36 episodes

Process Driven is a podcast about creativity and what it means to those who do more than make art. Frank, in-depth conversations with makers from a wide range of disciplines including photography, art, design, music, and literature to discuss not only the what and the how, but also the why.

Process Driven Jeffery Saddoris

    • Personal Journals
    • 5.0 • 7 Ratings

Process Driven is a podcast about creativity and what it means to those who do more than make art. Frank, in-depth conversations with makers from a wide range of disciplines including photography, art, design, music, and literature to discuss not only the what and the how, but also the why.

    Process Driven 36: One Central Story to Tell [Gregory Crewdson]

    Process Driven 36: One Central Story to Tell [Gregory Crewdson]

    There are only a handful of photographers whose work is instantly recognizable and fewer still who have become a genre unto themselves. I was first introduced to the pictures of Gregory Crewdson through a body of work called Beneath the Roses. I felt instantly connected to that world he so meticulously crafted and I’ve been a huge admirer of his work ever since.



    In 2016, I had the opportunity to sit down with Gregory for a conversation about his body of work called Cathedral of the Pines. It was a terrific experience for me, not just because Gregory is one of my favorite photographers, but because it provided a glimpse behind the curtain to a photographic world that I find both moving and familiar. In 2018, Gregory began making photographs for his newest body of work. An Eclipse of Moths continues his exploration of themes like brokenness and isolation as well as a profound connection to light and the encroachment of the natural world. To some that world may seem bleak, especially on first glance — but a deeper look will reveal a narrative that is hopeful and rich with possibility.



    As we sat down to talk about An Eclipse of Moths, I began by asking him about the geography he revisits again and again and whether his pictures could be made anywhere else or is the place he now calls home a necessary part of his expression as an artist.



     

    SHOW NOTES

    An Eclipse of Moths (with music by Jeff Tweedy) - https://www.youtube.com/watch?v=YYhGYZCc_hk

    An Eclipse of Moths (Aperture book) - https://aperture.org/books/gregory-crewdson-an-eclipse-of-moths/

    Process Driven 05: Gregory Crewdson - https://jefferysaddoris.com/everything/processdriven-05/

    CNN Arts Feature - https://www.cnn.com/style/article/gregory-crewdson-photography-eclipse-of-moths/index.html

    IMAGE DETAILS

    GREGORY CREWDSON

    Funerary Back Lot, 2018 - 2019

    Digital Pigment Print

    56 1/4 x 94 7/8 inches / 142.9 x 241 cm (unframed)

    Edition of 4, with 2 APs

    © Gregory Crewdson. Courtesy Gagosian



    Connect with Gregory: Website | Instagram | Twitter



     



    Music in this episode: Please Listen Carefully (Jahzzar) / CC BY-SA 4.0



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    • 46 min
    Process Driven 35: Not Just a Pretty Picture [Maria Lax]

    Process Driven 35: Not Just a Pretty Picture [Maria Lax]

    

    I don’t remember how it came up but I was talking to Sean Tucker a while back and we ended up talking about different photographers that we had found recently and he asked me whether I’d seen the work of Maria Lax. Maria is a Finnish photographer based in London who had published a book called Some Kind of Heavenly Fire. Honestly the title alone was enough to pique my interest but what I found beyond it was a fantastic set of images that were inspired by a book her grandfather wrote documenting a series of encounters with UFOs by the locals of the small Finnish town where she grew up. I’ve always had a fascination with UFOs so I was interested straight away and the work beautifully straddles the line between reality and possibility. Maria takes a little X-Files, a bit of Twin Peaks, and maybe even a dash of Todd Hido and turns it into something uniquely her own—and that combination of style and vision is there in both her personal and her commercial work, which is no easy feat.



    I’d like to thank Tom Booth Woodger at Setanta Books for not only arranging an introduction to Maria but also for providing me a copy of her wonderful book Some Kind of Heavenly Fire.

    SHOW NOTES

    Connect with Maria: Website | Instagram



    Some Kind of Heavenly Fire

    Setanta Books



     



    Music in this episode: Please Listen Carefully (Jahzzar) / CC BY-SA 4.0



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    Buy a copy of my book: Photography by the Letter

    • 54 min
    Process Driven 34: Chasing an Image [Shane Balkowitsch]

    Process Driven 34: Chasing an Image [Shane Balkowitsch]

    There’s something about wet plate photography that I can’t get out of my head. Maybe it’s the process, maybe it’s the unpredictable nature of it - Sally Mann calls it “the angel of uncertainty.” Or maybe it’s the permanence of the objects themselves. When you look at a plate by Matthew Brady or Timothy O’Sullivan, for a moment you’re no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.

    In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I’ve ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.

    A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane’s work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.”

