Key Change The Santa Fe Opera

We're taking an Opera For All Voices-adjacent excursion to the realm of wiggly kiddos, innovative teachers, and fresh vocabulary words, highlighting the power of playful arts integration. 
Join Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia with special guest Charles Gamble, Santa Fe Opera's Director Of School Programs, as they introduce two of Santa Fe Opera's most dynamic community engagement programs: ALTO: Active Learning Through Opera, a multi-session residency within the Santa Fe Public Schools that incorporates creative arts to make learning delightfully sticky; and NMArt Professional Learning Workshops For Educators, professional development workshops that elevate culturally responsive, student-centered teaching and learning via arts-integrated strategies.  
We've all had that one teacher who coaxed us out of our comfort zone and into the world of possibility. That teacher was Miss Moretti of the third grade for a shy, socially awkward Charles. She gave him permission to engage with his artistic passions and live more fearlessly. "It was transformative," he explains. "Those experiences with remarkable teachers helped me find my place alongside the other theater and chorus kids." 
We're grateful to that long line of encouraging adults. Without them, Charles may never have found a creative home at SFO. As Director of School Programs, Charles is tirelessly pursuing opportunities to make learning accessible and more operatic. 
"Opera has it all. Poetry and dance, theater, media, arts, music. It's all there," he marvels. "There's an understanding that as human beings, we're naturally curious. By drawing the arts into the classroom, we're tapping into that natural curiosity and deepening the engagement that students––and their teachers!––have with whatever else they're learning in school."
To Learn More About Becoming a Teaching Artist:
https://www.santafeopera.org/alto-faqs/
For more information, please contact:
Charles Gamble
Director of School Programs
cgamble@santafeopera.org
MENTIONED IN THIS EPISODE
ALTO: Active Learning Through Opera | Santa Fe Opera
NMArt Professional Learning Workshops For Educators | Santa Fe Opera
RELATED EPISODES
Destination Santa Fe Opera: Life Skills, Music Making, and Billy Bad the Billionaire: Youth Opera Programs with Amy Owens and Charles Gamble
Key Change: Telling Hard Truths
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Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Technical Director: Edwin R. Ruiz
Production Support from Alex Riegler
Show Notes by Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.  
To learn more about Opera For All Voices, visit SantaFeOpera.org. And for more Key Change, visit SantaFeOpera.org/KeyChange.

It’s all systems go for season five of Key Change! But before we commence with the anniversary celebrations, co-hosts Andrea Fellows Fineberg and Anna Garcia dust off the time machine for a whirlwind tour of seasons past. Think of this episode as part process evaluation––an appraisal of Opera For All Voices (OFAV), the Santa Fe Opera initiative committed to co-commissioning and co-producing new, diverse operatic works––and part indispensable playlist for repeat audiences and newcomers alike, covering the essential artistic and emotional moments that have made Key Change an award-winning podcast.
Since 2015, OFAV has sought to answer the question: How does one of the oldest art forms remain relevant in an increasingly perilous landscape of aging audiences, funding shortages, budget cuts, and political polarization? 
One answer is to produce works that reflect our modern conversations around race, social justice, accountability, and understanding. Key Change offers a complimentary option: Amplify the diverse stories of those involved in the commissions, be they artists, production assistants, or folks with firsthand knowledge of events reimagined for the stage.
So, how are we doing? “I think it's kind of amazing how, little by little through the seasons, we’ve touched on the creation of stories being told by people finding their voice,” Anna says, noting that those voices speak truth to power in wildly bold and creative ways. 
Key Change has cataloged four seasons of redemptive journeys and harrowing real-life stories while envisioning a future of genuinely collaborative artistic endeavors. We invite you to stay tuned for what’s next.
RELATED EPISODES
 S1E2 - What's In A Name? The Origin Story Of Opera For All Voices
S2E2 - A Seat At The Table: Equity, Diversity, Inclusion, And Opera - Part I
S2E3 - Bring Your Folding Chair: Equity, Diversity, Inclusion, And Opera - Part II
S2E6 - The Universe Is Made Of Stories: A Conversation With Peter Sellars
S4E4 - Story With Purpose: The Origin Of The Pueblo Opera Cultural Council With Renee Royal And Claudene A. Martinez
S3E4 - Singing A Call To Action, Is This America?
S4E2 - Influence And Inclusion: The Impact Of Hometown To The World With Estevan, Ely, and Francesco Of The Youth Chorus
S4E7 - Telling Hard Truths
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Technical Director: Edwin R. Ruiz
Production Support from Alex Riegler
Show Notes by Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.  
To learn more about Opera For All Voices, visit SantaFeOpera.org. And for more Key Change, visit SantaFeOpera.org/KeyChange.

