Celebrating Cinema

LAB111

From cult classics to today’s popular movies, Celebrating Cinema, from Amsterdam’s LAB111, explores the films that shape how we see the world. Each week, Laura Gommans (film journalist), Hugo Emmerzael (film critic), Kiriko Mechanicus (filmmaker), and Tom Ooms (film programmer) take turns diving into movies old and new — revealing what they tell us about ourselves, our culture, and the times we live in. Insightful, nostalgic, and sometimes delightfully absurd, this is a podcast for anyone who loves films. celebratingcinema.com You can get in touch at celebratingcinema@lab111.nl

  1. HACE 2 D

    The Man Who Fell to Screen: David Bowie's Life in Cinema

    From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built one of the strangest and most fascinating film careers in pop history. In this episode, hosts Laura Gommans and Tom Ooms dive into David Bowie’s acting career, exploring how the musician moved through cinema across four decades. They chat about what drew Bowie to the silver screen, why acting became one of his favourite side quests, and the performances that defined his screen presence. From playing Andy Warhol in Basquiat to a perfectly deadpan cameo in Zoolander, they discuss why directors kept casting Bowie, what made him so magnetically strange on camera, and which roles remain the most unforgettable—before tackling the impossible question: who could ever play Bowie in a biopic? Fill out our ⁠survey⁠ and win up to €100 worth of prizes. Get tickets to Sound And Vision: Remembering David Bowie @ LAB111 Films Mentioned: The Man Who Fell to Earth (Nicolas Roeg, 1976) Christiane F. (Uli Edel, 1981) Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983) The Hunger (Tony Scott, 1983) Labyrinth (Jim Henson, 1986) The Last Temptation of Christ (Martin Scorsese, 1988) Twin Peaks: Fire Walk With Me (David Lynch, 1992) Basquiat (Julian Schnabel, 1996) Zoolander (Ben Stiller, 2001) Moonage Daydream (Brett Morgen, 2022)

    34 min

  2. 5 MAR

    From Mary Shelley to The Bride: Why Is Frankenstein's Monster Always Ugly?

    Mary Shelley wrote Frankenstein at nineteen. Cinema has been retelling it ever since - and mainly getting it wrong. Hosts Laura Gommans and Tom Ooms dig into the big question: is Frankenstein the story of a misunderstood outcast, an abandoned child who never asked to exist, or a cautionary tale about scientists who should really know better? More importantly, why is Frankenstein always so ugly? They trace the monster on screen through James Whale's Universal original in 1931, Hammer Horror's gloriously excessive franchise — essentially the Marvel Universe before Marvel existed — and into modern Frankenstein-by-another-name films like Ex Machina and Blade Runner. Plus reviews of the two new adaptations, Frankenstein and The Bride, putting the myth back in the spotlight. Also: Laura confesses to having seen Fifty Shades Darker in the cinema three times and to watching Arrival at the gym. This is relevant. Kind of. Fill out our survey and win up to €100 worth of prizes. Get your tickets to The Bride @ LAB111 Get your tickets to Female Frame @ LAB111 Listen back to The Immortal Cinema of Bloodsuckers And Nightstalkers Listen back to Why Zombies Refuse To Die Listen back to How Sex And The City 2 Maps The Rise And Fall Of American Empire

    43 min

  3. 27 FEB

    Wim Wenders Says Cinema Isn't Political. These Films Disagree.

    At this year's Berlinale Film Festival, Wim Wenders declared that cinema is not political — so hosts Elliot Bloom and Kiriko Mechanicus, both speaking from their own diasporic experiences, decided to put that to the test. Moving through Persepolis, Incendies, Bend It Like Beckham, Girlhood, and Chantal Akerman's News from Home, they explore how diaspora cinema transforms the politics of borders and belonging into something deeply, unavoidably human. Because for anyone who has ever lived between cultures, cinema isn't just art — it's a second home. This episode is part of Diaspora Diaries, LAB111's curated season running January through March exploring stories of movement, identity, and belonging on the big screen. Get tickets to Diaspora Diaries @ LAB111 Listen back to Why Wim Wenders? Listen back to Can We Still Watch Films By Bad People?

