act/re/act Daniel Burkholder

Join me for the final episode of this season, and my conversation with Baakari Wilder. 
Baakari is one of the most dynamic tap dancers of his generation and is known for his musicality and subtly, as well as his ability to explore complex rhythms. It was a pleasure to finish this season of act/re/act with this thoughtful and insightful conversation. 
Baakari's bio:
Baakari Wilder is internationally known for starring in the Broadway musical Bring In Da Noise, Bring In Da Funk. He received a Bessie Award for his performance, and later assumed the lead role for a year. He received the Pola Nirenska Award for achievement in dance, and the “Hoofer Award” by the American Tap Dance Foundation. Baakari's dancing has delighted audiences around the world in places such as the Kennedy Center, Carnegie Hall, Lincoln Center, France, Africa, Brazil, Germany, Japan, and Russia. He has a Bachelor of Arts Degree in Theatre from the University of Maryland at College Park. He shares his knowledge of tap dancing through his role as assistant artistic director of the Washington D.C. based companies Capitol Tap and District Tap.
Find out more about Baakari here: https://www.baakariwilder.com/
And, here: https://www.capitoltap.com/
Find Daniel's website here: https://www.danielburkholder.com/
Stay tuned for more episodes coming this fall!
Until then, take care, be well, and live spontaneously. 

Join me for this fascinating conversation with Elena Day about physical theater, clowning, the Jacques Lecoq method, teaching, performing, and, of course, improvisation. Elena offers a unique perspective on how one uses or employs improvisation in pedagogy, the creative method, and performance in a context previously unexplored on this podcast - circus. 
Here's a bit about Elena:
Elena Day is a physical theater teacher and director. Currently the Protrack Director and Head of Physical Theater at The New England Center for Circus Arts (NECCA) in Brattleboro, VT, Elena explores how play, presence, mask technique, and creativity intertwine as she supports the next generation of circus artists to reach their highest performance potential. A graduate of L'Ecole Internationale de Theatre Jacques Lecoq in Paris, Elena has performed with Cirque du Soleil & Cirque Mechanics, directed and movement-directed award-winning shows, and taught physical theater, including clowning and Lecoq technique, to people of all ages and backgrounds. She studied Lecoq-based pedagogy with Giovanni Fusetti. Other influential teachers include Ronlin Foreman, Gardi Hutter, Joy Zinoman, Shri Ekan, Nir-gun-ava-thi Ananda, Dody DiSanto, Beth Davis, Chris Bayes, Avner Eisenberg, & Philippe Gaulier. To increase your play quotient, check out www.elenaday.com.
ou can find out more about Elena Day at the following links:
Personal Website: https://www.elenaday.com/
New England Center for Circus Arts: https://necenterforcircusarts.org/
You can find my website here: https://www.danielburkholder.com/
Enjoy this conversation, please subscribe, and stay tuned for many more this season!
Take care, be well, and live spontaneously! 

In this episode of act/re/act I had the opportunity to have a conversation with Andrew Suseno, a dancer and somatic practitioner who developed Parcon Resilience, and more recently Moving Rasa - a form of site-specific dance improvisation developed from his experience within the improv and dance community as a person of the Global Majority. I thoroughly enjoyed this conversation, I hope you do as well! 
Here is Andrew's Bio:
Andrew Suseno is a queer, Indonesian-Chinese American residing on the unceded land of Lenaphoking. He has a Physical Therapy doctorate, Laban Movement Analyst Certification, is a Feldenkrais Practitioner, and significant dance and Contact Improvisation experience. Andrew created Moving Rasa aka Parcon Resilience as  a form of site-specific movement improvisation and inquiry that centers his hybrid experiences as a diaspora person of the Global Majority. Rasa  is the Indonesian word for taste or discerning feeling through the heart. For Andrew, Moving Rasa is a dynamic connection to his Javanese, Indonesian roots leaning into the full extent of his somatic and improvisational background to dismantle internalized oppression and lift up hybrid practices that invite all people across ability, age, gender and sexuality to connect to their Rasa and roots.
You can find out more about Andrew Suseno at the following links:
Moving Rasa: https://movingrasa.com/
You can find my website here: https://www.danielburkholder.com/
Enjoy this conversation, please subscribe, and stay tuned for many more this season!
Take care, be well, and live spontaneously! 

