Afropop Worldwide Afropop Worldwide

In 1991, Thomas Mapfumo and the Blacks Unlimited made their second tour of the United States. It was a fascinating transitional moment in the band’s history. Mapfumo had recently added two musicians playing the metal-pronged, Shona mbira, enriching the band’s lineup of guitar, bass, drums, keyboards, brass and percussion. The band had now evolved into a kind of folk orchestra in which everyone sang, allowing for beautifully layered vocal arrangements. This recording, made by Afropop Worldwide at S.O.B.'s in New York City during that historic tour, is a true gem in the Afropop archive. It captures one of Africa’s most innovative and unusual artists and bandleaders at the height of his powers. One listen to this sublime recording and you will understand why producer Banning Eyre devoted some 15 years to writing the book Lion Songs: Thomas Mapfumo and the Music That Made Zimbabwe.

In this episode, producer Elodie Maillot in Paris reviews the career of mercurial Algerian-French singer, composer and activist Rachid Taha, who died in 2018. With remembrances from producers Steve Hillage, Justin Adams and others, the podcast brings to life a singular life and musical career. Taha merged rock and rai music, love poetry and fierce critique, gentle sensitivity and world-weary toughness. Today, his impact continues to grow. And even though the artist is now gone - his musical ghost is hunting our memories.

This Hip Deep edition explores the legendary early career of Thomas Mapfumo, a singer, composer and bandleader whose 1970s music set the stage for the birth of a new nation, Zimbabwe. Using rare, unreleased recordings, and recollections by Mapfumo, key band members, and prominent Zimbabweans who lived through the liberation struggle, this program traces the development of chimurenga music. Central to the program, are research materials gathered by Mapfumo biographer Banning Eyre, and commentary by ethnomusicologist Thomas Turino, author of Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. One of the great stories of African music’s role in history is told here as never before.

In this episode, we'll trace the history of country music, highlighting the often-overlooked contributions of Black artists and fans. We'll travel to Kenya to meet rising country stars who are bringing their own unique sounds to the genre. Hear their takes on the hits of Don Williams, Kenny Rogers, Dolly Parton, and more. We'll also explore the history of Black country music with music historian Elijah Wald. Tune in for an interview and performance from Kenyan country singer Steve Rogers, radio and TV presenters Catherine Ndonye and David Kimitho, and Olvido Records founder Gordon Ashworth. Produced by Brandi Howell.

APWW #853

In this episode, Planet Afropop’s Lagos correspondent Fay Fay profiles a unique multi-generational band on the Nigerian scene: Alternative Reflective Beats (ARB). True to their name, ARB's music embodies the vibrant rhythms of Afrobeat intertwined with a fusion of other genres. Their mission is to maintain their distinct musical identity while creating songs that appeal to both live audiences and streaming enthusiasts. By staying true to this vision, the band aspires to establish longevity in the industry.

Umm Kulthum has been called the greatest singer in the Arabic speaking world in the 20th century. Born in 1904 the humble daughter of an Egyptian village imam, she went on to become a glamorous Cairo celebrity in her 20s, and soon after that, a cultural icon whose monthly live radio broadcasts brought much of Egypt to a standstill. She turned high poetry into popular culture. She extended musical forms with her virtuoso, extended vocal improvisations. Combining historical, religious, literary and musical passions, she inspired an enduring sense of national pride and left a legacy for the ages. Millions gathered for her 1975 funeral. With Umm Kulthum biographer Virginia Danielson as guide and guest, this program explores the life and music of a musical legend. Produced by Banning Eyre.

APWW #465