Philadelphia Museum of Art: Exhibition Minutes Philadelphia Museum of Art

What do a black-and-white image of ripe fruit and Wolfgang Tillmans’s monumental color photograph of a cluttered windowsill have in common with Old Master still lifes? Exhibition curator Nathaniel Stein shares his thoughts. In Dialogue: Wolfgang Tillm

In this dramatic print from 1934, Picasso places himself, his wife, and his mistress within the ring of a Spanish bullfight. Picasso Prints: Myths, Minotaurs, and Muses
May 24, 2014 - August 3, 2014

Learn how Picasso’s intense fear of blindness led him to intertwine the myth of the Minotaur with that of the tragic hero Oedipus. Picasso Prints: Myths, Minotaurs, and Muses
May 24, 2014 - August 3, 2014

In the 1930s Picasso adopted the Minotaur—the half-man, half-bull of classical antiquity—as his alter ego. Explore how this print of the Minotaur with his mistress Marie-Thérèse Walter offers a stark contrast to the artist's more conventional life

See how Picasso was inspired by both his personal relationships as well as classical antiquity and mythology to create timeless artworks. Picasso Prints: Myths, Minotaurs, and Muses
May 24, 2014 - August 3, 2014

Exhibition curator Nora Lambert explains why Picasso began to explore classical mythology and printmaking during the 1930s. Picasso Prints: Myths, Minotaurs, and Muses
May 24, 2014 - August 3, 2014