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The past several decades have seen a massive shift in debates over who owns and has the right to tell Native American history and stories. For centuries, non-Native actors have collected, stolen, sequestered, and gained value from Native stories and documents, human remains, and sacred objects. However, thanks to the work of Native activists, Native history is now increasingly repatriated back to the control of tribes and communities. Indigenous Archival Activism: Mohican Interventions in Public History and Memory (U Minnesota Press, 2024) takes readers into the heart of these debates by tracing one tribe’s fifty-year fight to recover and rewrite its history.
Rose Miron tells the story of the Stockbridge–Munsee Mohican Nation and its Historical Committee, a group composed mostly of Mohican women who have been collecting and reorganizing historical materials since 1968. She shows how their work is exemplary of how tribal archives can strategically shift how Native history is accessed, represented, written, and, most important, controlled. Based on a more than decade-long reciprocal relationship with the Stockbridge–Munsee Mohican Nation, Miron’s research and writing are shaped primarily by materials found in the tribal archive and ongoing conversations and input from the Stockbridge–Munsee Historical Committee.
Miron is not Mohican and is careful to consider her own positionality and reflects on what it means for non-Native researchers and institutions to build reciprocal relationships with Indigenous nations in the context of academia and public history, offering a model both for tribes undertaking their own reclamation projects and for scholars looking to work with tribes in ethical ways.
Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.
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Johnny Mize was one of the greatest hitters in baseball’s golden age of great hitters. Born and raised in tiny Demorest, Georgia, in the northeast Georgia mountains, Mize emerged from the heart of Dixie as a Bunyonesque slugger, a quiet but sharp-witted man from a broken home who became a professional player at seventeen, embarking on an extended tour of the expansive St. Louis Cardinals Minor League system.
Mize then spent fifteen seasons terrorizing Major League pitchers as a member of those Cardinals, the New York Giants of Mel Ott and Leo Durocher, and finally with the New York Yankees, who won a record five straight World Series with Mize as their ace in the hole—the best pinch hitter in the American League. Few hitters have combined such meticulous bat control with brute power the way Mize did. Mize was a line-drive hitter who rarely struck out and also hit for distance, to all fields, and usually for a high average. Nicknamed the Big Cat, “nobody had a better, smoother, easier swing than John,” said Cardinals teammate Don Gutteridge. “It was picture perfect.”
Tabbed as a can’t-miss Hall of Famer, then all but forgotten, Mize spent twenty-eight years waiting for the call from Cooperstown before he was finally inducted in 1981, delighting fans with his straightforward commentary and sly sense of humor during a memorable induction speech.
From the backroads of the Minor Leagues to the sunny Caribbean, where he played alongside the best Black and Latin players as a twenty-one-year-old, and to the Major Leagues, where he became a ten-time All-Star, home run champion, and World Series hero, Mize forged a memorable trail along baseball’s landscape. Big Cat: The Life of Baseball Hall of Famer Johnny Mize (U Nebraska Press, 2024) is the first complete biography of the Big Cat.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
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With his new book Sun, Sea, Soil, Wine: Winemaking on the North Fork of Long Island (SUNY Press, 2024), Richard Olsen-Harbich, Long Island's longest-tenured winemaker, weighs in on what makes the North Fork so unique for fine wine production. He shares his journey through the intricate art of winemaking – a tale of dedication, passion, and the remarkable bond between the sun-soaked earth, the sea-kissed vines, and the creation of exceptional wines. The artfully delves into the rich history, distinct terroir, and the stories behind some of the region's most celebrated vintages.
Talking to New Books Network, Olsen-Harbich discusses the book, delving into the environmental elements that make the North Fork an idyllic location for great winemaking. He provides expert insights into the impact of climate change, the natural wine trend, and the genetically modified plant debate. In addition, he offers his views on restaurant wine programs, books for aspiring winemakers, and the best wineries to visit in the region.
Interview by Laura Goldberg, longtime food blogger at Vittlesvamp.com.
