Bowls with the Bard Micaela Mannix

This week we chat with Charlene V. Smith about one of Shakespeare's most badass broads: Margaret of Anjou.
Charlene V. Smith (she, her, hers) is a director, actor, and scholar with an MLitt and MFA in Shakespeare and Performance from Mary Baldwin University. Formerly the artistic director of Brave Spirits Theatre, her directing credits include Antony and Cleopatra, 'Tis Pity She's a Whore, Coriolanus, The Two Noble Kinsmen, and the first modern professional production of The Bloody Banquet. She is one of the few women in the world to have directed a full cycle of Shakespeare’s Henriad. Brave Spirits Theatre’s project to become the first professional American company to stage the eight English histories in repertory was interrupted by the pandemic, but over the past two years, they have been reimagining this project into audio. The resulting twenty-four episodes will be released later this year. She has essays published in The Palgrave Handbook of Shakespeare’s Queens, Arden Shakespeare’s The Changeling: The State of Play, and the forthcoming The Theatrical Legacy of Thomas Middleton.
Follow Charlene on all social media @charlenevsmith
Visit her website at www.charlenevsmith.com
Bowls with the Bard:
Insta: @stonedshakespeare
TikTok: @BowlswiththeBard
Facebook: Bowls with the Bard
Twitter: @stonedshakespea
Art by Lizzy Colandene
Music by Constantino Fernandez
Sound by Jonathan Miot
Podcast by Micaela Mannix

This week we chat with Fawzia Istrabadi about the challenges and rewards of translating Romeo and Juliet into Arabic.
Fawzia Istrabadi (She/They) is a Shakespeare actor and the creator of Arabic Shakespeare. A half-Iraqi actor who has a passion for creating representation for Arab/SWANA theatre artists. This passion is what led her to team up with Prague Shakespeare Company's Guy Roberts and ShakeSphere's Adham Sayed to create Romeo & جولييت.
You can find ArabicShakespeare on Instagram and Facebook.
Bowls with the Bard:
Insta: @stonedshakespeare
TikTok: @BowlswiththeBard
Facebook: Bowls with the Bard
Twitter: @stonedshakespea
Art by Lizzy Colandene
Music by Constantino Fernandez
Sound by Jonathan Miot
Podcast by Micaela Mannix

Members of our company of Cymbeline give their thoughts on the leading lady who makes our play tick! In order of appearance, Cakes chats with Alison Talvacchio (she/they), Natalie Edwards (she/they), Steph House (she/they), Paige Flores-Medrano (they/them), and Linda Swanson-Brown (she/her).
In the episode, Cakes references a past guest who mentioned that Imogen is the only woman in Shakespeare who cross dresses but does not come up with the idea to do so herself. This thought was originally from Will Shakespleens in season 1.
Find out how to purchase tickets to Stoned Cymbeline here: https://bowlswiththebard.com/stoned-cymbeline
Follow Bowls with the Bard on Social Media:
Insta: @stonedshakespeare
TikTok: @BowlswiththeBard
Facebook: Bowls with the Bard
Twitter: @stonedshakespea

A new season is here and it's for the girls! Broads and the Bard will span the entirety of 2024 and we can't wait to cover the incredible woman and non-binary folks who make Shakespeare possible. Tune in on 2/20 for our first conversation about Imogen!

Bowls with the Bard is excited to announce the United State's first ever stoned Shakespeare experience! September 21=24 we will be producing A Midsummer Night's Dream at the Coffee Joint in Denver. Actors and audience alike will be allowed to indulge in marijuana during the show.
Check out the Coffee Joint here: https://thecoffeejointco.com/
Donate to our production of Midsummer: https://gofund.me/9bf72345

How could we possibly talk about problem plays without mentioning Titus Andronicus? In this week’s bonus episode, Megan Skye Hale and Myrrh Larsen take a look at Shakespeare’s most violent play and talk about what it was like to produce it in 2023!
Myrrh Larsen (they/them) is a stage director, musician, songwriter and sound designer based out of Portland, Oregon. As a founding member of Speculative Drama, Myrrh has directed multiple immersive Shakespeare productions including A Midsummer Night's Dream (2017) featuring circus aerial performers, the "Lake House" Hamlet (2019) staged immersively in a private home, Macbeth (2020) as a hybrid live & digital show including text and video messages to audience members, an all-queer Comedy Of Errors (2022) and a Hellraiser-inspired Titus Andronicus (2023), as well as designing musical scores for the company's innovative wordless "movement plays" based on lesser-known fairytales.Myrrh’s work as a performer explores the intersection of music with other performance disciplines through a series of full productions that feature live rock music alongside collaborators such as dancers, circus performers, and movement actors. You can find examples of this work at pieceofmefairytale.com and ilikedeadthings.com.
Follow Myrrh
@attheendofeverything on TikTok
@myrrhlarsen on Instagramhttps://myrrhmusic.com/https://patreon.com/myrrh
Megan Skye Hale (she/her) is a classically trained actor (LAMDA), movement director, and teacher whose interests include movement and site-specific theatre, and how those intersect with classic stories. Megan is a graduate of the London Academy for Music and Dramatic Arts classical acting program where she studied classical acting, physical theatre, mask, and Lecoq style clowning.
Follow Megan
TikTok: @skyesidhe
Insta: @speculativedrama
Website: meganskyehale.com
Bowls with the Bard:
Insta: @stonedshakespeare
TikTok: @BowlswiththeBard
Facebook: Bowls with the Bard
Twitter: @stonedshakespea
Art by Lizzy Colandene
Music by Constantino Fernandez
Sound by Jonathan Miot
Podcast by Micaela Mannix