Lions, Towers & Shields The Incomparable

Down in the depths of precode cinema, where Shelly likes to spend torrid nights, there’s a depiction of how a department store can be a little Peyton Place, and how Warren William is never to be trusted. The great precode lothario stars with very young Loretta Young and Wallace Ford (who we just saw as a middle-aged creep in The Breaking Point) as her love interest. Aside from the sleaze, it’s kind of fun to see how a department store works in the 1930s....

Here are Elizabeth Taylor and Montgomery Clift at their hottest, with an adaptation of Theodore Dreiser’s An American Tragedy. Just as in Night of the Hunter, Shelley Winters maybe ought to watch her back. George Stevens directs, and here, he’s beginning his epic period. In the 50s, he’ll direct Giant and Shane, among others. This one is full of melodrama and social aspiration and also has a bunch of Oscars, including Stevens’ first for directing. It’s nice to look at....

Johnny Guitar (1954): It’s unusual, it’s weird, and it’s unlike any other film made by these stars. And it’s our first LTS western. Because maybe your show runner has a slightly twisted appreciation for the genre. Nicholas Ray, whose directorial chops we last experienced with In A Lonely Place, directs Joan Crawford, Sterling Hayden and Mercedes McCambridge. It’s a story that centers female characters, and gives Joan a chance to stomp around in great western wardrobe. Poor Sterling Hayden is just along for the ride. I picked this because I wanted a Joan Crawford vehicle, and because at least two...

Every once in awhile, your host takes a flier, choosing a film for us to watch that I’ve seen once or twice, if at all. Also arising from the 2022 draft episode is this English romance from 1945. It’s from the filmmaking team of Powell and Pressburger, and stars Wendy Hiller, so on credentials alone, it’s worth your attention. A young woman travels to the Hebrides to marry an older, wealthy man. But circumstances change her thinking...

Gene Kelly was at the height of his powers in 1951, starring in musicals for MGM, and choreographing some of them. Here, Vincent Minelli directs, but the dancing is by Kelly. Leslie Caron makes her film debut, and the rest of the cast has a decidedly continental vibe. The film is “inspired” by George Gershwin’s 1928 musical of the same name, but the writing credit here goes to Alan Jay Lerner, aka half of the celebrated Lerner and Lowe musical composing team. An American in Paris won a boatload of Oscars, including Best Picture....

Unlike the mid-40s film that first brought us Bogie and Bacall, The Breaking Point is a relatively faithful adaptation of Ernest Hemingway’s story, To Have and Have Not. This one stars John Garfield (in one of his final films) and Patricia Neal. Michael Curtiz directs, but if that suggests a routine Warner Bothers potboiler (I love those) it is not. Garfield is a boat captain talked into doing some smuggling. There’s a love triangle and an ending that’ll just wrench you....