Town Hall Seattle Arts & Culture Series Town Hall Seattle

Go from “what the heck is this” to “how does it taste so good” in a celebration of misfit vegetables.
Maybe you just discovered celery root (a lumpy, softball-sized bulb), at the grocery store. Or perhaps you received watermelon radishes in a CSA package. Did a parsnip catch your eye at the farmers’ market? Even vegetables you think you know, like cabbage or brussels sprouts, will reveal next-level flavor with the right recipe.
Becky Selengut has made it her mission to take less popular — or even outright scorned vegetables like beets and okra — and cook them into irresistible dishes. It’s all about knowing how to cook or serve them and what herbs and spices to incorporate. In Misunderstood Vegetables, Selengut highlights 25 vegetables, with recipes alongside history, step-by-step preparation, and storage tips. Organized by season, recipes include Feta and Citrus Salad, Charred Chard with Spicy Chile Oil, and Celery Root Gratin.
Calling all plant-curious citizens, you won’t want to miss this opportunity to explore the world of unusual and underused produce like never before.
Becky Selengut is an author, instructor, podcaster, and chef based in Seattle. Her books include: How to Taste, Shroom, Good Fish, and Not One Shrine. Her latest book Misunderstood Vegetables is slated for publication by W.W. Norton (Countryman Press) for February 20, 2024. Selengut is the co-host of the local foods podcast Field to Fork. When Selengut is not the chef aboard the M/V Thea Foss, she forages, makes a mean Manhattan, and shares her life with her sommelier wife April Pogue and their lovably loony pointer mix Izzy. 
Bethany Jean Clement is a food critic for the Seattle Times. Her writing has also appeared in multiple Best Food Writing anthologies, Food & Wine, The Stranger, Edible Seattle, Gourmet, and many other publications, as well as on the windows of the Greenwood Space Travel Supply Co. She is the former food writer and managing editor of The Stranger, and a former staff writer and managing editor for Seattle Weekly.
Buy the Book Misunderstood Vegetables: How to Fall in Love with Sunchokes, Rutabaga, Eggplant and More Third Place Books

Town Hall's 2024 Scratch Night featuring the work-in-progress of our Artist-in-Residence Maia Brown
In collaboration with Brivele bandmate, Stefanie Brendler, Maia crafts an intimate evening that dives deep into the Yiddish archives of anti-fascist poetry and song, offering a glimpse into their creative process.
Maia Brown, a visual artist, Yiddish musician, and educator, brings a rich background in oral history and fine art to this exploration, alongside Stefanie Brendler, a multi-talented Seattle-based artist, composer, and member of the klezmer brass band Shpilkis. This evening comprises a stirring blend of storytelling and music, echoing the resilience and resistance found within Yiddish tradition.
About the Artists
Maia Brown (she/her) is a visual artist, Yiddish musician, writer, translator, and educator. Brown has a background in oral history and fine art, including a Watson Fellowship to study storytelling and advocacy in South Africa and the North of Ireland. She received her Master of Fine Arts in Interdisciplinary Arts at Goddard College. She is a dedicated student and teacher of her own tradition as well as the many ways people have reached out to each other across communities.
Stefanie Brendler is a Seattle-based multi-instrumentalist, composer, visual artist, translator, storyteller, and union stagehand. The founder of Seattle’s premier klezmer brass band Shpilkis, Stefanie is also a member of the Yiddish folk-punk band Brivele. Despite the constant toil under capitalism, heteropatriarchy, and nationalism, Stefanie’s artistry reflects the joys of life as a queer Jew.
Brivele, a Seattle-based ensemble, blends Yiddish song, anti-fascist and labor balladry, folk-punk, and contemporary protest themes into powerful vocal harmony. Meaning “little letter” in Yiddish, Brivele symbolizes the journey songs undertake, crossing borders and time, carrying tales of love, resistance, and resilience. Rooted in the Yiddish anti-fascist tradition, their repertoire merges satire, remembrance, and political commentary, echoing the voices of ancestors in today’s struggles. With an irreverent spirit, Brivele proudly embraces Diaspora heritage, singing in Yiddish as a testament to the enduring relevance of our mixed-up, impure Yidishkayt.
About Town Hall Residencies
Every year, Town Hall selects exceptional local artists and scholars for paid residencies where they engage with Town Hall programs and collaborate with our programming team to develop original events for the community. Read more about our residency program here.
 WORKS CITED:
"Music in Concentration Camps: 1933-1945" by Guido Fackler Passionate Pioneers: The Story of Yiddish Secular Education in North America, 1910-1960 by Fradle Pomerantz Freidenreich "The birth and long life of ‘Peat Bog Soldiers’ on its 90th anniversary" by Fiete Ausländer "Memories of a Jewish American red diaper baby" by Susan Gosman

