29 Min.
Up To And Including Limits ECHOLOT
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- Bildende Kunst
The first episode in the new series 'Stillness & Motion' features two conversations with artists participating in the exhibition ‘Up to and Including Limits: After Carolee Schneemann’ curated at Muzeum Susch by Sabine Breitwieser. Sabine Breitwieser speaks with Aura Rosenberg in New York and Katrina Daschner in Vienna.
Aura Rosenberg presented several works in the exhibition, notablyThe Dialectical Porn Rock (1990-1993) series, consisting of dozens of rocks wrapped in pages from porn magazines, as well as The Astrological Ways (2012), a series of 12 large-scale body prints representing 12 zodiac signs accompanied by The Afronomical Ways (2012), a video projection with sound by the Dirty Mirrors, a band in which Rosenberg performs on keyboard.
Katrina Daschner’s works in the exhibition in Susch include a selection of photographic collages from the series Zuhälter (Pimp, 1999-2002), 7 photographic prints from her series Vincent (2002) as well as a film Pferdebusen (Horse boobs, 2017), screened in a prepared space that includes a curtain running across the walls created by the artist.
The first episode in the new series 'Stillness & Motion' features two conversations with artists participating in the exhibition ‘Up to and Including Limits: After Carolee Schneemann’ curated at Muzeum Susch by Sabine Breitwieser. Sabine Breitwieser speaks with Aura Rosenberg in New York and Katrina Daschner in Vienna.
Aura Rosenberg presented several works in the exhibition, notablyThe Dialectical Porn Rock (1990-1993) series, consisting of dozens of rocks wrapped in pages from porn magazines, as well as The Astrological Ways (2012), a series of 12 large-scale body prints representing 12 zodiac signs accompanied by The Afronomical Ways (2012), a video projection with sound by the Dirty Mirrors, a band in which Rosenberg performs on keyboard.
Katrina Daschner’s works in the exhibition in Susch include a selection of photographic collages from the series Zuhälter (Pimp, 1999-2002), 7 photographic prints from her series Vincent (2002) as well as a film Pferdebusen (Horse boobs, 2017), screened in a prepared space that includes a curtain running across the walls created by the artist.
29 Min.