30 min
PodCastle 705: TALES FROM THE VAULTS – Selected Program Notes From the Retrospective Exhibition of Theresa Rosenberg Latimer PodCastle
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- Drama
* Author : Kenneth Schneyer
* Narrator : Pria Wood
* Host : Emmalia Harrington
* Audio Producers : Peter Adrian Behravesh and Pria Wood
*
Discuss on Forums
Originally published in Clockwork Phoenix 4, edited by Mike Allen.
Contains references to murder and child abuse.
Rated R
This episode is a part of our Tales from the Vaults series, in which a member of PodCastle’s staff chooses a backlist episode to highlight and discuss. Today’s bonus episode was chosen by associate editor Emmalia Harrington. “Selected Program Notes From the Retrospective Exhibition of Theresa Rosenberg Latimer” originally aired as PodCastle 269.
Selected Program Notes From the Retrospective Exhibition of Theresa Rosenberg Latimer
by Kenneth Schneyer
34. Magda #4 (1989)
Oil on poplar wood, 30 x 21″
Private collection
Sometimes called “Devotion” by critics, this nude the earliest extant work featuring Magda Ridley Meszaros (1963-2023), Latimer’s favorite model and later her wife. The lushness of the flesh and the rosiness of the skin are reminiscent of Renoir’s paintings of Aline Charigot (See, e.g., The Large Bathers (1887) (Fig. 8)). Latimer maintains microscopic hyperrealism even as she employs radiating brushstrokes which emanate from the model, as if Meszaros is the source of reality itself.
Discussion questions:
a. The materials and dimensions of this painting duplicate those of Da Vinci’s La Gioconda (c. 1503-1519) (Fig. 17). Is this merely a compositional joke or homage by Latimer? How does it change the way you see the painting?
b. Most biographers agree that Latimer and Meszaros were already lovers by the time this work was completed. Is this apparent from the composition or technique? From the pose of the model? As you proceed through the exhibit, note similarities and differences between this and other portrayals of Meszaros over the next 34 years.
* Author : Kenneth Schneyer
* Narrator : Pria Wood
* Host : Emmalia Harrington
* Audio Producers : Peter Adrian Behravesh and Pria Wood
*
Discuss on Forums
Originally published in Clockwork Phoenix 4, edited by Mike Allen.
Contains references to murder and child abuse.
Rated R
This episode is a part of our Tales from the Vaults series, in which a member of PodCastle’s staff chooses a backlist episode to highlight and discuss. Today’s bonus episode was chosen by associate editor Emmalia Harrington. “Selected Program Notes From the Retrospective Exhibition of Theresa Rosenberg Latimer” originally aired as PodCastle 269.
Selected Program Notes From the Retrospective Exhibition of Theresa Rosenberg Latimer
by Kenneth Schneyer
34. Magda #4 (1989)
Oil on poplar wood, 30 x 21″
Private collection
Sometimes called “Devotion” by critics, this nude the earliest extant work featuring Magda Ridley Meszaros (1963-2023), Latimer’s favorite model and later her wife. The lushness of the flesh and the rosiness of the skin are reminiscent of Renoir’s paintings of Aline Charigot (See, e.g., The Large Bathers (1887) (Fig. 8)). Latimer maintains microscopic hyperrealism even as she employs radiating brushstrokes which emanate from the model, as if Meszaros is the source of reality itself.
Discussion questions:
a. The materials and dimensions of this painting duplicate those of Da Vinci’s La Gioconda (c. 1503-1519) (Fig. 17). Is this merely a compositional joke or homage by Latimer? How does it change the way you see the painting?
b. Most biographers agree that Latimer and Meszaros were already lovers by the time this work was completed. Is this apparent from the composition or technique? From the pose of the model? As you proceed through the exhibit, note similarities and differences between this and other portrayals of Meszaros over the next 34 years.
30 min