    SHOW NOTES

    Connect with Shane: Website | Instagram | Facebook



    Northern Plains Native Americans: A Modern Wet Plate Perspective 

    Balkowitsch (Documentary)

    State Historical Society of North Dakota - https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.html

    Awake: A Dream from Standing Rock: https://www.awakethefilm.org/

    Sally Mann: A Thousand Crossings - https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html



     



    Music in this episode: Please Listen Carefully (Jahzzar) / CC BY-SA 4.0



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    • 1 hr 31 min
    Process Driven 33: A Visceral Response [Lisa Pressman]

    Process Driven 33: A Visceral Response [Lisa Pressman]

    



    As much as I love working with acrylics in my paintings, because many of them are literally dozens of layers of pigment, collage, found objects, and thick layers of acrylic medium, it can take weeks to finish a single piece just waiting for layers to dry. A few years ago, I began looking into using encaustic, which offers the ability to create work with a similar aesthetic to my acrylic work in a fraction of the time. In doing the research, I came across the work of Lisa Pressman. Lisa is a fabulous artist from New Jersey who works in both encaustic and oils and has been exhibiting her work for nearly four decades. In addition to making her own work, she inspires others to start their own artistic journey through her workshops and one on one mentoring. Lisa and I have spoken a few times and I’m so grateful that we were finally able to hit the record button.

    SHOW NOTES

    Elizabeth Murray: https://elizabethmurrayart.org

    Ross Bleckner: https://rbleckner.com/

    Susan Rothberg: https://www.artsy.net/artist/susan-rothenberg

    Gregory Amenoff: http://www.gregoryamenoff.com

    Terry Winters: https://www.terrywinters.org

    Philip Guston: https://www.wikiart.org/en/philip-guston

    Joan Mitchell: https://www.wikiart.org/en/joan-mitchell

    Jake Berthot: http://www.bettycuninghamgallery.com/artists/estate-of-jake-berthot-1939-2014

    James Marshall: https://www.moca.org/exhibition/kerry-james-marshall-mastry

    Hans Hofmann: https://www.hanshofmann.org

    Alice Neel: http://www.aliceneel.com/



    Pretty much the best book out there for working with oils and cold wax: Cold Wax Medium: Techniques, Concepts & Conversations*



    Connect with Lisa: Website | Instagram | Twitter | Facebook



    Music in this episode: Please Listen Carefully (Jahzzar) / CC BY-SA 4.0



     

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    • 53 min
    Process Driven 32: Always Something New to Learn [Karl Taylor]

    Process Driven 32: Always Something New to Learn [Karl Taylor]

    "Light is almost like some sort of magical quantity that I get to work with — and I'm fascinated by it."

    This might be one of the most process-driven episodes of Process Driven yet. I’ve known Karl Taylor for more than a decade. I was introduced to his work by my friend Patrick in the form of a DVD of Karl‘s Photography Master Class. What struck me straight away was Karl‘s enthusiasm for photography – that and his encyclopedic knowledge of the medium. 12 years after its initial release, Karl has created a brand new remastered version of his original introduction to photography built on a decade of learning and refining what was already an incredible understanding of both the art and science of photography. In this conversation we talk about some of the things he’s learned over the past 10 years, including a deep dive into the biology of how we see and process images.







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    If you enjoy listening to Process Driven, please consider leaving a review or a rating wherever you listen to help others discover the show.

    LINKS

    Tim Flach: https://timflach.com/

    CONNECT WITH KARL

    Website: https://karltaylor.com

    Platform: https://karltayloreducation.com

    Instagram: https://instagram.com/karltaylorphotography



     



    Music in this episode: Please Listen Carefully (Jahzzar) / CC BY-SA 4.0

    • 1 hr 6 min
    Process Driven 31: Everything’s a Little Hustle [Ryan Struck]

    Process Driven 31: Everything’s a Little Hustle [Ryan Struck]

    "The best way to be in the moment behind the camera is to be in the moment in life."

    When I saw the work of photographer Ryan Struck, particularly his surf and lifestyle photography, I knew I wanted to talk to him. From the first photo, it was obvious that Ryan wasn’t just an outsider simply documenting this lifestyle, he was living it and I bet he had an interesting story to tell. Turns out, whether he’s self-funding a documentary about the community surrounding an all-female surf competition, or photographing abandoned televisions on the streets, interesting stories don’t just fuel his photography, they fuel his life.







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    If you enjoy listening to Process Driven, please consider leaving a review or a rating wherever you listen to help others discover the show.

    LINKS

    Tofino

    Queen of the Peak

    CONNECT WITH RYAN

    URL: https://ryanstruck.com/

    Instagram: @ryanstruck



     



    Music in this episode: Please Listen Carefully (Jahzzar) / CC BY-SA 4.0

    • 1 hr 1 min

Customer Reviews

5.0 out of 5
7 Ratings

7 Ratings

Arcterex ,

Fantastic

Another great conversational podcast. If the first episode is any indication, this will be a great one to return to. A bit of photography and art, a bit of life. Jeffery is a great host and the initial episode with David duChemin was a fascinating conversation about life, art, ambition, and how they all fit together. 5 stars.

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