Artipoeus: art you can hear Susie Kahlich

Welcome to Artipoeus. It’s been a while…
This is a comeback episode. I stopped producing Artipoeus at the beginning of 2020, and thought I had said goodbye. But you know… in the 3 years following, I really missed it. So I’m bringing it back. Hello again!
If you’re already familiar with this show, welcome back. If you’re new here, Aritpoeus tells stories about art – kind of like The Moth meets the Met, or the Guggenheim, or the Louvre, or even graffiti on a street corner sometimes. I love art – I love the way it can make me feel, sometimes taking me into myself, sometimes connecting me to the world. Artipoeus is the bridge between.
And in this episode, Artipoeus visits Motherland: Ukrainian artists reflect on the notion of “homeland” at the Stadtmuseum Berlin. The exhibition explores the notion of home from the literal and local all the way to the global and abstract idea of home, where it is, what it feels like and what happens when you lose it… or someone tries to take it from you.
Recorded on the 505th Day of Russia’s war on Ukraine. 


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Artipoeus started with Gustave Caillebotte's "Paris Street, Rainy Day" in Chicago, and ends when the same painting on special loan to Neue Museum in Berlin. Final episode of this 5 year journey through the world of art. Artipoeus: art you can hear.
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Artipoeus visits the TedXGeo and TedXWrong Exhibition, and submits an audio file!
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Artipoeus visits American artist Marcus McAllister in his Paris atelier and has a long chat about processes: the creative process, the aging process, and the very long process of becoming yourself.
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Artipoeus visits the Big Easy, literally and figuratively in the work of Jana Marie Cariddi and her installation IF I SAID I HAD A BEAUTIFUL PAINTING WOULD YOU HOLD IT AGAINST ME in Berlin.
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Artipoeus visits Simon Modersohn's DAUERAUFTRAG at APlus Gallery in Berlin
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