It's season 5! This season, we're inviting you, our favorite listeners, on a journey through time and space -- traveling back in time to the origins of Key Change and Opera For All Voices and forward into the future of boundless possibilities.
This spring, Andrea Fellows Feinberg and Anna Garcia take you through through the community engagement portal to hear from the voices transforming the future of opera. 
And in the fall, they'll offer a backstage pass to latest Opera For All Voices commissions as we continue to shift the conversation about what opera is and what it can be.
New episodes of Key Change are coming to your favorite podcast app this spring and summer 2024. 
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Technical Director: Edwin R. Ruiz
Prouction Support: Alex Riegler
Show Notes by  Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W Mellon foundation, and an Opera America innovation Grant supported by the Anne & Gordon Getty Foundation.  
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.
 

Seven years ago, Santa Fe Opera started a conversation that would reverberate throughout American Opera, shaping this celebrated art form into something more reflective of the world in which it's created. Today, Opera For All Voices (OFAV) commissions have surpassed even our wildest storytelling expectations. 
Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia tuck into the time machine for a season-ending trip around the OFAV universe, revisiting the initiative's greatest hits and offering fans a glimpse at what's to come––with Ruth Nott, consultant, Opera for All Voices; Brent Michael Davids, composer; and Mary Kathryn Nagle J.D., playwright, attorney, and member of Cherokee Nation of Oklahoma.
OFAV began with a simple premise. "We wanted to see what other voices were available and had interesting stories to tell," Ruth explains. So, how'd we do? 
In the past 18 months alone, OFAV has produced two world premieres in Santa Fe, This Little Light Of Mine and Hometown To The World, a groundbreaking workshop in San Francisco for The Pigeon Keeper, and OFAV on Broadway featuring Hometown To The World. We've also strengthened our bond with the Pueblo Opera Cultural Council.
While reminiscing is fun, the Key Change time machine is actually a forward-focused intergalactic vehicle. Brent and Mary Kathryn have plotted next season's creative journey from pueblo to cosmos. "It'll be one of the very first operas that centers a Native woman protagonist," hints Mary Kathryn. "We're asking questions that go far beyond Indian country or the history of the relationship between the United States and Native people. We're asking questions that pertain to all of humanity, and what is our relationship to the universe."
Catch a ride for Season Five coming soon!
FEATURING
Brent Michael Davids - Composer, Member of the Stockbridge-Munsee Community
Mary Kathryn Nagle J.D. - Attorney at Law/Playwright/Screenwriter and Member Of Cherokee Nation of Oklahoma
Ruth Nott - Consultant, Opera for All Voices
RELATED EPISODES
KCP0404 - Story With Purpose: The Origin of the Pueblo Opera Cultural Council with Renee Roybal and Claudene A. Martinez
KCP0405 - Spark of Imagination: Generations of the Pueblo Opera Program with Sonja & Seth Martine
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Show Notes by  Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W. Mellon Foundation, and an Opera America Innovation Grant supported by the Anne & Gordon Getty Foundation.  
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.

Roadtrip! After many long months of necessary virtual collaboration, the creative team behind The Pigeon Keeper, a Santa Fe Opera Opera For All Voices (OFAV) commission, finally got to spread their wings for an emotional workshop in San Francisco. 
Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia discover what it was like to have everyone (well, almost everyone) in the same room for the very first time––featuring composer David Hanlon, librettist Stephanie Fleischmann, stage director Mary Birnbaum, music director Kelly Kuo, dramaturg Cori Ellison, Ruth Nott, consultant for OFAV, plus Elinore (Ellie) Pett-Ridge Hennessy, Azaria Stauffer-Barney, and Ruby Recht-Appel, all members of the San Francisco Girls Chorus (SFGC).
"Stephanie and I really love working and responding in the moment," says David, excited to sit beside The Pigeon Keeper's librettist in real time and space. 
For those unfamiliar with the process of developing new operatic works, workshops put the pieces and performers together for a rigorous, accelerated series of rehearsals, and what some may call a smash-through – the first time the piece is heard by the artists in person all the way through, without stopping (even if there are mistakes.) Then the piece is presented to an invited audience of folks who may be interested to produce or present the opera in the future.  “We're always trying things out, which is really exciting. But,” David admits, “there's a lot of flux to that.” 
Workshops are, by their nature, intense. Witnessing The Pigeon Keeper live, with its fairytale-like exploration of chosen family and mass migration, profoundly impacted participants of this workshop, especially members of the San Francisco Girls Chorus (SFGC), whose voices add poignant commentary to the storytelling. "I'm not gonna lie to you. I read through the music, and I started tearing up," recalls Ellie. "It just feels like home."
And it feels one step closer to realizing The Pigeon Keeper as a fully staged production.
FEATURING
David Hanlon - Composer, The Pigeon Keeper
Stephanie Fleischmann - Librettist, The Pigeon Keeper
Mary Birnbaum - Stage Director
Kelly Kuo - Music Director
Cori Ellison - Dramaturg
Ruth Nott - Consultant, Opera for All Voices
Elinore (Ellie) Pett-Ridge Hennessy, Azaria Stauffer-Barney, and Ruby Recht-Appel - Members, San Francisco Girls Chorus (SFGC) led by Artistic Director Valérie Sainte-Agathe
RELATED EPISODES
KCP0204: Hope Is the Thing With Feathers: A first look at The Pigeon Keeper
KCP0404 - In a Room Making Music With People: The Pigeon Keeper with Stephanie Fleischmann and David Hanlon
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Show Notes by  Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W Mellon foundation, and an Opera America innovation Grant supported by the Anne & Gordon Getty Foundation.  
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.
 

