The Biblio File hosted by Nigel Beale

Nigel Beale
The Biblio File hosted by Nigel Beale

THE BIBLIO FILE is a podcast about "the book," and an inquiry into the wider world of book culture. Hosted by Nigel Beale it features wide ranging, long-form conversations with authors, poets, book publishers, booksellers, book editors, book collectors, book makers, book scholars, book critics, book designers, book publicists, literary agents and many others inside the book trade and out - from writer to reader.

  1. Timothy Heyman on B. Traven and how to manage a literary archive

    MAY 11

    Timothy Heyman on B. Traven and how to manage a literary archive

    ​B. Traven's​ novels and stories​ have sold m​ore than ​3​0 million copies​ over the past century in more than 30 languages​ worldwide. He was Einstein's favourite novelist. Der Spiegel ranks his The Death Ship as the third greatest German novel ever written (okay in the past 100 years), after Thomas Mann's The Magic Mountain, and Kafka's The Castle; and yet, despite this, few today, in the English speaking world at least, have heard of him. It's only thanks to the movie, The Treasure of Sierra Madre, based on one of his stories, that he's known here at all. Why is this? Perhaps because no-one knows with absolute certainty who Traven was. No-one is 100% sure of his true identity. Timothy Heyman ​(CBE​) is 99% sure. We talk here about his hypothesis, plus the tasks he's set himself to re-establish Traven's reputation and re-gain an audience for his works. Heyman, a considerable person in his own right, is co-manager (recently promoted to managing director) of the B. Traven Estate along with his wife (who is proprietor), Malú Montes de Oca de Heyman​, Traven's stepdaughter. I met Tim up in the couple's beautiful apartment overlooking Mexico City to talk about what he's achieved to date with Traven's literary archive, and, again, who he thinks Traven really was. We were surrounded by a library of books written by the mystery man, accompanied by a glorious panoramic view of the city. After our conversation we went upstairs to a special room which holds the archive - the place where Tim occupies himself with the business of legacy building.

    1h 3m
  2. MAR 28

    David McKnight on Collecting The Beatles

    Some years ago I interviewed David McKnight about a collection of Canadian “little magazines” he’d hunted down and later donated to the University of Alberta’s Bruce Peel Library. It was very easy to get caught up in David’s enthusiasm, and I was really impressed by the catalogue he’d produced. Shortly after our conversation I learned that he didn’t just collect Canadian poetry, he was also a serious Beatles collector. We stayed in touch. I drove down to Philadelphia where David hosted me at his home for a weekend. We got a lot done. Took the train into New York for the opening of a film about a bookseller; went on a tour of the rare book and manuscript library at the University of Pennsylvania where David worked at the time as director; attended the Allentown Paper Fair where I picked up some old Fortune and New York Times magazines. It was great. A non-stop exchanging of excited thoughts about books, collecting, and cool periodicals. Share I’ve been wanting to interview David about The Fab Four ever since I learned of his passion. He’s a real expert on the band. I was particularly keen to find out about his personal relationship to the music, and of course, about his experience collecting and documenting its impact on print culture, internationally, high and low. Finally, after years of talking about it, we got down to business. The albums, the books - from limited editions to paperbacks - the magazines, the fan zines, the ephemera, the scrap-books, the puzzles. Liverpool. It’s all here.

    1h 8m
  3. JAN 9

    Andres M. Zervigon on Illustrated Magazines

    I first came across Andrés Mario Zervigón’s (Cuban) name while researching a magazine that filled me with awe the first time I saw it. AIZ, the Arbeiter-Illustrierte-Zeitung (Workers Illustrated Magazine) is an illustrated, mass circulation German periodical that was published in Berlin during the 1920s and 1930s (in Prague after 1933). It contains some of the most emotionally charged imagery I’ve ever seen. The best work was by John Heartfield. Zervigón is professor of the history of photography at Rutgers University in New Jersey. He obtained his PhD from Harvard University in 2000 and concentrates his scholarship “on the interaction between photographs, film, and fine art." His first book, John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage (University of Chicago Press, 2012), proposes that “photography’s sudden ubiquity in illustrated magazines, postcards, and posters produced an unsettling transformation of visual culture that artists felt compelled to address.” Zervigón’s work, says the Rutger’s website, “generally focuses upon moments in history when these media [film, photography, fine art] prove inadequate to their presumed task of representing the visual.” We start our conversation by unpacking this passage, and then move on to a short history of illustrated, mass circulation magazines, (including VU magazine), then to the life of John Heartfield, and finally to AIZ. Background here

