The Bulwark Goes to Hollywood The Bulwark

On this week’s episode, I’m joined by Sean Fine and Andrea Nix-Fine to discuss their searing look at the assault on the Capitol on January 6 perpetrated by supporters of Donald Trump attempting to disrupt the peaceful transfer of power. We discussed how they got their footage, why the events are being memory-holed by embarrassed Republican politicians, and how you can help spread the word about this documentary so people aren’t allowed to forget what, and who, they’re supporting when they support Donald Trump. If this interview gets your blood boiling like it got mine boiling, you can watch The Sixth on your VOD provider of choice. And if you enjoyed this episode, please share it with a friend. 

I’m thrilled to have Adrienne LaFrance of The Atlantic on the show this week to discuss her profile of Albert Brooks and more generally celebrate his greatness. From movies like Broadcast News and Defending Your Life, to voicework on The Simpsons and Finding Nemo, to his under-appreciated villainy in Drive, Brooks’s talents have wowed multiple generations of moviegoers and TV watchers. 

This week, I’m rejoined by Glenn Kenny to discuss his new book The World Is Yours: The Story of Scarface. Among the topics discussed: What a Scarface directed by Sidney Lumet might have looked like; how the movie secured an R rating rather than a commercially disastrous X; and whether or not Scarface is a “political” movie. If you enjoyed this episode, make sure to listen to our previous encounter (and pick up his book Made Men: The Story of Goodfellas, it’s a hoot). And please share this with a friend!

On this week’s episode, I’m rejoined by the Los Angeles Times’s Ryan Faughnder (read and sign up for his newsletter here!) to discuss Netflix’s big data change, why some in Hollywood are hoping for David Ellison to take over Paramount (though shareholders have a different view), and more. If you liked what you heard, share this episode with a friend!

As readers may remember, The Beekeeper has been one of my favorite movies of the year thus far. One thing in particular I loved about it was the costume design: It’s an underappreciated artform, conveying character through clothing, and the costuming in this film perfectly conveyed a range of characters, from “taciturn hero” to “crazed killer” to “crypto douchebag.” 

Which is why I’m very excited to have Kelli Jones, the film’s costume designer, on this week to talk about The Beekeeper and her work elsewhere. From previous collaborations with director David Ayer on movies like Bright to the long-running FX biker gang show The Sons of Anarchy to Oscar-nominated biopics like Straight Outta Compton and Nyad, Jones’s work is a striking example of the importance of clothing in bringing a cinematic world to life. 

And I have a favor to ask you. The next time you’re watching a movie, think about the silent—but very visible—work that costume design is doing. Look at the suits, soak in the dresses, think about how fabrics can convey period with a simple glance. 

On this week’s show I talked to Rod Blackhurst, the director of the new film Blood for Dust, about … well, a whole bunch of stuff. From his early shorts on the comedy website Funny or Die starring Dave Franco and Christopher Mintz-Plasse, to a documentary about Amanda Knox, to the horror short “Night Swim” (which recently received the feature-length treatment), to his new picture with the great Scoot McNairy and an all-star supporting cast that includes Ethan Suplee, Stephen Dorff, Josh Lucas, and Kit Harrington, we cover his whole career.

Blood for Dust hits VOD and has a limited theatrical engagement six days from now, and if you’re in the mood for a western neo-noir that deals with people who feel real (and have real-feeling problems), you’re not going to want to miss it.