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Back when I was six years old, my parents went to the new-fangled "video stores" that were just becoming popular in the early 80s and rented one of their favorite silly, cheesy sci-fi horror movies to play in their new "VCR" for their kids. I'd been scared by films before, but this was the first time I watched a horror movie and it changed me forever. So join me for my 150th episode, gentle listeners, as I discuss the impact of my first scary movie... 1958's 'The Blob'.

Love it or hate it, the rape/revenge movie is a subgenre with a long and venerable history, and it's safe to say that Stephen King was bound to dip into it sooner or later. Likewise, the Lifetime network has its own long history of making movies about feminist empowerment through brutal violence against the men who do women wrong. So is this a match made in heaven, or a campy misfire? Take a listen and find out!

When Robert Eggers released his debut feature, 'The VVitch', everyone wanted to know what he was going to do for his next movie. And when it turned out to be a surreal black-and-white two-hander with an opaque and deliberately confusing storyline, a double unreliable narrator, and plenty of homoerotic subtext? They couldn't stop talking about it! And now neither can I.

'#Horror' might have the world's worst SEO, but is it worth tracking down through the sea of movies, books, TV shows and radio plays also tagged as "#horror"? Well, before you go to the effort, why don't you listen for a spell to this episode and find out if you want to spend the time and energy on it. Because for better or worse, I already did.

Maverick indie director Frank Henenlotter burst onto the scene in 1982 with a horror movie that felt like a punk rock anthem, a grimy love letter to the seedy underbelly of New York as seen through the lens of two dysfunctional brothers and their blood-soaked quest for revenge. And if that doesn't sound awesome to you yet, listen to this episode and you'll see what makes it great!

Stephen King directed exactly one movie in his life, and I'm genuinely not sure whether 1986's Maximum Overdrive proves that he should never direct another or that he should direct all of them. Join Half Price Horror for a discussion of exercise in 80s excess with the biggest, loudest, AC/DCiest flick of the decade, 'Maximum Overdrive'!