1 Std. 20 Min.

TN:106 Mura Masa Tape Notes

    • Musikinterviews

Thanks to SoundBetter for supporting this episode of Tape Notes.
SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.
Head to SoundBetter.com to find out more.

In this episode, John reunites with Alex Crossan, a.k.a. Mura Masa, to talk about how he wrote, recorded and produced his latest album ‘Demon Time’.
 
Reflecting on the process of working out what a lockdown album would sound like and making the complete opposite of that, Alex shares his thoughts on controlling the vibe of a record while still managing to explore every random studio idea with each of his collaborators.
 
As well as giving us a tour of some of the weirdest sounds in his sample folder, Alex treats us to production gold, demonstrating some of the simplest yet most effective Garage tricks, and the ways in which he created the impression of fake DJ across the album.
 
Listen to find out how a citrus salad led to a revelation about frequencies, why if an idea’s making you laugh then that’s the right one to follow, and how to sneakily get people to write for your album in their own writing session. 
 
Tracks discussed: demon time, hollaback bitch, e-motions
LINKS TO EVERYTHING TAPE NOTES  
linktr.ee/tapenotes 
 
Listen to ‘Demon Time’ here.
Anchor Point Records, Polydor, Universal Music
 
Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS
Soundiron Elysium Harp
Arturia Analog Lab
Moog DFAM
Soyuz Microphones
Hoover Synth Sound
Ableton Operator Synth
 
OUR GEAR
https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW
If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
Donate

KEEP UP TO DATE
For behind the scenes photos and the latest updates, make sure to follow us on: 
Instagram: @tapenotes 
Twitter: @tapenotes 
Facebook: @tapenotespodcast  
YouTube: Tape Notes Podcast
Discord: Tape Notes
To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
Visit our website to join our mailing list: www.tapenotes.co.uk
 
HELP SUPPORT THE SHOW
If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
Donate
 
TAPE NOTES TEAM
Will Brown - Executive Producer, Engineer & Editor
Tim Adam-Smith - Executive Producer
Will Lyons - Editor
Herbie Elton-Rowley - Videographer
Matt Purbrick - Production Assistant
Guy Nicholls - Production Assistant
Nathan Hetherington - PR
Rebecca Ibbotson - Digital Marketing 
Learn more about your ad choices. Visit megaphone.fm/adchoices

Thanks to SoundBetter for supporting this episode of Tape Notes.
SoundBetter is the world's leading music production talent marketplace, giving you access to the best mixing & mastering engineers, singers, songwriters, producers, and studio musicians in the industry. You can work with Billie Eilish's drummer, U2's mix engineer, or hire the topliners that wrote on the latest BTS record, these pros are keen to work with Indy artists.
Head to SoundBetter.com to find out more.

In this episode, John reunites with Alex Crossan, a.k.a. Mura Masa, to talk about how he wrote, recorded and produced his latest album ‘Demon Time’.
 
Reflecting on the process of working out what a lockdown album would sound like and making the complete opposite of that, Alex shares his thoughts on controlling the vibe of a record while still managing to explore every random studio idea with each of his collaborators.
 
As well as giving us a tour of some of the weirdest sounds in his sample folder, Alex treats us to production gold, demonstrating some of the simplest yet most effective Garage tricks, and the ways in which he created the impression of fake DJ across the album.
 
Listen to find out how a citrus salad led to a revelation about frequencies, why if an idea’s making you laugh then that’s the right one to follow, and how to sneakily get people to write for your album in their own writing session. 
 
Tracks discussed: demon time, hollaback bitch, e-motions
LINKS TO EVERYTHING TAPE NOTES  
linktr.ee/tapenotes 
 
Listen to ‘Demon Time’ here.
Anchor Point Records, Polydor, Universal Music
 
Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS
Soundiron Elysium Harp
Arturia Analog Lab
Moog DFAM
Soyuz Microphones
Hoover Synth Sound
Ableton Operator Synth
 
OUR GEAR
https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW
If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
Donate

KEEP UP TO DATE
For behind the scenes photos and the latest updates, make sure to follow us on: 
Instagram: @tapenotes 
Twitter: @tapenotes 
Facebook: @tapenotespodcast  
YouTube: Tape Notes Podcast
Discord: Tape Notes
To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear! 
Visit our website to join our mailing list: www.tapenotes.co.uk
 
HELP SUPPORT THE SHOW
If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :) 
Donate
 
TAPE NOTES TEAM
Will Brown - Executive Producer, Engineer & Editor
Tim Adam-Smith - Executive Producer
Will Lyons - Editor
Herbie Elton-Rowley - Videographer
Matt Purbrick - Production Assistant
Guy Nicholls - Production Assistant
Nathan Hetherington - PR
Rebecca Ibbotson - Digital Marketing 
Learn more about your ad choices. Visit megaphone.fm/adchoices

1 Std. 20 Min.