New Books in Asian American Studies Marshall Poe

Today’s book is: The Translator’s Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek’s dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer’s, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator’s Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity.
Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator’s Daughter: A Memoir.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also enjoy these Academic Life episodes:

The Things We Didn't Know

Secret Harvests

Where is home?

The Names of All the Flowers

Who gets believed?


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world.
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In Dangerous Intercourse: Gender and Interracial Relations in the American Colonial Philippines, 1898–1946 (Cornell University Press, 2023), Dr. Tessa Winkelmann examines interracial social and sexual contact between Americans and Filipinos in the early twentieth century via a wide range of relationships—from the casual and economic to the formal and long term. Dr. Winkelmann argues that such intercourse was foundational not only to the colonisation of the Philippines but also to the longer, uneven history between the two nations. Although some relationships between Filipinos and Americans served as demonstrations of US "benevolence," too-close sexual relations also threatened social hierarchies and the so-called civilizing mission. For the Filipino, Indigenous, Moro, Chinese, and other local populations, intercourse offered opportunities to negotiate and challenge empire, though these opportunities often came at a high cost for those most vulnerable.
Drawing on a multilingual array of primary sources, Dangerous Intercourse highlights that sexual relationships enabled US authorities to police white and nonwhite bodies alike, define racial and national boundaries, and solidify colonial rule throughout the archipelago. The dangerous ideas about sexuality and Filipina women created and shaped by US imperialists of the early twentieth century remain at the core of contemporary American notions of the island nation and indeed, of Asian and Asian American women more generally.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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In Terracene: A Crude Aesthetics (Duke UP, 2023), Salar Mameni historicizes the popularization of the scientific notion of the Anthropocene alongside the emergence of the global war on terror. Mameni theorizes the Terracene as an epoch marked by a convergence of racialized militarism and environmental destruction. Both the Anthropocene and the war on terror centered the antagonist figures of the Anthropos and the terrorist as responsible for epochal changes in the new geological and geopolitical world orders. In response, Mameni shows how the Terracene requires radically new engagements with terra (the earth), whose intelligence resides in matters such as oil and phenomena like earthquakes and fires. Drawing on the work of artists whose practices interrogate histories of settler-colonial and imperial interests in land and resources in Iran, Iraq, Yemen, Kuwait, Syria, Palestine, and other regions most affected by the war on terror, Mameni offers speculative paths into the aesthetics of the Terracene.
Salar Mameni is an art historian specializing in contemporary transnational art and visual culture in the Arab/Muslim world with an interdisciplinary research on racial discourse, transnational gender politics, militarism, oil cultures and extractive economies in West Asia. Mameni has published articles in Signs, Women & Performance, Al-Raida Journal, Fuse Magazine, Fillip Review and Canadian Art Journal, and has written for exhibition catalogues in Dubai, Sharjah and Istanbul. Mameni was the curator of “Snail Fever,” at the Third Line Gallery in Dubai that explored art as a pandemic bringing together artists from the region whose works consider the embodied, viral and contaminating nature of sonic and visual aesthetics.
Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.
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In 2022, the U.S. Mint released the first batch of its American Women Quarters series, celebrating the achievements of U.S. women throughout its history. The first set of five included Maya Angelou, Sally Ride…and Anna May Wong, the first Asian-American to ever appear on U.S. currency.
Katie Gee Salisbury takes on Anna May Wong’s life in her book Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (Dutton, 2024). The biography takes readers through Wong’s life, from her start in Hollywood’s early days, her struggles against prejudiced studio executives unwilling to give her the spotlight, through to her groundbreaking trip to China.
In this interview, Katie and I talk about Anna May Wong’s life, her struggles against censorship, and what films you should watch to understand Wong as an actress.
A fifth-generation Chinese American from Southern California, Katie has spoken and written about Anna May Wong on MSNBC, in the New York Times and in Vanity Fair. She also writes the newsletter Half-Caste Woman. She was a 2021 Jerome Hill Artist Fellowship finalist and gave the TED Talk “As American as Chop Suey.” Follow on Instagram at @annamaywongbook and on Twitter at @ksalisbury.
Other links:
—Katie on writing Anna May Wong’s biography, for Lithub
—An excerpt of Not Your China Doll, for PBS
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Including its review of Not Your China Doll. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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To begin the celebration of Asian Pacific American Heritage Month, this episode features a conversation with Dr. Catherine Ceniza Choy about her book Asian American Histories of the United States (Beacon Press, 2022). Choy’s study identifies pivotal years in Asian American history as the focus of her eight chapters, which includes the beginning of Asian exclusionary policy with the Page Law in 1875, the rapid changes of 1965 and 1969, which saw a growing Asian America in understanding and demographics, to 2020 and the impact of COVID-19 pandemic. In just 175 pages, Choy weaves together the layered histories of exclusion, violence, and resistance to rectify the generalizations that come from a “misunderstanding of Asian Americans and their histories” (Preface, ix). 
Catherine Ceniza Choy is an award-winning Asian American historian and professor of ethnic studies at the University of California, Berkeley. She is the author of Global Families: A History of Asian International Adoption in America and Empire of Care: Nursing and Migration in Filipino American History, which won the 2003 American Journal of Nursing History and Public Policy Book Award and the 2005 Association for Asian American Studies History Book Award. An engaged public scholar, Choy has been interviewed in many media outlets, including ABC’s 20/20, The Atlantic, CNN, the Los Angeles Times, NBC News, and Vox, about the history of anti-Asian hate and violence as well as the connections between racism and misogyny.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.
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Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (Rutgers University Press, 2023) examines how contemporary Chinese diasporic narratives address the existential loss of home for immigrant communities at a time of global precarity and amid rising Sino-US tensions. Focusing on cultural productions of the Chinese diaspora from the 1990s to the present -- including novels by the Sinophone writers Yan Geling (The Criminal Lu Yanshi), Shi Yu (New York Lover), Chen Qian (Listen to the Caged Bird Sing), and Rong Rong (Notes of a Couple), as well as by the Anglophone writer Ha Jin (A Free Life; A Map of Betrayal), selected TV shows (Beijinger in New York; The Way We Were), and online literature – Dr. Melody Yunzi Li argues that the characters in these stories create multilayered maps that transcend the territorial boundaries that make finding a home in a foreign land a seemingly impossible task. In doing so, these “maps” outline a transpacific landscape that reflects the psycho-geography of homemaking for diasporic communities. Intersecting with and bridging Sinophone studies, Chinese American studies, and diaspora studies and drawing on theories of literary cartography, Transpacific Cartographies demonstrates how these “maps” offer their readers different paths for finding a sense of home no matter where they are.
Dr. Melody Yunzi Li is an assistant professor of Chinese Studies in the Department of Modern and Classical Languages at the University of Houston. Her research interests include Asian diaspora literature, modern Chinese literature and culture, migration studies, translation studies, cultural identities and performance studies. She is the author of Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (New Brunswick: Rutgers University Press, 2023) and the co-editor of Remapping the Homeland: Affective Geographies and Cultures of the Chinese Diaspora. (London: Palgrave McMillan, 2022). She has published in various journals including Pacific Coast Philology, Telos and others. Besides her specialty in Chinese literature, Dr. Li is also a Chinese dancer and translator.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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