Afropop Worldwide Afropop Worldwide

The 2022 global music exposition, WOMEX, went down in Lisbon, Portugal. For the second year running, most of the African-related showcases featured bands led by women. In this episode we meet Selma Uamusse from Mozambique and Portugal, Djazia Satour from Algeria and France, Pilani Bubu from South Africa, and hear 78-year-old Lia de Itamaracá, Brazil, positively blow away this tough-to-please crowd. And we’ll hear from some guys as well, Fra! with highlife funk from Ghana and Aywa fusing Moroccan, French and Spanish grooves. Produced by Banning Eyre.

The Malawi Broadcasting Corporation recorded a goldmine of local music in the 1960s and 70s, but the tapes were neglected and close to ruined when broadcaster Waliko Makhala raised the alarm. With help from the Norwegian Embassy and Norwegian broadcaster Sigbjorn Nedland, digitization got underway. In this program, we sample the results guided by Waliko, Sigbjorn and Martin White, curator of AfricanPoems, a website dedicated to preserving poetry from around the continent. Produced by Martin White.

The Afro-Roots Fest is Florida’s state-wide celebration of Africa’s global musical heritage. The 2022 edition featured a diva of Afro-Cuban jazz, Daymé Arocena, Sudanese American indie rock band Sinkane, Miami’s own Latin music champions Cortadito celebrating their tenth anniversary, and more. We’ll hear live highlights and interviews with the principles. Produced by Banning Eyre and Sean Barlow.

In today’s pop music, everybody is a composer. But what about the classics? The songs that last? In this program we survey African musicians reinterpreting each other’s songs, as well as songs from far outside their traditions. And we hear foreign takes on African diaspora music. From Louis Armstrong’s “Skokiaan” to Alpha Blondy’s “Whole Lotta Love,” it’s a journey of discovery and rediscovery.

Produced by Banning Eyre.

APWW #854

Cheikha Rimitti was certainly a queen. For some, she was the queen of raï (pronounced RYE), which means “opinion" in Arabic. For others, she was the queen of freedom, an Algerian Statue of Liberty wielding the fire of independence, as she sang daringly and frankly about love, sexuality, poverty, drinking and oppression. She defied taboos and her music was often banned. She used to say that "misfortune was her teacher” but she became an international star who died at 86, two days after a sold-out show!
However, it might be too simple to portray Rimitti only in this iconic role. She was even more than a musical and cultural queen, and she still lives on in many hearts.
Rimitti would have been 100 in 2023 - and yet the Algerian diva is still praised and remixed by a young new generation of artists. In this episode, we’ll journey through Rimitti’s rocky life and we’ll meet her musical progeny. 

Produced by Elodie Maillot
APWW #870

In 2010, to mark the 5th anniversary of the Katrina disaster, we went way way back to honor New Orleans as the unique American treasure it is. This program tells the story of how jazz emerged in the context of all the other African American musics that proliferated in late 19th and early 20th century New Orleans: blues, ragtime, Mardi Gras Indian music, vaudeville and minstrelsy, spiritual church music, and more. With our guides Bruce Boyd Raeburn and Lynn Abbott, we'll comb through a vast world of interviews, recorded music, photographs, ephemera, and curatorial knowledge at one of the great American music collections, the William Ransom Hogan Jazz Archive at Tulane University. Produced by Ned Sublette.