Explore the life cycle of Seattle artists in a dynamic round table discussion hosted by Sarah Traver, director of Traver Gallery.
Join the conversation on transforming artistic practice into a flourishing and creative career within the vibrant artistic landscape of Seattle. Esteemed artists Esther Ervin, Henry Jackson-Spieker, Steve Jensen, Pohlman Knowles, and Jeanne Marie Ferraro all connected with Pratt Fine Arts Center, will share their experiences in developing their practices across diverse disciplines, including glass, installation, jewelry, metal, printmaking, public art, sculpture, and wood.
Gain valuable insights from these working artists as they delve into the unique challenges and successes of navigating the Seattle art scene. Whether you’re an aspiring artist or an art enthusiast, this discussion promises a deep exploration of artistic growth and the diverse pathways to establishing a fulfilling career within the rich cultural tapestry of Seattle.
Don’t miss this opportunity to engage with the life stories and creative journeys of these influential artists.
Esther Ervin, a visual artist from Somerville, New Jersey, holds a BS in Biology from UC Irvine and an MFA in Fine Art/Illustration from CSU Long Beach. Her diverse experiences include teaching in the Peace Corps in Colombia and later focusing on art, with a particular interest in the environment, politics, and abstraction. Her jewelry has been exhibited internationally. She is an active member of various art organizations, including the Seattle Metals Guild, the Center on Contemporary Art (CoCA), and the Black Arts West Alumni Association as an honorary. 
Henry Jackson-Spieker is a multidisciplinary artist focusing on sculpture and site-specific installations, combining glass, bronze, steel, wood, fiber, and light. His sculptures explore tension, balance and reflection through the merging of contrasting materials. He creates public art installations at Midtown Commons in Seattle, The Seattle Center, Method Gallery, and Wa NA Wari Gallery. Jackson-Spieker has been teaching glass blowing and bronze casting at Pratt Fine Arts Center for the past seven years.  
Steve Jensen has been a working artist for over 45 years. Raised around family fishing boats in Seattle, his art reflects deep maritime roots. His latest “VOYAGER” collection is inspired by his Scandinavian fisherman and boat builder heritage, symbolizing journeys into the unknown. From 2015 to 2023, Jensen exhibited solo at major Washington state venues, including the Seattle Art Museum, Bainbridge Island Museum of Art, and many others. Featured on Channel 9’s Art as Voyage and Amazon Prime’s The Story of Art in America (episode 10, 2023), his compelling work has garnered widespread recognition. 
Sabrina Knowles and Jenny Pohlman (Pohlman Knowles) marked a quarter-century of collaboration in 2018 with the exhibition “SYNCHRONICITY: Twenty-Five Years of Collaboration” at Bainbridge Island Museum of Art. They have undertaken six international journeys, morphing their experiences into sculptural stories to share what they have learned about healing, compassion, and the power of the human spirit through assemblages of sculpted glass and fabricated steel. Their work is in the collections of Bainbridge Island Museum of Art, Henry Ford Museum, Museum of American Glass, and Tacoma Art Museum among others. 
Jeanne Marie Ferraro was raised in a working-class family in Cleveland, Ohio, and found her artistic passion in childhood while observing the pouring of liquid metal into steel beams with her father. A storyteller across various media Jeanne’s art has been exhibited nationally and internationally, including in Canada and Portugal, and is part of private collections. Alongside her artistic endeavors, Jeanne has dedicated forty years to teaching visual art, currently focusing on glassblowing, drawing, and painting at the Pratt Fine Arts Center in Seattle. 
Sarah Tra

Looking back through history, it is obvious that the presence of music has had a profound impact on the daily lives of humans, our cultural rituals, and the evolution of civilization as a whole. Yet in public discourse, we still tend to separate conversations about music from those about civics or politics. We frame music as a product for entertainment when in reality the practice of music is deeply tied to the way our communities are structured and function.
Shain Shapiro is the director of the global nonprofit Center for Music Ecosystems, and author of This Must Be The Place: How Music Can Make Your City Better. In his book, Shapiro examines the way music affects the building, managing, and governing of a city.
Told through personal stories from cities around the world — including London, Melbourne, Nashville, Austin, and Zurich — This Must Be the Place demonstrates how integral music is to everyday life, yet how consistently music is ignored in public policy. Specifically, Shapiro references the transformative role that artists and musicians played in revitalizing elements of our post-pandemic world.
In addition to spotlighting the connection between music and building cities, This Must be the Place serves as a guide and toolkit for music enthusiasts, artists, and activists who seek to utilize music as a tool for reinventing their community.
Join Shain Shapiro at Town Hall, for an examination of the way music informs the building of a city, and how we can use music to strengthen our communities going forward.
Shain Shapiro, Ph.D. is one of the world’s leading music and cultural policy thinkers. He is the founder and chairman of economics consultancy Sound Diplomacy, founder and director of the global nonprofit Center for Music Ecosystems and author of This Must Be The Place: How Music Can Make Your City Better. Shain has pioneered the work of music cities and music ecosystem policy, where music is written into how cities and places plan and invest in their future.
Gregory Scruggs is a Seattle-based journalist. He is a correspondent for leading international cultural magazine Monocle and also works on the features desk at The Seattle Times. His reporting on how public policy impacts music scenes have been published in outlets such as The New York Times, Bloomberg CityLab, VICE, Next City, Seattle Weekly, and The Stranger.
 

