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Asylum: Author Umberto Nicola Nicoletti,  Introduction by Filippo Grandi Claudia Cragg speaks here with author, Umberto Nicola Nicoletti, about his fine-art book Asylum. We  discusses the phenomenon of LGBTIQ+ refugees, asylum seekers, and those subject to discrimination in their home countries based on their gender or sexual orientation. More the 40 percent of the countries in the world today still impose prison sentences or the death penalty just for being LGBTIQ+. Asylum is an international project that arose from a collaboration between five associations around the world and photographer Umberto Nicola Nicoletti. Through the use of beautiful “glossy images,” such as those used in fashion and advertising, the project seeks to engender empathy for the subjects involved and their stories. Asylum seekers become celebrities, idols, and heroes as they are. Therefore, it is not photographic reportage but, rather, an art project focused on restoring their dignity. LGBTIQ+ refugees often face double discrimination: in their home country and in their destination, as they are both immigrants and LGBTIQ+. This is especially true in refugee camps, where they are subject to assaults by other migrants. The aim of this project is to give these individuals the identity they are often deprived of when they are reduced to an indistinct mass—and to show the world their true beauty. Umberto Nicola Nicoletti is an Italian photographer and director. He specializes in portrait photography in the fields of advertising, music, fashion, and publishing. He has created international ad campaigns, commercials, book covers and music videos.  The introduction in the book, Asylum, is written by Filippo Grandi, the United Nations High Commissioner for Refugees. Related organizations:   The 519 TORONTO /  CIG Arcigay MILAN /   The DC Center WASHINGTON DC /   Rainbow Migration LONDON /   RusaLGBT NEW YORK 

'Trickle Down' does NOT work. For KGNU 'It's The Economy' host, Claudia Cragg spoke with SteadyState.org's Rob Dietz. He brings a fresh perspective to the discussion of economics and environmental sustainability with a diverse background in economics, environmental science and engineering, and conservation biology (plus his work in the public, private, and nonprofit sectors). His expertise has given him an unusual ability to connect the dots when it comes to the topic of sustainability.  Rob is the author, with Dan O’Neill, of . Rob has tried, he says, to align his personal life with the principles of a 'steady state economy'.  He lives with his wife and daughter in a co-housing community striving for development rather than growth. Rob Dietz is the Program Director at Post Carbon Institute, where he is responsible for guiding projects from conception to completion. With training and experience in ecological economics, environmental science, and conservation biology, he has built a career aimed at moving society in sustainable directions. Prior to joining Post Carbon Institute, Rob worked as a project manager at Farmland LP, helping to transition conventional farmland to organic. He was also the first executive director of the Center for the Advancement of the Steady State Economy (), taking it from an unfunded start-up organization to an internationally respected leader on new economic thinking.  He is the lead author of , a popular book on steady-state economics that Noam Chomsky called “lucid, informed, and highly constructive.” Rob also has produced dozens of articles and presentations on a variety of topics related to sustainability. Rob is a former Presidential Management Fellow, with appointments at the U.S. Geological Survey and U.S. Fish and Wildlife Service.  He was the first person at the Fish and Wildlife Service to serve as a Conservation Goals Coordinator, a position that combined long-range planning and landscape modeling for the National Wildlife Refuge System. He also did time as an economic analyst at two Washington, DC, consulting firms. His educational background includes a master’s degree in environmental science and engineering from Virginia Tech and an undergraduate degree in economics and environmental studies from the University of Pennsylvania.

@claudiacragg (DM Twitter) speaks here with Samuel J Redman @samueljredman about his new book, A Short History of Crisis and Resilience. The work, Professor Redman says, celebrates as he sees it the resilience of American - and it must be said many worldwide - cultural institutions in the face of nationl crises and challenges. On one afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum’s castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first —and certainly would not be the last—disaster to upend a museum in the United States. Beset by challenges ranging from pandemic and war to fire and economic uncertainty, museums have sought ways to emerge from crisis periods stronger than before, occasionally carving important new paths forward in the process. Redman explores the concepts of “crisis” as it relates to museums, and how these historic institutions have dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty. Fires, floods, and hurricanes have all upended museum plans and forced people to ask tough questions about American cultural life. With chapters exploring World War I and the 1918 influenza pandemic, the Great Depression, World War II, the 1970 Art Strike in New York City, and recent controversies in American museums from the COVID-19 pandemic to race and gender issues, this timely book takes a novel approach to understanding museum history, present challenges, and the future. By diving deeper into the changes that emerged from these key challenges, Samuel J. Redman argues that cultural institutions can—and should—use their history to prepare for challenges and solidify their identity going forward. The work is a captivating examination of crisis moments in U.S. museum history from the early years of the twentieth century to the present day, The Museum offers inspiration in the resilience and longevity of America’s most prized cultural institutions.

