Sounds Like Mike Michael Manus

You asked so we delivered! It's finally time for the long awaited "Terrible Blackmagic Rigs" sequel, so today we're taking a collection of Blackmagic Pocket Cinema Camera rigs that YOU submitted and finding out which to "SHOOT" and which to "BOOT".We also have a special guest call-in from the god of terrible BMPCC himself Alexandru Don, where we test him on his film industry slang, and learn what went in to his infamously dysfunctional Blackmagic Pocket Cinema Camera rig!Shae Paterson -Cinematographer, Gaffer, and creator of the "Terrible Blackmagic Rigs" Facebook page- joins me today to once and for all decide which BMPCC rig is the most terrible of all time!All the images in this video were submitted to a post on the "Blackmagic Pocket Cinema Camera 4K & 6K User Group" on Facebook, and e-mailed in by viewers.

Camera rigging isn't something that comes naturally, especially when it comes to the Black Magic Pocket Cinema Camera.

I've scoured the internet in search of the ugliest, most pointless, and least functional BMPCC rigs on the internet so we can see what went wrong, what went right, and rank them. Shae Paterson -Cinematographer, Gaffer, and creator of the "Terrible Blackmagic Rigs" Facebook page- joins me today to once and for all decide which BMPCC rig is the most terrible of all time!

All the images in this video were pulled directly from the "Blackmagic Pocket Cinema Camera 4K & 6K User Group" on Facebook, "/r/BMPCC" on Reddit, and of course the "Terrible Blackmagic Rigs" Facebook page.

How much does all that camera gear cost? How long did it take to get? What camera should I buy? All questions I WILL NOT be answering in this episode! The question you should be asking is in the title: "How did you get all this camera gear?"

Today, I'm taking you on a trip down memory lane to outline exactly how I built my kit from a Canon Rebel T3i and a $30 tripod, to almost $30,000 in lighting, camera, sound, and grip gear. I'll also be telling you where I went wrong, and giving you the tools that I wish I had when I started my career in film. The camera gear MATTERS!

Today we're breaking down the beef and debacle that spun from Ethen Klein's (H3H3) video "Content Nuke", and subsequent responses by Keemstar (Drama Alert). We've got takes from all over twitter that you haven't even seen yet, the ethics of calling out sponsors, how Etika fits in to all of this, and more. Stick around and let's watch this train-wreck together!

After the stress of losing all my work and not having having zero income for the foreseeable future began lifting, I found myself with the freedom to experiment with film, video, and art. This time has led me to question the definition of "passion", and what it means to be comfortable with the unknown.

Today on the podcast we have Shae Paterson; Shae is a talented Director of Photography, gaffer, and co-owner of Something Orange, our production company and studio. He's done incredible work for clients like Google, Hasbro, The United Nations, Bell Media, and many more. Today we talked about how Shae built his career by connecting with people and clients through social media, why the camera DOES matter, and why being honest, self-aware, and enthusiastic, is essential to building long-lasting relationships.