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Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.
The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.
In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.
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Puerto Rico is a Spanish-speaking territory of the United States with a history shaped by conquest and resistance. For centuries, Puerto Ricans have crafted and negotiated complex ideas about nationhood. Jorell Meléndez-Badillo provides a new history of Puerto Rico that gives voice to the archipelago's people while offering a lens through which to understand the political, economic, and social challenges confronting them today.
In this masterful work of scholarship, Meléndez-Badillo sheds light on the vibrant cultures of the archipelago in the centuries before the arrival of Columbus and captures the full sweep of Puerto Rico's turbulent history in the centuries that followed, from the first indigenous insurrection against colonial rule in 1511--led by the powerful chieftain Agüeybaná II--to the establishment of the Commonwealth in 1952. He deftly portrays the contemporary period and the intertwined though unequal histories of the archipelago and the continental United States.
Puerto Rico: A National History (Princeton UP, 2024) is an engaging, sometimes personal, and consistently surprising history of colonialism, revolt, and the creation of a national identity, offering new perspectives not only on Puerto Rico and the Caribbean but on the United States and the Atlantic world more broadly.
Available in Spanish from our partners at Grupo Planeta.
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Political Theorist Melvin L. Rogers has a deep and rich new book delving into the work of a host of different African American political thinkers. But this work is much more than an exploration of some of the writings by African American thinkers, it importantly tells the story of America. The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (Princeton UP, 2023) takes the reader on a journey through distinct work and pieces by David Walker, Frederick Douglass, W.E.B. Du Bois, Ida B. Wells, Billie Holiday, James Baldwin, and others not in an effort to be exhaustive or completist in examining their work, but in teasing out vital thematic approaches to consider race, democracy, and freedom in the American republic. Rogers starts from a foundation in considering the idea of democracy—what are the habits and sensibilities that are located in the people who compose a democracy, or, more precisely, “who are we?” in the understanding of “we the people” or in the we of “we hold these truths to be self-evident.” While there is attention to the institutions that structure our democracy, Rogers reads many of these authors to expand that focus, to think about what the culture, the societal concepts, and the community define as who we are and who we might hope to be. Thus, as Rogers weaves together chronological approaches to considering these ideas from the authors and artists included in the conversation, he is also toggling together components that are often considered separately: political standing and culture standing, and how individuals, particularly black individuals, are situated in each.
The Darkened Light of Faith is deeply engaged with the conceptual duality of a place and an idea – the United States – that is at once mired in the tragic history of enslavement and, at the same time, moving (maybe?) towards the promise of a democracy that holds freedom among its most important qualities. This tension is also the darkened light of faith and hope that the thinkers, activists, and artists wrap themselves and their work in as they consider the opportunities and problematics that are America. Rogers does not confine his analysis to the written word. There is an exploration of anti-slavery pamphlets by abolitionist David Walker, who wrote and advocated against slavery in the 1820s and 1803s. The anti-republican nature of enslavement in the United States is another dimension of the book, examining the conflict inherent in a republican society that incorporates racial domination. Furthering this discussion, Rogers considers the idea of “the people” and how this concept is complicated by the exclusionary nature of slavery and categorization of individuals into groups of citizens who are included and others who are excluded based on race. The second part of the book pivots to the 20th century and expands the dimensions of thinking about these tensions and conflicts that are at the heart of the United States. The Darkened Light of Faith explores not just the extra-judicial nature of lynching, but how this is also a site of invisible laws that make lynching, by white Americans, possible without any threat or potential for penalties. This section weaves together work and advocacy by Ida B. Well, Billie Holiday’s song and performances of Strange Fruit, and the NAACP’s campaign using images of lynched bodies to focus on the horror of lynching and the undermining of democratic ethos in the U.S. The final sections of the book take up work by W.E.B. Du Bois and James Baldwin as they write about and comment on the complexity of American life, noting that charting a path forward towards the promise of the American experiment cannot leave untold or unknown the history in slavery and domination.
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