TCBCast: An Unofficial Elvis Presley Fan Podcast Justin Gausman

Gurdip returns this week for a lively discussion about the soundtrack to Elvis' 1968 film "Speedway," which co-starred Nancy Sinatra, who features on two tracks, making her one of the few artists to ever appear on an album with Elvis during his lifetime.
The guys dig a bit into the recording sessions (which, minus Sinatra's contributions, were primarily done at MGM's soundstage instead of at RCA Studio B as usual) and how this move affected the production quality of the album, the poor choice of promotional single material, unfortunate timing of the film & soundtrack's release, and ponder how Elvis' final soundtrack LP for a fictional film managed to, like the first movie album from 11 years earlier, end up with nearly half the songs featured not even appearing in the film itself. 
The guys also catch up on a bunch of listener emails, and then for Song of the Week, Gurdip selects Elvis' unique 1957 interpretation of the spiritual "I Believe," while Justin goes much lighter, picking "Poor Boy," recorded for and featured in his first feature, Love Me Tender.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin is joined on this episode by longtime guest and inquisitive mind Olivia Murphy-Rogers, who Gurdip, Ryan, Bec & Justin are pleased to announce is joining the TCBCast crew!!
Justin and Olivia explore the concept of the "fool" in Elvis' music - song titles, lyrics, and at critical moments in his life from his childhood in Tupelo to his final television special. Justin continues the theme with his Song of the Week, Elvis' 1971 version of "Fools Rush In (Where Angels Fear to Tread)" and they look at the history of both the song (which dates back to the 1940s) but also the phrase itself. Olivia's Song of the Week, by contrast, is the final "studio" recording Elvis laid down in the Jungle Room in 1976, a cover of Jim Reeves' crossover hit "He'll Have to Go."
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 
(Note from Justin: We're already aware we somehow missed "Love Me, Love the Life I Lead"! Sorry!")

Justin and Bec pull out all the stops for a thorough exploration of the remaining Nashville studio sessions from 1970: June 6, 7 & 8 as well as the brief September 22, 1970, session where Elvis laid down four more tracks to polish off "Elvis Country" and prepare a single. As they begin to sense the material's strength (and Elvis' interest) waning, they ponder whether the "marathon" approach may have done more harm than good in the long run. There are still numerous highs, like much of the material that landed on the country record, but there's also... "Life."
This episode's main topic is extra jam-packed so there's no Song of the Week this week, just a buttload of fun and thoughtful discussion about the huge pile of music Elvis & the band laid down that year, and how it was released throughout the rest of 1970, 1971 and even sprinkled a bit into 1972. 
Want to hear a wonderfully curated collection of Elvis' 1970 session material? We highly recommend Sony's "From Elvis in Nashville" 4-disc box set from 2020, as of this posting still available physically, digitally and on streaming, and most of the final masters can be heard on the streaming versions of the albums "That's The Way It Is," "Elvis Country," and "Love Letters from Elvis" with a handful more on "Elvis Now." 
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Gurdip's on vacation and between day jobs and personal emergencies, timing isn't lining up just yet Part 2 of the Nashville sessions, so Bec and Justin got together for a quick spur of the moment episode and managed to rope in John Michael Heath of EAP Society for a loose Elvis discussion among the three. The team discusses John & his father's Elvis artifacts in their collection, favorite Elvis movies, the 1969 American Sound Sessions and the 1970 Nashville Marathon both come up, as well as John's recent acquisition of Memphis photographer William Speer's non-Elvis collection of decades worth of photos.
For Song of the Week, John revisits a 1969 track previously featured as SotW (early in our run by Gurdip's nephew Roman) to give his heartfelt interpretation of Elvis' reading of Johnny Christopher's "Mama Liked The Roses." Justin's Song of the Week similarly focuses on a surprising, unexpected alternate interpretation of the December 1973 Stax recording "Your Love's Been A Long Time Coming" direct from the mouth of its writer, Rory Bourke, as well as a mini-SOTW side discussion on a January 1974 Las Vegas one-liner Elvis sang of the Rory Bourke co-write, Charlie Rich's "The Most Beautiful Girl."
If you'd like to hear more from John and Jamie Kelley, please visit youtube.com/EAPSociety or EAPSociety.com for details on their upcoming "Spring Festival" event in Iowa.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

Justin and Bec explore Elvis' "marathon" sessions from June 1970, starting with laying the groundwork for the return to Nashville's RCA Studio B, pondering why Elvis may not have chosen to return to Chips Moman's American Sound in Memphis. Instead Elvis is joined this time by a new band led by his live guitarist James Burton but otherwise comprised largely of country-soul players who had worked alongside producer Felton Jarvis in Muscle Shoals, Alabama, including Chip Young, Jerry Carrigan, David Briggs, Norbert Putnam and Charlie McCoy, and rather than a meticulous planned session with Chips' guiding vision... they tear through dozens of songs across four nights, with a follow-up session later that September. Part 1 focuses on the establishing information and the first two nights, June 4-5 and June 5-6, 1970. 
For Song of the Week, Bec highlights "I Met Her Today," the understated Don Robertson ballad that was cut in 1961's Pot Luck sessions but held until the hodgepodge Elvis For Everyone album four years later. Meanwhile, Justin goes way back to the Sun era, selecting the middle child single "Milkcow Blues Boogie" - couched between Good Rockin' Tonight and Baby Let's Play House, yet containing that same genius melding of blues (it was written and originated by Kokomo Arnold) and country (also highly popularized by western swing artists like Bob and Johnnie Lee Wills) in a new rockabilly style as anything else he did at Sun.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. 

You're about to be taken on a journey...  Justin is joined by Rabia of Suddenly: A Frank Sinatra Podcast to tackle Australia's near-exclusive 1983 compilation "Elvis Blue" (also released in Japan & South Africa) which compiles all 19 songs Elvis released during his lifetime with the word "blue" in the title. 
This strange collection of songs that, when initially described, sounds like a novelty cash-in, ends up becoming a compelling, thoughtful alternate exploration of the span of Elvis' entire artistic journey, from Sun Records to the last song he ever sang. Justin & Rabia examine the lyrics of these songs and spend time reflecting on the themes of loss, loneliness, sadness, love-gone-wrong and - surprisingly - a sort of disaffected, comedic flippancy in there, too. 
For Song of the Week, the theme is carried forward, with Justin picking two Red West-penned 1966 home recordings "I've Been Blue" and "It's No Fun Being Lonely," one of which explicitly would fit the main topic's subject, and another that fits tonally. Rabia selects "I Need Somebody to Lean On," the understated, jazzy ballad from "Viva Las Vegas" and tries to root out some potential inspirations Pomus/Shuman may have had for it, and together Justin & Rabia ponder the potential influence of Ol' Blue Eyes himself on Elvis' crooning.
Rabia's show "Suddenly: A Frank Sinatra Podcast" is available on all major podcast platforms where you can find TCBCast, with more info at suddenlypod.gay.
If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.