    1h 12m
  4. 2024-10-14

    Siegfried Lukatis on Insel Bucherei,

    Siegfried Lokatis is a retired professor of book history, and former head of the University of Leipzig's​ Institute for Communication and Media Studies. He is the author of Book ​Covers of the GDR and is currently working on a history of the S. Fischer publishing house, due out in 2026. We met in Leipzig recently where Siegfried treated me to a tour of ​t​he Bibliotop's splendid Insel Bucherei book collection. Founded in 1912, the series now ​contains some 2,000 titles (and still counting according to Jonathan Landgrebe, head of Suhrkamp Verlag, the company that today produces the books). The series is iconic in Germany and in many ways its publishing history reflects the history of the country. The books are known for their beauty and the care with which they're produced. Qualities include: individual typographical design, exquisite illustration (notably from the thirties - stay tuned) and photography, and printing on wood-free, age-resistant paper, plus they're thread-stitched and bound in decorative cover paper.​ They served as the model for Allen Lane's King Penguin series. The Insel Bucherie series includes both well-known and little known texts from world literature as well as art history, non-fiction, poetry, and fairy tales, plus gift anthologies from Germany and around the ​globe. Subjects covered in my conversation with Siegfried include Rilke and copyright, ​the decision to publish​ established, versus contemporary works; Stephan Zweig and the Nazis, poisonous mushrooms, the rarest volume, the Allied bombing of Leipzig, censorship, the separation of East and West Germany, wartime profits, collecting, pornography and more.

    58 min
  5. 2024-08-27

    Richard Charkin on Lessons Learned from 50 Years in Book Publishing

    Richard Charkin has held senior posts at many major, and some minor, publishing houses in the U.K. over the past 50 years, including: Harrap, OUP, Pergamon Press, Reed Elsevier, Macmillan, Bloomsbury, and Mensch Publishing. He is former President of The Book Society, the International Publishers Association and the UK Publishers Association. His book My Back Pages, An Undeniably Personal History of Publishing 1972-2022 came out in 2023. The book has sold more than 3,000 copies, and is being translated into four languages. It took me a year to figure out what questions to ask him.  Just so you know, Richard has been very good to The Biblio File podcast over the years. Thanks to him I've landed all sorts of great publishing guests.  And John Banville! I’m grateful to him for this, and for his being so generous with his time and knowledge, sharing them as he has with me on multiple occasions during episodes that have dealt with, among other things, great publishers, the challenges facing the book business, and how to set up a small publishing house. I wrote this about him a while back: Richard does what all great publishers do. He pays attention to what's going on both in the world, and in the world of books. He pays attention to what people are doing and reaches out to them to learn more. He takes an interest. It’s pretty simple. And pretty important. He also lets people know what he's up to. I got to know him through his blog. It gave me a wonderful glimpse into the daily life of a high-powered publisher - the workings of business, but also the workings of his mind, and occasionally his emotions… His writing invited and welcomed a human response.  I'm happy to have been able to re-connect with Richard again recently, this time via Zoom, to talk about the changes he’s seen, and lessons he's learned, over more than 50 years in the book publishing business, something, more than incidentally, that he's been rewarded for recently in the form of an OBE.  It’s good to see that his exemplary work in, and on behalf of, the publishing business - his “service to literature,” has been recognized.

    1h 11m

Ratings & Reviews

4.9
out of 5
8 Ratings

About

THE BIBLIO FILE is a podcast about "the book," and an inquiry into the wider world of book culture. Hosted by Nigel Beale it features wide ranging, long-form conversations with authors, poets, book publishers, booksellers, book editors, book collectors, book makers, book scholars, book critics, book designers, book publicists, literary agents and many others inside the book trade and out - from writer to reader.

You Might Also Like

To listen to explicit episodes, sign in.

Stay up to date with this show

Sign in or sign up to follow shows, save episodes and get the latest updates.

Select a country or region

Africa, Middle East, and India

Asia Pacific

Europe

Latin America and the Caribbean

The United States and Canada