If a chorus of 12 teens can provide compelling commentary on immigration enforcement from the stage of a venerable performing arts center in Santa Fe, how might ten times that number of voices impact the debate? From a Broadway venue that has welcomed some of the twentieth century’s most influential social justice visionaries? 
Key Change co-hosts Andrea Fellows-Fineberg and Anna Garcia pilot the time machine east to find out, setting a course for the 2022 premiere of Hometown to the World at New York’s storied Town Hall.
Adding their insights to this aural postcard are Hometown’s composer Laura Kaminsky and librettist Kimberly Reed; Melay Araya, artistic director at The Town Hall; several chorus members from Fiorello H. LaGuardia High School of Music & Art and Performing Arts and Repertory Company High School for Theatre Arts, as well as the audience.
Hometown––an original work commissioned by Santa Fe Opera for its Opera For All Voices (OFAV) initiative––follows the events of a 2008 raid by U.S. Immigration and Customs Enforcement (ICE) of a kosher meatpacking plant in Postville, IA. The opera explores themes of religion, acceptance, and community, igniting a communal desire to create a more equitable world. “People that are already empathetic, they need fuel,” says Melay. “They need the refocusing that Laura and Kim provide in language and song to think larger and to address these issues, not just on the granular level, but as spiritual and ethical questions.”
Hometown closes with a Hebrew call to action, delivered by that sprawling chorus of young, hopeful voices: Tikkun Olam! Repair the world!
FEATURING
Laura Kaminsky - Composer, Hometown to the World
Kimberly Reed - Librettist, Hometown to the World
Melay Araya - Artistic Director, The Town Hall
A chorus comprised of 100+ public high school students from Fiorello H. LaGuardia High School of Music & Art and Performing Arts and Repertory Company High School for Theatre Arts
RELATED EPISODES
Season 1, Episode 6 “Hometown to the World” - Hometown’s Laura Kaminsky and Kimberly Reed on telling history and collaboration.
Season 2, Episode 9 “America Is Impossible Without Us” - Revisiting Hometown’s story, structure, music, and what it means to be an American during the San Francisco workshop.
Season 3, Episode 3 “Responding to the World” - with Stage Director Kristine McIntyre and Dramaturg Cori Ellison.
Season 3, Episode 8 “Bridging Communities with Carmen Flórez-Mansi” - with Chorus Master Carmen Flórez-Mansi.
Season 4, Episode 1 “This Doesn’t Happen Without Audience” - Andrea prepares for the world premiere in Santa Fe with core members of its artistic team, young performers, and the most influential collaborator: the audience.
Season 4, Episode 2 “Influence and Inclusion: The Impact of Hometown to the World with Estevan, Ely, and Francesco of the Youth Chorus” - Post-show reactions from artists, creators, collaborators, and the audience buoyed by musical excerpts from Hometown’s premiere at the Lensic Performing Arts Center in Santa Fe.
***
Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices.
Produced and edited by Andrea Klunder at The Creative Impostor Studios
Hosted by Andrea Fellows Fineberg & Anna Garcia
Audio Engineer: Kabby at Kabby Sound Studios in Santa Fe
Show Notes by  Lisa Widder
Theme music by Rene Orth with Corrie Stallings, mezzo-soprano, and Joe Becktell, cello
Cover art by Dylan Crouch
This podcast is made possible due to the generous funding from the Hankins Foundation, the Andrew W Mellon foundation, and an Opera America innovation Grant supported by the Anne & Gordon Getty Foundation.  
To learn more about Opera For All Voices, visit us at SantaFeOpera.org.