NB THE OPINIONS IN THIS BROADCAST ARE ENTIRELY THE OPINIONS AND ALLEGATIONS OF INTERVIEWEE SARAH KENDZIOR AND DO NOT REFLECT THOSE OF THE INTERVIEWER HERSELF.  THIS INTERVIEW HAS NOT BEEN BROADCAST TILL NOW. In May 2020, @claudiacragg spoke for @KGNU to @sarahkendzior about her book On she said the former president was installed to weaken America’s international posture for the benefit of and . Then ? But it was NOT In May 2020, Claudia Cragg spoke with Sarah Kendzior @sarahkendzior about her book ''. She was previously the author of '' Her opinions were at the time often considered 'hyperbole' or 'fanciful nonsense.' If only they had been? Just recently, as a regular MSNBC guest Sarah Kendzior claimed Donald Trump was “installed” as former president to weaken America’s international posture for the benefit of Vladimir Putin and Russia. New York Times bestselling author Sarah Kendzior documents the truth about the calculated rise to power of Donald Trump since the 1980s and how the erosion of our liberties made an American dema­gogue possible. The story of Donald Trump’s rise to power is the story of a buried American history – buried because people in power liked it that way. It was visible without being seen, influential without being named, ubiquitous without being overt. Sarah Kendzior’s Hiding in Plain Sight pulls back the veil on a history spanning decades, a history of an American autocrat in the making. In doing so, she reveals the inherent fragility of American democracy – how our continual loss of freedom, the rise of consolidated corruption, and the secrets behind a burgeoning autocratic United States have been hiding in plain sight for decades. In Kendzior’s signature and celebrated style, she expertly outlines Trump’s meteoric rise from the 1980s until today, interlinking key moments of his life with the degradation of the American political system and the continual erosion of our civil liberties by foreign powers. Kendzior also offers a never-before-seen look at her lifelong tendency to be in the wrong place at the wrong time – living in New York through 9/11 and in St. Louis during the Ferguson uprising, and researching media and authoritarianism when Trump emerged using the same tactics as the post-Soviet dictatorships she had long studied. It is a terrible feeling to sense a threat coming, but it is worse when we let apathy, doubt, and fear prevent us from preparing ourselves. Hiding in Plain Sight confronts the injustice we have too long ignored because the truth is the only way forward.

Claudia Cragg spoke at length just last May with , @JackDevine_TAG, author of  Spymaster’s Prism.  In this book, Devine the legendary former CIA spymaster details the unending struggle with Russia and its intelligence agencies as it works against our national security. (.) Devine tells this story through the unique perspective of a seasoned CIA professional who served more than three decades, some at the highest levels of the agency. He uses his gimlet-eyed view to walk us through the fascinating spy cases and covert action activities of Russia, not only through the Cold War past but up to and including its interference in the Trump era. Devine also looks over the horizon to see what lies ahead in this struggle and provides prescriptions for the future. Based on personal experience and exhaustive research, Devine builds a vivid and complex mosaic that illustrates how Russia’s intelligence activities have continued uninterrupted throughout modern history, using fundamentally identical policies and techniques to undermine our democracy. He shows in stark terms how intelligence has been modernized and weaponized through the power of the cyber world. Devine presents his analysis using clear-eyed vision and a repertoire of better-than-fiction spy stories, giving us an objective, riveting, and candid take on U.S.-Russia relations. He offers key lessons from our intelligence successes and failures over the past seventy-five years that will help us determine how to address our current strategic shortfall, emerge ahead of the Russians, and be prepared for what’s to come from any adversary.

In this repost of a previous interview, Professor Antony Beevor speaks here with Claudia Cragg about his book ''.    It is, horribly, more relevant today than it should be. Why do 'those in power' constantly push for war, and what about the aftermath, the 'cleanup' with the so-called 'Win'.  History ALWAYS repeats itself.  The Normandy Landings that took place on D-Day involved by far the largest invasion fleet ever known. The scale of the undertaking was simply awesome. What followed them was some of the most cunning and ferocious fighting of the war, at times as savage as anything seen on the Eastern Front. As casualties mounted, so too did the tensions between the principal commanders on both sides. Meanwhile, French civilians caught in the middle of these battlefields or under Allied bombing endured terrible suffering. The most vivid and well-researched account yet of the battle of Normandy. As with  and , Antony Beevor's gripping narrative conveys the true experience of war. His best known works prior to this include the best-selling  and  and recount the  battles between the  and . They have been praised for their vivid, compelling style, their treatment of the ordinary lives of combatants and civilians and the use of newly disclosed documents from Soviet archives.Beevor's works have been used as sources and credited as such in many recent  about . Another one of his best known works is  for which he won the , administered by the  for stimulating interest in  and culture. Beevor is descended from a long line of women writers, being a son of  (born Carinthia Jane Waterfield, 22 December 1911 – 29 August 1995), herself the daughter of Lina Waterfield, and a descendant of  (author of a travelogue on ). Kinta Beevor wrote A Tuscan Childhood. Antony Beevor is married to Hon. , daughter of Duff Cooper, granddaughter of . He was educated at  and . He studied under the famous military historian . Beevor is a former officer with the  who served in  and  for five years before resigning his commission. He has published several popular histories on  and the 20th century in general. Professor Beevor has encountered criticism on his work in . The Russian ambassador to the UK denounced the book as "lies" and "slander against the people who saved the world from Nazism". , a professor and President of the , has charged that Beevor is merely resurrecting the discredited and racist views of  historians, who depicted Soviet troops as subhuman "Asiatic hordes"In an interview with , Rzheshevsky admitted that he had only read excerpts from Berlin: The Downfall 1945 and had not seen the book's source notes. He claimed that Beevor's use of phrases such as "Berliners remember" and "the experiences of the raped German women" were better suited "for pulp fiction, than scientific research." Rzheshevsky also defended Soviet reprisals against Germans, stating that the Germans could have expected an "avalanche of revenge". Beevor responded to Russian criticism on his book .  This criticism centres on the book's discussion of atrocities committed by the Red Army against German civilians – in particular, the extremely widespread rape of German women and female Russian forced labourers, both before and after the end of the war. Beevor stated however that German women were part of a society that supported Hitler and thus can't be seen as victims in the same way than Jews, Poles and Russians. Beevor, though, stated that he was accused by the Russian media of being the "chief slanderer of the Red Army" for describing repeated and relentless rape by the  of young women taken from the Soviet Union by the Nazis for slave labor. Beevor states that he used excerpts from the report of General Tsigankov, the chief of the political department of the , to cite the incident. He responded to Rzheshevsky by saying, "Professor O.A. Rzheshevsky even accused me of repeating Nazi propaganda, when in fact t