Planet Fillmore Orbit Lance Burton

Nguzo Saba, Swahili for 7 Principles. The Nguzo Saba song is a tribute used to bring light to those 7 principles, as we celebrate Kwanzaa. This version is produced for The Village Project, of San Francisco. With music accompaniment inspired from the album "Dis Is da Drum"  The song is "Rubber Soul" by Herbie Hancock and his fellow musicians: Darrell Robertson, Darrell Smith, Will Griffin and Bill Summers. The collaborative creation born out of an inspiration to complete the celebration of culture in the African spirit imbued within Black Americans. To enlighten those seeking the true nature of their worth and value as a people. A roadmap building a spirited community within a complex set of modern challenges. An awakening to children of decades beyond Civil Rights. A guidepost for family spiritual enrichment. Historically bringing home the first harvest. Words to the song were re-formed in 1990 by Brotha Clint Sockwell from earlier writings of a period in 1966 as Kwanzaa sprang from the vision of Maulana Karenga, an African-American professor of Africana studies, activist and author, best known as the creator of this Pan-African / African-American inclusive holiday. Kwanzaa is celebrated during the last calendar days of each year. It is highlighted by 7 principle building blocks. These words, spoken in Swahili, are reflective of a strong, essential, highly reasoned lasting community aspiration; Nguzo Saba. Umoja; Unity. Kujichacalia; Self-Determination. Ujima; Collective Work and Responsibility. Ujamaa; Cooperative Economics. Nia; Purpose. Kuumba; Creativity. Imani; Faith. Kwanzaa means "first".  The word signifies the first fruits of the harvest. Habari Gani means - what is the word of the day? Kwanzaa is an inclusive holiday. Join us.

Writer, Producer, Performance - Brotha Clint Sockwell

Executive Producer - Adrian Williams

Editor - Kali O Ray

Your host - Lance Burton

Visit  www.thevillageprojectsf.org


---

Support this podcast: https://podcasters.spotify.com/pod/show/planetfillmore/support

Once Africans arrived on the American continent their skills took over their instincts. Living in abundance in the motherland, there had been no shortage in what resources an African could draw from. As seamen, from the outset of humanity, these men of the earth were ample in their one with natural elements. As whalers, as mariners , as frontiersmen and women, as bull dogging bronco bustin' herders and wranglers, as trackers, as scouts and as domestic diplomats. Anything necessary to bring civilized conditions that could include educators, barbers, minister, shamans and voodoo queens.

Rendering of Alexander Leidesdorf's Hotel at Kearny and Clay. Mid 1800s


---

Support this podcast: https://podcasters.spotify.com/pod/show/planetfillmore/support

A peek at a moment in time as the growing urban culture that began in Harlem, NY during the early 1900s made its way, right along with African Americans, through port city after industrial city. Bringing along the burgeoning culture of song, dance, poetry and literature to inspire stage and screen writers and authors to flourish in the streets and gatherings of the urban environment.  This is a reminiscent glide through a monumental period in  the Fillmore of San Francisco during the 40s through 60s. A pivotal evolving moment in our country's cultural and social maturity happened here. An historic Port City with a shining light on the hill and a beckoning valley of magical mist, when any challenge could be overcome. Sit back and let Buddy Bean paint the picture. 

Why Buddy Bean?  Buddy Bean walked out of slavery and found his way  from turpentine camps in east Texas along railway construction;  Stevedoring along the rivers from the gulf around the Caribbean and back  in time to be denied a US Naval general assignment as wood ships became  steam and America's Navy offered black sailors nothing more than mess duty, Buddy would rather walk the path from Memphis to Pittsburgh and  work in the Ohio valley as a coal packer than Porter for the 1898 "equal but separate" Navy. He surfaced in the first World War and saw duty in  the French Foreign Legion where recognized as a man of honor and principle  for the values and ferocity which he brought to the fight. A fight that wasn't his, but  made it so in the name of truth and justice. As the War ended, Buddy  remained on French soil and soaked up the eagerness of the French people around Montmartre to  feel the rising popular culture, as jazz from Harlem and New Orleans  became all the rage in France. Buddy, and his Black musicians brothers,  many from Harlem, richly rewarded to taste the sweet flower of  appreciation. Still the experience left him sober to conquer that  which was home. Working a merchant ship, steamed west back to the  Americas. In time to find the folly of the great Gatsby had left much  the United States under a great depression. For Buddy, there were plenty  of ways a brother with a little life under his belt could fine a way to  make a living. And he did. Buddy, now nearly 70 years in, would counsel  generals and admirals through the 2nd World War. Go on to continue  living a life with purpose on into another 70 years of life. Much of that life playing a  harmonica to speak his natural born truth in burgeoning urban neighborhoods such as Beale Street in  Memphis, the Hill district in Pittsburgh, the South Side in Chicago,  Tremé and Congo Square in New Orleans out west in Seattle, Los Angeles  and finally ending up in San Francisco's Fillmore of the 1940s through 1960s. 

Last  heard, Buddy had opened a pie shop in Ghana. Specializing in Bean pies.  Makes me hungry and thirsty for life just thinking about it. 

Lance Burton


---

Support this podcast: https://podcasters.spotify.com/pod/show/planetfillmore/support

Kaiden Patterson is here! 

And, makes a statement for the ages to absorb, consider and take seriously. 

Written by Aisha Smith

Sponsored by the Joseph and Susie Smith Family Traditions.


---

Support this podcast: https://podcasters.spotify.com/pod/show/planetfillmore/support

Bunny Simon Receives Award for Blues Impresario from 'West Coast Blues Hall of Fame'

Bunny Simon made a lasting impression in San Francisco. As a civil rights activist he marched along side Martin Luther King, Jr. As an entrepreneur he owned 8 successful nightclubs including the celebrated and popular Playpen on Divisadero St. For 25 years Bunny entertained the area with famed talent. Known far and wide as one of the most ingenious business men to have operated inside the Western Addition. And, while 1 of 16 children he is also noted for raising a large and proud family of his own. PFC invites you to listen to this old school radio interview for a bit of insight into a few of Bunny's magic moments shared with JJ Parson- GM, Announcer of the deeply regarded KPOO community radio station in San Francisco. Bunny Simon passed away July 20, 2019. His remarkable legacy will remain forever. This is a salute.


---

Support this podcast: https://podcasters.spotify.com/pod/show/planetfillmore/support

In the first of a four part series, Lewis Watts shares with the listeners his and co-author Elizabeth Pepin Silva's journey in bringing about the nearly 250 page beautifully illustrated book "Harlem of the West".  The fastidiously researched document itself, brought forward to the public in aesthetically pleasing reproductions of original photography and inspirationally gathered personal oral histories, is a 'slice of life' in San Francisco's "magical" 1940s through 1960s Fillmore neighborhood. Elegantly designed, we are introduced to an exciting contrast in lifestyle of previous decades, and given an insight into what it took to assemble this worthy treatment of a fascinating, all but forgotten, 30 year era of high life culture that vanished virtually overnight.  "Harlem of the West" is fantastic. A 'MUST HAVE' for anyone who may ever had heard of The Fillmore, now or then.

Lance Burton


---

Support this podcast: https://podcasters.spotify.com/pod/show/planetfillmore/support