New Books in Intellectual History New Books Network

Debby Koren's book Responsa in a Historical Context: A View of Post-Expulsion Spanish-Portuguese Jewish Communities Through 16th- And 17th-Century Responsa (Academic Studies Press, 2023) contains a collection of eight annotated translations of responsa, alongside the original Hebrew texts, focusing on the post-expulsion Spanish-Portuguese communities of the sixteenth to seventeenth centuries. Topics include excommunication in Amsterdam, ʻagunot, inheritance rights of a converso son, obligatory contracts and breach of agreement, heresy and humanist scholarship, informing on someone to the Venetian Inquisition, and more.
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Plutarch is one of history's most influential authors: his insights were foundational to thinkers ranging from William Shakespeare to Alexander Hamilton, Nietzsche to Montesquieu. Yet, today his writings have fallen out of favor, in part because the genre he pioneered, biography, has fallen out of favor within academia, though it retains popularity among the general public. West Point political scientist Hugh Liebert delves into Plutarch's thought, revealing that Plutarch had profound philosophical insights despite his reputation as a historian. Along the way, he illustrates areas where Plutarch's thought might seem foreign to us versus those where his insights are evergreen, and makes the case for the continued importance of the biographical genre.
Hugh Liebert is Professor of Political Science in the Department of Social Sciences at the United States Military Academy in West Point, New York. There, he serves as Director of the West Point Graduate Scholarship Program and Co-Director of the American Foundations minor. He is the author or editor of seven books, including Plutarch’s Politics (Cambridge University Press, 2016), recipient of the Delba Winthrop Award for Excellence in Political Science, and Gibbon’s Christianity (Penn State University Press, 2022). He is currently at 2023-24 Visiting Fellow here at the James Madison Program.
Contributions to and/or sponsorship of any event does not constitute departmental or institutional endorsement of the specific program, speakers or views presented.
Annika Nordquist is the Communications Coordinator of Princeton University’s James Madison Program in American Ideals and Institutions and host of the Program’s podcast, Madison’s Notes.
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Thor Rydin joins to talk about his new book, The Works and Times of Johan Huizinga (1872- 1945): Writing History in the Age of Collapse (Amsterdam UP, 2023). This book offers a new perspective on the Dutch cultural historian Johan Huizinga (1872-1945), who remains one of the most famous European historians of the twentieth century. Huizinga's lifetime was marked by dramatic transformations of Europe's cultural, religious, geographical and political landscapes: war, modern commercialism, industrialization, industrial urban planning, nationalism and fascism had shattered the truisms, moral codes and expectations with which Huizinga and his generation of well-to-do Europeans grew up. This book examines how these 'experiences of loss' affected and informed Huizinga's works. By centring such experiences rather than matters of character or social roles, the book offers an original image of an iconic historian but also considers him as a window into his times. Most centrally, this book contends that Huizinga's historical works helped to accommodate and give meaning to his own experiences of loss and rupture, thus offering him a way of life in turbulent times.
This book is available open access here. 
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An intellectual who hated intellectuals, a socialist who didn't trust the state--our foremost political essayist and author of Animal Farm and Nineteen Eighty-Four was a man of stark, puzzling contradictions. Knowing Orwell's life and reading Orwell's works produces just as many questions as it answers.
Celebrated Orwell biographer D. J. Taylor guides fans and new readers alike through the many twists and turns of Orwell's books, life and thought. As a writer he intended his works to be transparent and instantly accessible, yet they are also full of secrets and surprises, tantalising private histories, and psychological quirks. From his conflicted relationship with religion to his competing anti-imperialism and fascination with empire, Who Is Big Brother?: A Reader's Guide to George Orwell (Yale UP, 2024) delves into the complex development of this essential yet enigmatic voice.
Taylor leads us through Orwell's principal writings and complex life--crafting an illuminating guide to one of the most enduringly relevant writers in the English language.
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Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each.
The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday’s song and performances of Strange Fruit, and the NAACP’s campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.
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What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research? 
Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought.
In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another.
A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.”
Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).
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