500 episodios

The Film at Lincoln Center Podcast is a weekly podcast that features in-depth conversations with filmmakers, actors, critics, and more.

Film at Lincoln Center Podcast Film at Lincoln Center

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The Film at Lincoln Center Podcast is a weekly podcast that features in-depth conversations with filmmakers, actors, critics, and more.

    #516 - Thomas Cailley (The Animal Kingdom) & Sophie Barthes (The Pod Generation) In Conversation

    #516 - Thomas Cailley (The Animal Kingdom) & Sophie Barthes (The Pod Generation) In Conversation

    This week we’re excited to present a conversation with The Animal Kingdom director Thomas Cailley and The Pod Generation director Sophie Barthes as they discuss their playful, up-to-the-minute experiments with genre and the use of speculative fiction to examine political realities and probe timeless emotional truths. This conversation was moderated by FLC Assistant Programmer Madeline Whittle with interpretation by Nicholas Elliott.

    Thomas Cailley, whose 2014 breakout feature Love at First Fight charmed audiences with its invigorating fusion of the rom-com and coming-of-age genres, returned to Rendez-Vous with French Cinema with this year’s Opening Night selection, The Animal Kingdom, in which a darkly imaginative sci-fi premise gives way to a thoughtful study of fatherhood. When mankind is plagued with a mysterious infection that selectively mutates the bodies of ordinary people into animal hybrids, a widower and his teenage son must fight to survive in Cailley’s darkly imaginative exploration of a human ecosystem undergoing inexplicable—but potentially liberating—transformation.

    The Animal Kingdsom is in select theaters now, courtesy of Magnolia Pictures.

    • 28 min
    #515 - Marion Cotillard, Mona Achache, and Laetitia Gonzalez on Little Girl Blue

    #515 - Marion Cotillard, Mona Achache, and Laetitia Gonzalez on Little Girl Blue

    This week we’re excited to present a conversation with Little Girl Blue director Mona Achache, producer Laetitia Gonzalez, and lead actress Marion Cotillard as they discuss the 2024 Rendez-Vous with French Cinema selection with FLC Assistant Programmer Madeline Whittle.

    The lives and legacies of three generations of extraordinary women artists are unpacked in Mona Achache’s César-nominated hybrid documentary. Achache, herself an accomplished writer and filmmaker, turns her gaze on her mother, Carole—a writer, photographer, and actress, and the daughter of novelist and screenwriter Monique Lange (goddaughter of William Faulkner). Carole’s myriad professional achievements notwithstanding, her private life was indelibly marked by predatory behavior she experienced at the hands of those close to her, including family friend Jean Genet. Marion Cotillard brilliantly embodies Carole across a series of hauntingly resonant reconstructions that, alongside a generous archive of video, photography, and personal writing, create a rounded portrait of a troubled but outstandingly creative mind. Achache blurs the line between truth and fiction, producing a work as fittingly unsettling and unforgettable as her mother’s own story.

    • 38 min
    #514 - Denis Villeneuve on Dune: Part Two

    #514 - Denis Villeneuve on Dune: Part Two

    This week we’re excited to present a conversation with director Denis Villeneuve, the subject of a recent retrospective presented by FLC and who’s new highly anticipated sci fi-epic, Dune: Part Two, is now in theaters worldwide courtesy of Warner Bros Pictures.

    The saga continues as award-winning filmmaker Denis Villeneuve embarks on Dune: Part Two, the next chapter of Frank Herbert’s celebrated novel Dune, with an expanded all-star international ensemble cast. The big-screen epic continues the adaptation of Frank Herbert’s acclaimed bestseller Dune with returning and new stars, including Oscar nominee Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, and Austin Butler.

    Dune: Part Two explores the mythic journey of Paul Atreides as he unites with Chani and the Fremen while on a path of revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, he endeavors to prevent a terrible future only he can foresee.

    This conversation was moderated by FLC Vice President of Programming Florence Almozini.

    • 29 min
    #513 - Lulu Wang on Expats

    #513 - Lulu Wang on Expats

    This week we’re excited to present a conversation with director Lulu Wang, who’s new Prime Video series Expats is now streaming.

