I Know Movies and You Don't w/ Kyle Bruehl Kyle

In the forty-seventh episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with film critic Joseph Brandt to discuss the airy sophistication and perverse sexploitation of Harry Kümel's progressive and thoughtful vampire film about aristocratic bloodlines, gender power politics, and the transformation into the new in Daughters of Darkness (1971).

In the forty-sixth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Jordan Berry as we discuss the elusive and ambiguous psychological thriller about superficial envy and hidden desire in François Ozon's subtly disturbing short film See the Sea (1997).

In the forty-fifth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Nathan Lee to discuss the storybook fairy tale about crippling adult malaise and the awakening to appreciation in John Patrick Shanley's whimsical and surrealist examination on the renewal of life in Joe Versus the Volcano (1990).

In the forty-fourth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Connar Quigley to discuss the silly yet sly commentary on Suburban complacency, routine, and boredom showcasing cracks and disillusionment in the foundation of the American Dream in Joe Dante's The 'Burbs (1989).

In the forty-third episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with musician and actor Boston Stergis to discuss the black comedic inversion of Shakespeare's Scottish Play as it is utilized as a commentary on futile ambition in the limited choice of the American 70s in Billy Morrissette's Scotland, PA (2001).

In the forty-second episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker and musician Jake Dilley to discuss his improvisational road trip film Rocksteppy (2017) and how it was influenced by Christopher Guest's ode to simple creativity and small town unity in the mocking yet earnest depiction of the egos and characters in community theatre that is Waiting for Guffman (1996).