Movies Movies Movies FBi Radio

Thank J it's Friday. Director/writer Johnathan Lo is in conversation with Jen and André in the lead up to his food-movie Bong Xi Fa Cai screening at SFF (CW: short film but it's tender). JLo's first time being MMM's 3rd inspires honesty. Is my film camp? Are comedy people sad? Did you rip off Smiley Face? Is Family Guy poetic? Did you like my movie? Johnathan defends production quality while Jen defends Alan Cumming (who remembers that filmmaker from Spice World?) while special mentions are thrown at the ensemble of diners Priya Leigh, Priscilla Cui, Fergus Wilson and David Ma who do lunchtime-acting perfectly. The easiest question we ask: which Girl is John? 

Bong Xi Fa Cai is trophy-worthy on June 15th at SFF 2024, 3:00PM as part of the Dendy Awards. We highly recommend. 
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Movies, Movies, Movies gets all the meat off the bone talking to Theda Hammel, director/writer/co-editor/composer and star of Stress Positions. On the occasion of its screening at SFF they discuss people having problems with each other, and "horrifying American indie comedy". Saluting first timers Jen and André pry about taking your house everywhere you go, John Early, debuts, the Eye of the Duck, torture (seeing chicken on a floor), going naturalistic, Christopher Hitchens, a date where a man threatens to tell Jen's future but instead monologues after orgasm, and how Theda's 15 page birthday present became Brooklyn millennial folklore. People lie for a living then we get the nicest cameras possible and point them at ourselves. Movies, Movies, Movies is not about being gay hype girlies.

Stress Positions is playing at SFF Saturday 8th and Sunday 9th June. 

 
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Movies, Movies, Movies goes nocturnal in a deeply PM conversation for sleepwalkers. One film about the day (The Taste of Things), against a film about the night (The Strangers: Chapter 1) with eating in common. The night-talkers play 'what's the definition of mise-en-scene', discuss objects of optimism, André is afraid to bring up Sciamma, and the 2 agree on 2 films that 'nobody is craving at the moment' until they're saved by the wise words of Oregon filmmaker Theda Hammel. Spoiler alert: there's talk about Martin + Thelma and how carriages are movies and organising disordered thoughts. We live in a time of cruel art. 
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Cannes is the sister city of Beverly Hills which makes it a moving target for MMM. Jen and André have a conversation about a film festival 16,746 km away from FBi Radio. It's an Andrea year, not a Lynne year, and all about showing up to work but not in a Reichardt way. Directors do their job, budget cuts become jump cuts, and we try to figure out what Megalopolis says about our past friendships. Noticing patterns J+A discuss The Strangers (all 3 of them), Straub-Huillet, Liv Tyler's sliding door acting, what's starring Junglepussy, a treatise on the Sydney film movement of stylists becoming directors, debunking Fever Ray and Jen's discovery of Haile Gerima.

Eora. Fedora. Sean Baker. Anora.  
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MMM dressed as motorbikes to attend the premiere of Furiosa: A Mad Max Saga by George Miller, a director who at 79 years old still has it. Afterwards, the duo gather in studio to discuss the biggest talkie of the year. Jen conjures the experience of Mel Gibson eating steak on set barehanded, running in circles as feminine storytelling, Noah and the Whale, what happens when wives edit together, how Byron Bay is in NSW, and  both Chris Hemsworth and John Howard's big bloodied nipples - all composite parts of Furiosa's whole. André admits to craving continuity, Jen discusses the news of a Mousetrap film produced by Margot, and between reflections on Moulin Rouge J+A pay respect to the mastermind Tina Turner. The windmill continues to spin. Vrrrrrrr vrrrrrrrrrr vrooom roar.
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Movies, Movies, Movies hosts a conversation with documentary filmmaker Lucie McMahon on her film Things Will Be Different - which is being released nationally in cinemas with special QandA screenings. An ode to the Walker Street Public Housing Estate in Melbourne as it heads to demolition, Things Will Be Different is a bittersweet document of Walker Street's last two residents, living with the uncertainty of eventual displacement. One of the film's subjects - William Gwyne - joins the zoom, sharing his experience working in Factual, collaboration, what it took to depict the housing crisis, surviving notices to vacate, and their hopes for the film's educational power. 
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