    46 min

  4. 24 FEB

    The DJ Who Turned Sirāt Into a Rave Experience w/ Kangding Ray

    Hugo Emmerzael speaks with DJ and composer Kangding Ray about Sirat — a punishing, bass-driven plunge into the borderlands of rave culture. The film follows a father searching for his missing daughter amid sound systems and stateless horizons, unfolding less as conventional narrative than as sensory immersion. Kangding Ray reflects on his journey from underground club DJ to film composer, and on what it means to carry the ethos of the dancefloor into cinema. Rather than sanitising rave culture, he was determined to preserve its rawness. Together they explore how to craft a score that doesn’t simply underscore the image but unsettles it They also discuss shaping the sonic textures of the landscape itself and why rave on film has so often felt like a betrayal of the culture it tries to depict. Get tickets to Sirāt @ LAB111

    26 min

  5. 19 FEB

    Are Marty Supreme and Wuthering Heights Worth The Hype?

    With social media hype swirling around Marty Supreme and Wuthering Heights, hosts Laura Gommans and Hugo Emmerzael unpack the marketing machinery behind both releases—and whether the films can live up to the discourse they’ve generated. Hugo questions whether the outrage over Emerald Fennell’s reimagining of Heathcliff is worth our energy, suggesting we might be better off taking the film at face value instead of getting caught up in manufactured controversy. Meanwhile, Laura traces the evolution of movie marketin, from the event-cinema spectacle of Jaws and Jurassic Park to the viral mythmaking of The Blair Witch Project, into today’s algorithm-driven campaigns built on shock, virality, and off-screen narratives. Together they discuss how in an era of social media spectacle, are studios selling us the film—or the conversation around it? Get tickets to Marty Supreme @ LAB111 Get tickets to Wuthering Heights @ LAB111

    42 min

  6. 12 FEB

    How Brokeback Mountain Changed Queer Storytelling—and Should Straight Actors Still Play Queer Roles? w/ Esje Seigfried

    Host Laura Gommans chats with cultural critic Esje Seigfried about the lasting impact of Brokeback Mountain 20 years on, and how queer cinema has expanded since. They dig into the genre’s history of tragedy and grief—and ask: can queer stories also be fun, messy and steamy, like Heated Rivalry and Heartstopper? From the melancholia of Happy Together to the risks queer filmmakers take today, they explore the queer stories we want to see more of, and whether it really matters if a straight actor plays a queer role. Get tickets to Brokeback Mountain @ LAB111 Get tickets to Happy Together @ LAB111

    30 min

  7. 5 FEB

    Park Chan-wook’s No Other Choice Is A Brutal Take On Capitalism

    In this episode, Laura Gommans and Hugo Emmerzael dive into what might be Park Chan-wook’s masterpiece, No Other Choice, breaking down how it tackles capitalism and the fragile middle-class experience in ways that feel all too real. They also chat about the recent Oscar nominations and the 45th anniversary of Kubrick’s The Shining—exploring why the true horror of this classic, how it clashed with Stephen King’s vision, and why Kubrick would have loved TikTok film debates. Get tickets to No Other Choice Get tickets to The Shining Get tickets to Film Lecture: How To Build A Haunted Hotel? Get tickets to Drink-Along: The Fall Get tickets to Brazil Beneath The Surface

    40 min

  8. 29 ENE

    Can We Still Watch Films by Bad People?

    The death of French cinema icon Brigitte Bardot has reignited a familiar and uncomfortable question: can we separate art from the artist? Long celebrated as a screen legend, Bardot’s legacy is also inseparable from her openly expressed far-right views—forcing a renewed reckoning with how we engage with culturally significant work made by morally compromised figures. In this episode of Celebrating Cinema, hosts Laura Gommans and Hugo Emmerzael reflect on their own responsibilities as viewers and critics. They discuss whether watching films by “bad people” can still offer insight into the art and the person behind it, and whether cinema can act as a space to confront difficult ideas rather than retreat from them. If the work already exists, what does critical engagement look like—and do we watch films for their politics, their artistry, or something more complicated? Get tickets to Le Mépris @ LAB111 Get tickets to Diaspora Diarires @ LAB111 Get tickets to Straight to Video: Brain Damage @ LAB111

    40 min
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Información

From cult classics to today’s popular movies, Celebrating Cinema, from Amsterdam’s LAB111, explores the films that shape how we see the world. Each week, Laura Gommans (film journalist), Hugo Emmerzael (film critic), Kiriko Mechanicus (filmmaker), and Tom Ooms (film programmer) take turns diving into movies old and new — revealing what they tell us about ourselves, our culture, and the times we live in. Insightful, nostalgic, and sometimes delightfully absurd, this is a podcast for anyone who loves films. celebratingcinema.com You can get in touch at celebratingcinema@lab111.nl

Ficha técnica

  • Creado por
    LAB111
  • Años en activo
    2021 - 2026
  • Episodios
    143
  • Clasificación
    Explícito
  • Derechos de autor
    © LAB111
  • Sitio web del podcast
    Celebrating Cinema

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