Buy the Book This Must Be the Place: How Music Can Make Your City Better Third Place Books

What do we learn when an anthropologist and a historian talk about food? Across endless eras, landscapes, and civilizations, humanity’s relationship with food has played the part of one of the landmark features of culture and community. We feel this on both the micro and macro scale — from learning a recipe passed down through generations of one’s own family to the excitement of exploring an unfamiliar local market in a city far from home.
Culinary curiosity invites us all to the table, and through their new book, Ways of Eating, authors and storytellers Benjamin Wurgaft and Merry White are here to serve.
Wurgaft and White aim to introduce readers to the interwoven worlds of global food history and food anthropology, exploring how we’re not just what we eat, but where, why, and how we came to eat it in the first place. Throughout their collaborative work, Wurgaft and White embark on a world tour of anthropological accounts and vivid storytelling, paying visits to Panamanian coffee growers, Japanese knife forgers, and the medieval age of women brewing beer.
Ways of Eating explores the influence of migration and politics in shaping both group identity and global culinary practices, from the Venetian spice trade to the Columbian Exchange to the parallels between ancient Roman garum and contemporary Vietnamese nớc chấm. There are as many dynamics at play across the world of food anthropology as spices in a well-stocked pantry, and Ways of Eating seeks to understand and follow them from the plate back to the kitchen, the farm, and the field.
Co-authors Benjamin A. Wurgaft and Merry I. White are a son and mother duo with backgrounds in history, philosophy, anthropology, and the social study of food. Merry White is a Professor of Anthropology at Boston University, with a specialization in Japanese social and food culture. Their previous publications include White’s Coffee Life in Japan and Wurgaft’s Meat Planet: Artificial Flesh and the Future of Food. This is their first book written together.
Born in New England, Peter Miller is a graduate of Williams College and Harvard Graduate School of Education. He moved to Seattle in November 1970, a time when one could rent a home from a nearby phone booth with the instructions, “the key is under the mat, I will come meet you this week.” In 1975, Miller opened a bookshop in Wallingford, with its first lecture series featuring Tom Robbins and Alan Furst. In 1980, he opened an architecture bookshop in Pioneer Square, relocating it to the market in 1983. Thirty years later, he moved again to Belltown, in association with George Suyama Architects. The shop is now situated in Pioneer Square between First Avenue and the water. Additionally, Miller served as a member of the Seattle Design Commission from 1998 to 2001. Peter has authored three books: Lunch at the Shop, Five Ways to Cook Asparagus, and How to Wash the Dishes, with a fourth book set to be released in May, titled Shopkeeping.
 


Buy the Book Ways of Eating: Exploring Food through History and Culture Third Place Books

The Village Voice aimed to show readers something that mainstream publications wouldn’t: live theater productions climbing through the scaffolding of off-Broadway venues; moments in music from hip-hop to jazz to punk; New York City civil issues, like corrupt landlords; and global issues, like the AIDS crisis. Through decades of independent reporting and first-hand accounts within the myriad subcultures of New York, the Village Voice built a journalistic legacy of lived experience, bold critique, and political activism. One can’t help but wonder, what it must have been like to be one of the writers, editors, or photographers who was in on the action.
In her debut book, The Freaks Came Out to Write, Tricia Romano shares her journey from intern to contributor at the Village Voice, and the multi-generational significance of the weekly paper that reached far beyond the neighborhoods of New York City.
Romano’s accounts include over 200 interviews that span decades and feature influential figures such as Pulitzer Prize-winning author Colson Whitehead, feminist writers Vivian Gornick and Susan Brownmiller, the post-punk band Blondie, and many other acclaimed individuals in the realms of art, politics, and society. Romano ties it all together in an expansive oral history that tells the story of journalism, New York City and American culture — and the most famous alt-weekly of all time.
Tricia Romano is a writer, columnist, and editor whose work has been published in the New York Times, Rolling Stone, Elle, the Los Angeles Times, and of course the Village Voice, among others. Her column, Fly Life, dug into the underbelly of New York nightlife and she has penned award-winning stories on music and culture. She has served as a fellow at MacDowell, Millay, and UCross, a staff writer at the Seattle Times, and as editor-in-chief of the Stranger, Seattle’s own alternative newsweekly.
Dan Savage is a sex-advice columnist, a podcaster, an author, and has appeared on numerous television shows. Formerly the editor of the Stranger, Dan’s sex-advice column “Savage Love,” is syndicated worldwide. He has published seven books and his weekly sex advice podcast Savage Lovecast.
Jane Levine worked for more than 30 years at alternative weeklies. She started as an intern at Chicago Reader in 1973 and returned to serve as publisher from 1994 to 2004. In between, she held business-side positions at Los Angeles Reader, North Carolina Independent, and Seattle Weekly.
 


Buy the Book The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture Third Place Books