1h
◤▄ ▐▄█ ▄█▀ ▄█▀ ⬤ █▄ ⬤ dubsahara
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- Música
Ｒｕｓｓｏｌｏ mixed by Dubsahara
••••••••• 𝔒𝔫𝔢 𝔥𝔬𝔲𝔯 𝔬𝔣 𝔢𝔩𝔢𝔠𝔱𝔯𝔬-𝔞𝔠𝔬𝔲𝔰𝔱𝔦𝔠 𝔪𝔲𝔰𝔦𝔠 •••••••••
Tracklist (incomplete) :
Largo (Symphony No.2, Op.9 "Antar") - Arranged by Jimi Tenor Jimi Tenor
What Need Have I For This-What Need Have I For That-I Am Dancing At The Feet Of My Lord-All Is Bliss-All Is Bliss (Album Version) Shakti
Sud III Jean-Claude Risset
Impulse and Pulsation Bernard Parmegiani
Urban Tribalism Bernard Parmegiani
The Bells of Abeth Bernard Parmegiani
Vexations - Version 3 - Arranged by Jimi Tenor
Fripp & Eno - Evening Star
Fripp & Eno - Evensong
Wind On Wind King Crimson
Luigi Russolo's 1913 manifesto, "The Art of Noises," is a pioneering text that laid the foundation for the development of electronic music. As the father of this genre, Russolo argued that the modern industrial world had introduced a new sonic landscape filled with noises that could be harnessed and incorporated into musical compositions. He proposed that by using technology and electronics, musicians could create an infinite variety of timbres and noises, transcending the limitations of traditional orchestral instruments. Russolo's ideas had a profound impact on many 20th-century composers, including Edgard Varèse, who is considered one of the most influential figures in electronic music. Varèse, like Russolo, was fascinated by the potential of new sounds and technologies, and he sought to create a "liberation of sound" in his compositions. Works such as "Poème électronique" (1958) and "Déserts" (1954) demonstrate Varèse's innovative use of electronic sounds and his desire to expand the boundaries of traditional music. Other notable artists influenced by Russolo's manifesto include John Cage, who embraced the use of unconventional sounds and chance operations in his compositions, and Pierre Schaeffer, the father of musique concrète, who pioneered the use of recorded sounds as musical material. The legacy of "The Art of Noises" can also be seen in the works of contemporary electronic musicians, such as Karlheinz Stockhausen, Iannis Xenakis, and Brian Eno, among others. One of Russolo's most remarkable contributions to the world of music was his invention of the intonarumori, a family of experimental musical instruments designed to produce a wide range of noises. These groundbreaking devices allowed musicians to create previously unheard sounds and expand the palette of timbres available to composers. The intonarumori stand as a testament to Russolo's visionary ideas and his unwavering commitment to pushing the boundaries of musical expression. With their unique, otherworldly sounds, these instruments opened up a new realm of possibilities for composers and paved the way for the development of electronic music as we know it today. The intonarumori remain a celebrated and awe-inspiring achievement in the history of music, a powerful symbol of Russolo's enduring legacy and the limitless potential of human creativity.
https://dubsahara.bandcamp.com
Ｒｕｓｓｏｌｏ mixed by Dubsahara
••••••••• 𝔒𝔫𝔢 𝔥𝔬𝔲𝔯 𝔬𝔣 𝔢𝔩𝔢𝔠𝔱𝔯𝔬-𝔞𝔠𝔬𝔲𝔰𝔱𝔦𝔠 𝔪𝔲𝔰𝔦𝔠 •••••••••
Tracklist (incomplete) :
Largo (Symphony No.2, Op.9 "Antar") - Arranged by Jimi Tenor Jimi Tenor
What Need Have I For This-What Need Have I For That-I Am Dancing At The Feet Of My Lord-All Is Bliss-All Is Bliss (Album Version) Shakti
Sud III Jean-Claude Risset
Impulse and Pulsation Bernard Parmegiani
Urban Tribalism Bernard Parmegiani
The Bells of Abeth Bernard Parmegiani
Vexations - Version 3 - Arranged by Jimi Tenor
Fripp & Eno - Evening Star
Fripp & Eno - Evensong
Wind On Wind King Crimson
Luigi Russolo's 1913 manifesto, "The Art of Noises," is a pioneering text that laid the foundation for the development of electronic music. As the father of this genre, Russolo argued that the modern industrial world had introduced a new sonic landscape filled with noises that could be harnessed and incorporated into musical compositions. He proposed that by using technology and electronics, musicians could create an infinite variety of timbres and noises, transcending the limitations of traditional orchestral instruments. Russolo's ideas had a profound impact on many 20th-century composers, including Edgard Varèse, who is considered one of the most influential figures in electronic music. Varèse, like Russolo, was fascinated by the potential of new sounds and technologies, and he sought to create a "liberation of sound" in his compositions. Works such as "Poème électronique" (1958) and "Déserts" (1954) demonstrate Varèse's innovative use of electronic sounds and his desire to expand the boundaries of traditional music. Other notable artists influenced by Russolo's manifesto include John Cage, who embraced the use of unconventional sounds and chance operations in his compositions, and Pierre Schaeffer, the father of musique concrète, who pioneered the use of recorded sounds as musical material. The legacy of "The Art of Noises" can also be seen in the works of contemporary electronic musicians, such as Karlheinz Stockhausen, Iannis Xenakis, and Brian Eno, among others. One of Russolo's most remarkable contributions to the world of music was his invention of the intonarumori, a family of experimental musical instruments designed to produce a wide range of noises. These groundbreaking devices allowed musicians to create previously unheard sounds and expand the palette of timbres available to composers. The intonarumori stand as a testament to Russolo's visionary ideas and his unwavering commitment to pushing the boundaries of musical expression. With their unique, otherworldly sounds, these instruments opened up a new realm of possibilities for composers and paved the way for the development of electronic music as we know it today. The intonarumori remain a celebrated and awe-inspiring achievement in the history of music, a powerful symbol of Russolo's enduring legacy and the limitless potential of human creativity.
https://dubsahara.bandcamp.com
1h