1 hr 13 min

Jonathan Gottschall on the stories we tell ourselves Dialogues with Richard Reeves

    • Philosophy

"Human beings can no more give up narrative than we can breathing or sleeping." So says my guest Jonathan Gottschall. But why are stories so important? He argues in his new book The Story Paradox: How Our Love of Storytelling Builds Societies and Tears them Down that the primary function of storytelling is to sway the listener in some way, to change how they think or fell about something, or someone. "Stories", he says "are influence machines". Part of the political divide today, for example, is over the story of America: Are we a city on the hill, a beacon of liberty and hope and progress, or an oppressive, supremacist and bloody empire? In a deep sense, the culture war is a story war, and in light of recent political developments, Gottschall says our task is now "to save the world from stories", in part by trying to tell stories without villains. Along the way we talk about the difference between suspension of disbelief and narrative transportation, politics, the role of religion, luck, and the lack of political pluralism in academia. I came away even more convinced about the power of stories, and our decisions about which stories to immerse ourselves in, as well as how stories layer on top of stories, in a kind of narrative collage. 
Jonathan Gottschall
Distinguished Fellow at Washington & Jefferson College, author of The Storytelling Animal, The Professor in the Cage, and The Story Paradox. 
Twitter: @jonathangottsch
Website: jonathangottschall.com
 
 

"Human beings can no more give up narrative than we can breathing or sleeping." So says my guest Jonathan Gottschall. But why are stories so important? He argues in his new book The Story Paradox: How Our Love of Storytelling Builds Societies and Tears them Down that the primary function of storytelling is to sway the listener in some way, to change how they think or fell about something, or someone. "Stories", he says "are influence machines". Part of the political divide today, for example, is over the story of America: Are we a city on the hill, a beacon of liberty and hope and progress, or an oppressive, supremacist and bloody empire? In a deep sense, the culture war is a story war, and in light of recent political developments, Gottschall says our task is now "to save the world from stories", in part by trying to tell stories without villains. Along the way we talk about the difference between suspension of disbelief and narrative transportation, politics, the role of religion, luck, and the lack of political pluralism in academia. I came away even more convinced about the power of stories, and our decisions about which stories to immerse ourselves in, as well as how stories layer on top of stories, in a kind of narrative collage. 
Jonathan Gottschall
Distinguished Fellow at Washington & Jefferson College, author of The Storytelling Animal, The Professor in the Cage, and The Story Paradox. 
Twitter: @jonathangottsch
Website: jonathangottschall.com
 
 

1 hr 13 min