    Lulu Wang casts her penetrating gaze on the intersection of race and class in Hong Kong’s milieu of expats, and the migrant domestic workers employed by them, in this vivid adaptation of Janice Y. K. Lee’s widely acclaimed novel, The Expatriates (1998). Across six episodes, Expats shuttles back and forth between the prelude and aftermath of a tragedy that has dramatically reshaped the lives of three women—Margaret (Nicole Kidman), a mother left shattered as she navigates her way through an inconceivable loss; her neighbor Hilary (Sarayu Blue), herself struggling to regain control of her marriage in the face of infidelity; and the twentysomething, free-spirited Mercy (Ji-young Yoo), who finds herself caught in the center of Margaret and Hilary’s anguish. But for the limited series’ feature-length fifth episode, the three women recede into the background with Wang shifting her focus in an entirely different direction, and transforming this rich tapestry of stories into something altogether more complex. In this penultimate episode, “Central,” Margaret and Hilary’s Filipina caretakers, Essie (Ruby Ruiz) and Puri (Amelyn Pardenilla), come to the fore as we follow them on their day off—socializing, corresponding with family abroad, and carving out time to pursue their own dreams, but who nevertheless remain entangled in their employers’ quandaries, and whose own future hangs in the balance of their every decision.

    This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

    • 30 min
    #512 - Nuri Bilge Ceylan on About Dry Grasses

    #512 - Nuri Bilge Ceylan on About Dry Grasses

    This week we’re excited to present a conversation with About Dry Grasses director Nuri Bilge Ceylan. An NYFF61 Main Slate selection, About Dry Grasses opens at FLC next Friday, February 23rd. Get tickets at filmlinc.org/grasses.

    In a village nestled within the wintry landscape of the East Anatolia region of Turkey, an art teacher named Samet (Deniz Celiloglu) is struggling through what he hopes to be his final year at an elementary school. Already tiring of the unforgiving environment, where he has been assigned by the government’s public education system, Samet is further disillusioned and frustrated after a young girl in his class, Sevim, appears to accuse him of inappropriate behavior. The only light on the horizon for Samet is his growing friendship with—and clear attraction to—a teacher from a nearby school, Nuray (Merve Dizdar), a sharp, politically engaged woman unafraid to put the self-involved Samet in his place for his general apathy and narcissism. Turkey’s official entry for Best International Feature Film at the 2024 Academy Awards, the latest deeply philosophical drama from Nuri Bilge Ceylan (Once Upon a Time in Anatolia, NYFF49) is a work of elegant, novelistic filmmaking, rigorously unpacking questions of belief versus action, the tangible versus the enigmatic, and who we wish to be versus how we live. A centerpiece conversation between Samet and Nuray—capped off by a provocative metacinematic flourish—ranks with Ceylan’s greatest sequences, and Dizdar, who won the Best Actress prize at this year’s Cannes Film Festival, commands every second she’s on screen. A Sideshow/Janus Films release.

    This conversation was moderated by NYFF Advisor Violeta Bava.

    • 27 min
    #511 - Serge Daney Talk with Richard Brody, Nicholas Elliott & Madeline Whittle

    #511 - Serge Daney Talk with Richard Brody, Nicholas Elliott & Madeline Whittle

    This week we’re excited to present a panel of critics and programmers to discuss the significance of the late French film critic Serge Daney (1944–1992)'s thought today, with a particular emphasis on how his politically driven analysis and radical enthusiasms of the 1970s might speak to our contemporary moment.

    Film at Lincoln Center was proud to recently present Never Look Away: Serge Daney’s Radical 1970s, a series that celebrated French film critic Serge Daney and the films he championed in his book La Rampe, occasioned by its long-awaited English translation under the title Footlights.

    Complementing this program was a panel that featured The New Yorker’s Richard Brody, translator of Footlights and series co-programmer Nicholas Elliott, and moderator FLC Assistant Programmer Madeline Whittle. This discussion considered the relation between mise-en-scène and moral perspective, the cinema as an antidote to advertising, and the critic’s role as an ally to filmmakers.

    Never Look Away: Serge Daney’s Radical 1970 was sponsored by MUBI.

    • 1h 17 min

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