky (Hacks) to discuss the highs and lows of writing the third season of a hit comedy. But how do you push a series forward without violating the premise or retreading familiar terrain? Are the shows still the shows they pitched? How has streaming changed since their shows first went on the air? And how do you plan for your series’ future?
They also answer listener questions on non-binary characters, past tense emotions in action lines, and how to make the most of a mentorship.
In our bonus segment for premium members: Two years ago John sent a letter to Jen with his predictions for what would happen in the third season of Hacks. That letter has remained sealed until now. Were John’s predictions correct, close, or way off the mark?
Links:
Meredith Scardino on Instagram Jen Statsky on Instagram Girls5eva on Netflix Hacks on Max Chris Fleming Chris Fleming: HELL on Peacock Hannah Einbinder: Everything Must Go on Max Stouchi iPhone Camera Mount Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram and Twitter John on Mastodon Outro by Rodger Corser (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com
You can download the episode here.

John and Craig explore one of the most powerful and versatile tools in episodic television: the cold open. But how does it work? What kind of scenes does it showcase best? How can it play with point of view, perspective and time? What makes it memorable? And how do you make it work for your story?
We also discuss new requirements for loan-out corporations, follow up on streaming ads and AI-generated coverage, and answer listener questions on titles, exposition and disabled representation.
In our bonus segment for premium members, John and Craig check out OpenAI’s flirty new chat capabilities and ask, do they have any love for talking to human-like AI’s?
Links:
Scriptnotes hats and drinkware! John jumps out of a plane on Instagram Corporate Transparency Act: An Overview of Impending Reporting Obligations MoviePass, MovieCrash | Official Trailer from HBO The Film Fund and the Reddit thread LOST – Desmond in the Hatch Suwada Nail Clippers Song Exploder – Madonna’s “Hung Up” The Ladder by Hatch Escapes Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram and Twitter John on Mastodon Outro by Eric Pearson (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com
You can download the episode here.

John joins Mike Birbiglia on his podcast Working It Out to share direct, practical screenwriting advice that you’ll actually use, whether you’re an aspiring screenwriter or you want to pursue creative work of any kind.
They explore John’s screenwriting process, from defining his expression “breaking the back of the script,” through the different forms of conflict and navigating the murky middle of the story. John shares the best writing advice he’s ever received, the screenplays everyone should read, what he appreciates in standup specials and why cool people aren’t funny. They also revisit the gains made on AI as a result of the writers strike.
Links:
Mike Birbiglia’s Working It Out Watch this episode of Working It Out on YouTube See Mike Birbiglia Live The Old Man & the Pool on Netflix Scriptnotes, Ep 179: The Conflict Episode Aliens screenplay by James Cameron Sex, lies and videotape screenplay by Steven Soderbergh Miry’s List Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on Threads, Instagram and Twitter John on Mastodon Working It Out is produced by Mike Birbiglia, Peter Salomone, Joseph Birbiglia and Mabel Lewis. Associate producer: Gary Simons. Consulting producer: Seth Barrish. Video consultant: Graham Willoughby. Special Thanks to Marissa Hurwitz, Josh Upfal, David Raphael, Nina Cwik, J. Hope Stein, and Oona. Music by Jack Antonoff and Bleachers Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com
You can download the episode here.