DESTROY ALL CULTURE Aidan and Adam

whatever.

















Ahahahaha. This movie sucked.
“But,” you ask, “how exactly did it suck? Was it an earnest attempt to reboot the franchise with yet another trilogy-starter? (yes) Was it an egregiously miscast snorefest that tried to hit all points on the graph but somehow missed every single one? (yes) Did it convince you that Skynet is Genisys? (no, Skynet is Matt Smith) Is it a fact in the movie that Sarah Connor’s father used to take her to a concrete bunker under a bridge? (yes) Is that bizarre fact ever explained or explored?” (no)
Glad you asked that very long-winded multi-part question. Listen below for the answers, or find us on your podcast machine of choice.

hello domino’s? Do you deliver to the apocalypse?

















Hey! Who wants a new Terminator movie? It’s got everything! It’s got the original T-800… with Arnold’s face CGI’d onto a bodybuilder. It’s got Sarah Connor… on a series of audio cassettes. And it’s got John Connor - in several scenes! Oh, and Kyle Reese pops up. But most importantly, it’s got *checks notes* fan favourite Marcus Wright, played by Sam Worthington. Who’s Marcus Wright? Oh, I thought you were a real Terminator fan. You could be forgiven for not hearing about Wright, because this is the first time the character’s appeared in the franchise. He’s the main character.
Oh yeah! Terminator Salvation is the story of Marcus Wright, a guy who was sentenced to death before the Machine-Human War but finds himself mysteriously alive in the future. Who is he? Really? Who is Marcus Wright? I hope you’re invested in the answer to that question, because that’s what you’re getting in Terminator Salvation. Listen below or find us on your podcaster of choice.

one lion soon to die, one cyborg, one live dog.

















It’s time to answer everyone’s questions about Terminator 3: Rise of the Machines. Do you have any questions about Terminator 3, aside from Why was this made? and Where’s Linda Hamilton? There’s a small chance we might have the answer. Listen below or find us on your podnabber of choice.

a live dog in a world of soon-to-be-dead lions.

















What is there to say at this point about Terminator 2: Judgment Day? That it’s a big ole crowd pleaser that updates the Wallace Beery wrestling pic for the ‘90s? That its florid sentimentality is the key to its success? That it’s a hell of a lot of fun? Maybe there’s nothing more to say, but we spend a solid hour saying it anyway on this week’s podcast. Stick around for the Destroy All Culture definitive ranking of all the Terminator films we’ve watched so far!
Next up: Terminator 3: Rise of the MacHines.

an undead lion.

















Welcome to Destroy All Connors!, a DAC mini-series that looks at the Terminator franchise.
One morning in Rome in 1981, James Cameron woke from feverish nightmares. In his dream, a chrome skeleton emerged from flames. He started sketching his dream on hotel stationery. Three years later came The Terminator, a lean and twisty sci-fi horror about a young woman being stalked by a metal nightmare in human skin from the future.
Adam and Aidan talk at length about the movie, including the accusations from Harlan Ellison that Cameron had ripped off an episode of The Outer Limits called “Soldier” (Aidan actually watched the episode in question, and he is here to tell you that Cameron’s movie does not involve a kindly philologist taking in a confused soldier from the future). Listen below or find us on your podcatcher of choice.

something about live dogs and dead lions here. i don’t know.

















Before we recorded this podcast, Adam promised to lead with a question that he promised would ruin my enjoyment of the movie. Little did he know that his question would actually UNCOVER THE KEY TO THIS MOVIE’S GREATNESS.
What is it that makes 1992’s Under Siege great? Is it the dolphin in that one shot from the opening sequence? Gary Busey in drag? The movie’s acknowledgment that the ideological void left by the end of the Cold War would be replaced not by a coherent vision of the global order but by hucksters willing to use the language of utopian ideals to cover up their crimes? Is it the idea that Steven Seagal is as good at making bouillabaisse as he is at driving knives through the lymph nodes of mercenaries? Listen below, or find us on your podcatcher of choice, to find out!