In this episode of act/re/act I have the pleasure of talking with Dr. S Ama Wray, a dance artist and founder of Embodiology - a dance improvisation practice developed from Dr. Wray's expertise in jazz dance, African arts, and creative practice. This was an exciting conversation that touched on many aspects of the importance of art making, and a wonderful expression of the breadth of dance improvisation out in the world. 
Here’s a bit more about Dr. Way:
Dr S. Ama Wray is the creator of Embodiology® - a movement method, based on West African principles of human communications, that leads to human flourishing. She is a Professor of Dance and founder of the Africana Institute for Creativity Recognition and Elevation at UC Irvine. Embodiology’s distinctive breath-informed, rhythmic movement and music concepts have shown evidence-based efficacy in elevating vitality, well-being, and resilience, along with emboldened activation of community responsibility. Her virtual classes, Joy in Motion, begin with breathwork, supporting everyday people to transform their indoor spaces into experiences of 'co-liberation'. Wray has been a guest speaker/lecturer at the United Nations, Institute of Advanced Studies, TEDx, and other globally renowned organizations. Her roots in art making have been informed by collaborations with artists including Wynton Marsalis, Bobby McFerrin, Mojisola Adebayo, and Derek Bermel. Embodiology®  is registered as a trademark, rendering its creator and beneficiaries’ ethical responsibility to reciprocally return acknowledgment and resources to the Ewe community in Ghana, where its principles were uncovered - each time this work is shared. Her writing about Embodiology is published in edited volumes by Routledge and Oxford Books.
You can find out more about Dr. S Ama Wray at the following links:
Embodiology: https://www.embodiology.com
Joy In Motion: https://www.joyinmotion.io
2023 Summer Embodiology Intensive: https://events.embodiology.com
You can find my website here: https://www.danielburkholder.com/
Enjoy this conversation, please subscribe, and stay tuned for many more this season!
Take care, be well, and live spontaneously! 

Welcome to act/re/act podcast, where we explore improvisation through conversations with remarkable artists.
In this episode I talk with Keith Hennessy, a dance artist who I have admired since I first saw him perform with Contraband, a seminal dance company from San Francisco, in the mid-1990s when I was working at Dance Place in Washington, DC. Keith is someone I’ve always seen as a visionary, provocateur, and really thoughtful and visceral artist. It’s really great to have him on the podcast.
Here's a bit about Keith: 
Keith Hennessy, MFA, PhD,  is a dancer, writer, choreographer, witch, and teacher. Raised in Canada, living in Ramaytush Ohlone territory (San Francisco) since 1982, he tours widely. Using improvisation, ritual, collaboration, and protest, Keith instigates queer embodied experiences that respond to political crises and heartbreak. Hennessy directs Circo Zero, co-founded the performance/culture spaces 848 and CounterPulse, and was a member of Sara Mann’s Contraband, 1985-1994. Awards include Guggenheim, NY Bessie, USArtist, and a few Bay Area Isadora Duncan Awards.
 
You can find out more about Keith Hennessy here: http://circozero.org/
You can find my website here: https://www.danielburkholder.com/
Enjoy this conversation, please subscribe, and stay tuned for many more this season!
Take care, be well, and live spontaneously! 

I am than thrilled to share this conversation with K.J. Holmes. In many ways K.J. was my main teacher of contact improvisation, mostly while I was living in the San Francisco/Bay area, many years ago. K.J. is one of the most important contemporary improvisational based dancers working today, and I deeply respect her approach and love to see her in performance. In this conversation we get into her approach to creating work, her pedagogical approach, and the many artist that inform and influence her work. It is a really enlightening conversation. 
Here is a quick biography about K.J.:
K.J. Holmes, dance artist/performer/teacher has been exploring improvisation as process and performance since 1981, traveling nationally and internationally teaching, creating, directing. K.J. currently teaches at NYU/Experimental Theater Wing, Movement Research, the School for Contemporary Dance and Thought, and her own private classes in Yoga, Somatics and Ayurveda. Recent projects include performing in the film Redoubt and the performance installation Catasterism in 3 Movements of artist Matthew Barney; choreographing and directing Somatopia on the Polish dance theater group Living Space Theater, and continuing to develop her solo + immersion 900 Bees are Humming.
I hope you find this conversation as delightful as I did. Enjoy.
You can find out more about K.J. here: http://www.kjholmes.info/
You can find my website here: https://www.danielburkholder.com/
Enjoy this conversation, please subscribe, and stay tuned for many more this season!
Take care, be well, and live spontaneously!